Dick Cuthell

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Dick Cuthell
Birth nameRichard Cuthell
Origin Liverpool, England
Genres Ska, pop
Occupation(s)Musician, record producer
Instrument(s) Flugelhorn, cornet, trumpet, bass guitar, keyboards, percussion
Years active1960s–present

Dick Cuthell is a British musician and record producer. He plays flugelhorn, cornet, and trumpet, amongst a range of other brass instruments, including tenor horn and valve trombone. Cuthell is best known for his work with the Specials [1] [2] and Rico Rodriguez. [3] He also collaborated with bands such as Madness, Eurythmics, [4] Fun Boy Three, [5] XTC, Level 42 and the Pogues. In addition to a range of horns, Cuthell also plays bass, keyboards and percussion and is a composer and arranger.

Contents

Biography

Dick Cuthell was born in Liverpool in 1949.

Island records

After playing in several bands including the Washington Soul Band and Trifle in the 1960s, Cuthell worked for Island Records in the 1970s as an engineer and later in-house producer. His work at Island Studios in both Jamaica and London brought him into contact with reggae and ska musicians, and these became a constant theme in the music he played and produced, working with Delroy Washington amongst many others. He acted as assistant engineer on Bob Marley's Exodus album, [6] on which he also played horns, [7] and also met Rico Rodriguez, with whom he would later work in The Specials. [8] He was also one of several engineers that worked on the dub album of Burning Spear's Marcus Garvey album, Garvey's Ghost . [9]

The Specials

Cuthell became, along with Rico Rodriguez, the horn section for the Specials, playing cornet on their debut album, and staying with the band into their later incarnation as the Special A.K.A., playing on the hit single "Free Nelson Mandela", and the album In the Studio . [1] [10] [11] [12] He co-wrote two of the band's songs, "Bright Lights" and "Racist Friend", released together as a single in 1983, reaching No. 60 in the UK. [13] [14] [15]

Cuthell also recorded with another group of ex-members of the Specials, Fun Boy Three. [16]

Later production and session work

Throughout the 1980s, Cuthell continued both production and session work. He contributed trumpet, flugelhorn and cornet to the Eurythmics' 1983 No. 1 album Touch , and also toured as part of the band. [1] [17] He played horns on the Pogues' 1985 album Rum, Sodomy, and the Lash . [18]

His productions include the Boothill Foot Tappers 1985 album Ain't That Far from Boothill. [19]

He also recorded with Madness, [20] and Linton Kwesi Johnson. [21]

Related Research Articles

<span class="mw-page-title-main">Flugelhorn</span> Brass musical instrument

The flugelhorn, also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet, but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modelled.

<span class="mw-page-title-main">Madness (band)</span> British ska band

Madness are an English ska and pop band from Camden Town, north west London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s two-tone ska revival, they continue to perform with six of the seven members of their original line-up. Madness's most successful period was from 1980 to 1986, when the band's songs spent a total of 214 weeks on the UK Singles Chart, holding the record along with English reggae group UB40 for most weeks spent by a group in the UK singles chart during the 1980s.

<span class="mw-page-title-main">Stiff Records</span> British record label

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<span class="mw-page-title-main">The Specials</span> British ska band from Coventry

The Specials, also known as The Special AKA, were an English 2 tone and ska revival band formed in 1977 in Coventry. After some early changes, the first stable lineup of the group consisted of Terry Hall and Neville Staple on vocals, Jerry Dammers on keyboards, Lynval Golding and Roddy Radiation on guitars, Horace Panter on bass, John Bradbury on drums, and Dick Cuthell and Rico Rodriguez on horns. The band wore mod-style "1960s period rude boy outfits ". Their music combines the danceable rhythms of ska and rocksteady with the energy and attitude of punk. Lyrically, their work presented overt political and social commentary.

<i>Touch</i> (Eurythmics album) 1983 studio album by Eurythmics

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<i>The Specials</i> (album) 1979 studio album by the Specials

Specials is the debut album by British ska revival band the Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"—a phrase borrowed from Bob Marley's 1973 album Catch a Fire—used to describe the grim, violent inner cities of 1970s Britain. The album features a mixture of original material and several covers of classic Jamaican ska tracks.

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<span class="mw-page-title-main">2 Tone Records</span> English independent record label

2 Tone Records was an English independent record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records.

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Too Much Pressure is the debut studio album by the English 2 tone ska revival band the Selecter. After the band's official formation in 1979 in Coventry, following the release of a song entitled "The Selecter" by an unofficial incarnation of the band, the band's hit single "On My Radio" prompted their labels 2 Tone and Chrysalis to ask the band to record their debut album. Working with producer Errol Ross, the Selecter recorded the album at Horizon Studios over two months. The album contains original material, mostly composed by band founder and guitarist Neol Davies, as well as numerous ska and reggae cover versions, in a similar fashion to the Specials' debut album.

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<i>Bass Culture</i> 1980 studio album by Linton Kwesi Johnson

Bass Culture is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on the Island Records label. It was produced by Linton Kwesi Johnson and Dennis Bovell. Bovell, Lloyd "Jah Bunny" Donaldson and Webster Johnson were members of Matumbi.

<i>LKJ in Dub</i> 1980 studio album by Linton Kwesi Johnson

LKJ in Dub is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on Island Records. It was produced by Dennis Bovell. It contains dub versions of tracks from the two previous LKJ albums, Forces of Victory and Bass Culture.

<i>Tribute to the Martyrs</i> 1979 studio album by Steel Pulse

Tribute to the Martyrs is the second studio album by the English reggae band Steel Pulse, released in July 1979. The album peaked at No. 36 on the Swedish Pop Album charts and No. 42 on the UK Pop Album charts.

<i>Marcus Children</i> 1978 studio album by Burning Spear

Marcus' Children is a studio album by the Jamaican musician Burning Spear, originally released in 1978 as Social Living. It was produced by Karl Pitterson and Burning Spear.

<i>In the Studio</i> 1984 studio album by the Special AKA

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<i>Too Much Too Young</i> (EP) 1980 EP by The Special A.K.A. featuring Rico

Too Much Too Young - The Special A.K.A. Live! is a live EP by the Specials with Rico Rodriguez, released on 11 January 1980. On the original release, the front cover credited the performers as The Special A.K.A. featuring Rico, while the back cover mentions and the labels credited only The Specials.

<i>Roots to the Bone</i> 1995 compilation album by Rico Rodriguez

Roots to the Bone was issued in 1995 by Island Records as a reissue of Rico Rodriguez' most important album, Man from Wareika, with some 12" sides from the late 1970s.

<span class="mw-page-title-main">The Boiler</span> 1982 single by Rhoda with the Special A.K.A.

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