Dick Cuthell | |
---|---|
Birth name | Richard Cuthell |
Origin | Liverpool, England |
Genres | Ska, pop |
Occupation(s) | Musician, record producer |
Instrument(s) | Flugelhorn, cornet, trumpet, bass guitar, keyboards, percussion |
Years active | 1960s–present |
Dick Cuthell is a British musician and record producer. He plays flugelhorn, cornet, and trumpet, amongst a range of other brass instruments, including tenor horn and valve trombone. Cuthell is best known for his work with the Specials [1] [2] and Rico Rodriguez. [3] He also collaborated with bands such as Madness, Eurythmics, [4] Fun Boy Three, [5] XTC, Level 42 and the Pogues. In addition to a range of horns, Cuthell also plays bass, keyboards and percussion and is a composer and arranger.
Dick Cuthell was born in Liverpool in 1949.
After playing in several bands including the Washington Soul Band and Trifle in the 1960s, Cuthell worked for Island Records in the 1970s as an engineer and later in-house producer. His work at Island Studios in both Jamaica and London brought him into contact with reggae and ska musicians, and these became a constant theme in the music he played and produced, working with Delroy Washington amongst many others. He acted as assistant engineer on Bob Marley's Exodus album, [6] on which he also played horns, [7] and also met Rico Rodriguez, with whom he would later work in The Specials. [8] He was also one of several engineers that worked on the dub album of Burning Spear's Marcus Garvey album, Garvey's Ghost . [9]
Cuthell became, along with Rico Rodriguez, the horn section for the Specials, playing cornet on their debut album, and staying with the band into their later incarnation as the Special A.K.A., playing on the hit single "Free Nelson Mandela", and the album In the Studio . [1] [10] [11] [12] He co-wrote two of the band's songs, "Bright Lights" and "Racist Friend", released together as a single in 1983, reaching No. 60 in the UK. [13] [14] [15]
Cuthell also recorded with another group of ex-members of the Specials, Fun Boy Three. [16]
Throughout the 1980s, Cuthell continued both production and session work. He contributed trumpet, flugelhorn and cornet to the Eurythmics' 1983 No. 1 album Touch , and also toured as part of the band. [1] [17] He played horns on the Pogues' 1985 album Rum, Sodomy, and the Lash . [18]
His productions include the Boothill Foot Tappers 1985 album Ain't That Far from Boothill. [19]
He also recorded with Madness, [20] and Linton Kwesi Johnson. [21]
The flugelhorn, also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet, but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modelled.
Madness are an English ska and pop band from Camden Town, north west London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s two-tone ska revival, they continue to perform with six of the seven members of their original line-up. Madness's most successful period was from 1980 to 1986, when the band's songs spent a total of 214 weeks on the UK Singles Chart, holding the record along with English reggae group UB40 for most weeks spent by a group in the UK singles chart during the 1980s.
Stiff Records is a British independent record label formed in London, England, by Dave Robinson and Jake Riviera. Originally active from 1976 to 1986, the label was reactivated in 2007.
The Specials, also known as The Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits ". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work presented overt political and social commentary.
Touch is the third studio album by British pop duo Eurythmics, released on 14 November 1983 by RCA Records. It became the duo's first number-one album on the UK Albums Chart, and also peaked at number seven on the US Billboard 200. It has since been certified Platinum in both the United Kingdom and the United States. The album spawned the singles "Who's That Girl?", "Right by Your Side" and "Here Comes the Rain Again", all of which reached the top 10 of the UK Singles Chart.
Specials is the debut album by British ska revival band the Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"—a phrase borrowed from Bob Marley's 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.
Emmanuel "Rico" Rodriguez, also known as Rico, Reco or El Reco, was a Cuban-born Jamaican ska and reggae trombonist. He recorded with producers such as Karl Pitterson, Prince Buster, and Lloyd Daley. He was known as one of the first ska musicians. Beginning in the 1960s, he worked with the Members, the Specials, Jools Holland, and Paul Young.
2 Tone Records was an English independent record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records.
"Ghost Town" is a song by the British two-tone band the Specials, released on 12 June 1981. The song spent three weeks at number one and 11 weeks in total in the top 40 of the UK Singles Chart.
Too Much Pressure is the debut studio album by the English 2 tone ska revival band the Selecter. After the band's official formation in 1979 in Coventry, following the release of a song entitled "The Selecter" by an unofficial incarnation of the band, the band's hit single "On My Radio" prompted their labels 2 Tone and Chrysalis to ask the band to record their debut album. Working with producer Errol Ross, the Selecter recorded the album at Horizon Studios over two months. The album contains original material, mostly composed by band founder and guitarist Neol Davies, as well as numerous ska and reggae cover versions, in a similar fashion to the Specials' debut album.
"This Is the House" is a 1982 song by the British new wave duo Eurythmics. It was their third single, and was included on the band's second album Sweet Dreams .
Bass Culture is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on the Island Records label. It was produced by Linton Kwesi Johnson and Dennis Bovell. Bovell, Lloyd "Jah Bunny" Donaldson and Webster Johnson were members of Matumbi.
LKJ in Dub is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on Island Records. It was produced by Dennis Bovell. It contains dub versions of tracks from the two previous LKJ albums, Forces of Victory and Bass Culture.
Tribute to the Martyrs is the second studio album by the English reggae band Steel Pulse, released in July 1979. The album peaked at No. 36 on the Swedish Pop Album charts and No. 42 on the UK Pop Album charts.
Marcus' Children is a studio album by the Jamaican musician Burning Spear, originally released in 1978 as Social Living. It was produced by Karl Pitterson and Burning Spear.
In the Studio is the third studio album by British ska revival band the Specials. It was released under the name the Special AKA in June 1984, their only album under that name. The album took over two years to produce before finally seeing release, by which time the original Specials had long since disbanded.
Too Much Too Young - The Special A.K.A. Live! is a live EP by the Specials with Rico Rodriguez, released on 11 January 1980. On the original release, the front cover credited the performers as The Special A.K.A. featuring Rico, while the back cover mentions and the labels credited only The Specials.
Roots to the Bone was issued in 1995 by Island Records as a reissue of Rico Rodriguez' most important album, Man from Wareika, with some 12" sides from the late 1970s.
"The Boiler" is a single by Rhoda Dakar with the Special AKA. It was released in January 1982 on 2 Tone Records.