Valverde Villena worked as a lecturer in several universities, mainly at the Universidad Mayor de San Andres in La Paz, Bolivia, where he taught Medieval Lyric, Baroque Lyric and Poetry between 1996-1998 and after 2010. From 2002 to 2004 he worked in the staff of the Secretary of State for Culture in Spain. He currently resides in Bolivia, but travels frequently to Spain.
According to the poet Julio Martínez Mesanza, Valverde Villena's intricately allusive poetry comes from "a perfect mixture of life and culture".[2] His cultural allusions serve as proper devices to show the poet's deepest feelings in a way which resembles the conceit used by the Metaphysical poets. Martínez Mesanza points to John Donne and Ausias March as major influences on Valverde Villena.
Valverde Villena's short poems have been called "flash poems" or "spark poems" by some critics, because they concentrate so many ideas into a few lines of verse. In the words of the poet Ahmed Higazi, "it's like having a big lion in a little cage".
Valverde Villena's poetry multiplies allusions not only to the literary traditions of several languages, but also to history, anthropology, religion, music and cinema.
Works
Poetry
El difícil ejercicio del olvido, La Paz, Bolivia, 1997.
Chicago, West Barry, 628, Sueltos de la Selva Profunda, Logroño, 2000.
No olvides mi rostro, Huerga y Fierro, Madrid, 2001.
Infierno del enamorado, Valladolid, 2002.
El espejo que lleva mi nombre escrito, Cairo, 2006.
Shir Hashirim, Ediciones del Caracol Descalzo, Madrid, 2006.
Iconos, a three-part poem -a triptych of icons- released with the music composed for it by Juan Manuel Ruiz, 2008.
Un segundo de vacilación, La Paz, Bolivia, 2011.
Panteras, Madrid, 2015
Anthologies
33 de Radio 3, Calamar/RNE 3, Madrid, 2004.
Antología de poesía española y egipcia contemporánea, Instituto Egipcio de Estudios Islámicos, Madrid, 2005.
Diez poetas, diez músicos, Calambur, Madrid, 2008.
Essays
Para Catalina Micaela: Álvaro Mutis, más allá del tiempo, UMSA, La Paz, Bolivia, 1997.
Varado entre murallas y gaviotas. Seis entradas en la bitácora del Maqroll el Gaviero, Gente Común, La Paz, Bolivia, 2011
Dominios inventados, Plural, La Paz, Bolivia, 2013.
"Poesía boliviana reciente" en La Jornada Semanal, Mexico, June 27, 1999.
"El espejo de la calle Gaona: los pasadizos entre ficción y realidad en Jorge Luis Borges", Clarín, 30, Nov.-Dec. 2000, pp.5–10.
"Don Álvaro ante el rey, tantos años después", Clarín, 32, March–April 2001, pp.3–8.
"Mujeres de mirada fija y lento paso: el eterno femenino en la poesía de Álvaro Mutis", Excelsior, Mexico, June 7, 2002.
"Hechos de armas bajo la bandera de Álvaro Mutis", Letras Libres, 10, July 2002, pp.46–48.
"Spain: Agape and conviviality at the table", in Culinary Cultures of Europe, Council of Europe Publishing, Strasbourg, 2005.
"Al amparo de Isis (un viaje a Egipto)", in Clarín, 63, May–June 2006, pp.66–68.
"Cuando Stonewall Jackson conoció al General Lee: una semblanza de José María Álvarez", introduction to Los prodigios de la cera, by José María Álvarez, Caracas, 2008, pp.13–17.
"Los caminos de T. S. Eliot", in Renacimiento, Seville, 2008, pp.106–108.
Prose translations
Nuestro visitante de medianoche y otras historias, by Arthur Conan Doyle, Valdemar, Madrid, 2001.
↑ Martínez Mesanza, Julio (2002). "Diego Valverde Villena: palabras cultas, palabras vivas". Nueva Revista de Política, Cultura y Arte. 79: 162–64.
Sources
Martinez Mesanza, Julio, "Diego Valverde Villena: palabras cultas, palabras vivas", in Nueva revista, 79, Jan.-Feb. 2002, pp.162–163.
Gomez Villegas, Nicanor, "La materia Valverdiana", Ojos de papel, April, 2008
Sayed Mohamed Sayed Qutb, "Retoques incompletos, meta del poeta entre Diego Valverde Villena y Ali Mansour", in Medio siglo de hispanismo en Egipto (1957-2007), Cairo, Darat al-Karaz, 2008, pp.163–170 and 217–221.
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