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Type | Private |
---|---|
Industry | Amplification |
Founded | Bad Steben, Germany (1992 ) |
Founder | Peter Diezel and Peter Stapfer |
Headquarters | , Germany |
Key people | Peter Diezel and Peter Stapfer |
Products | guitar amplifiers |
Website | diezelamplification |
Diezel Amplification GmbH is a company based in Bad Steben, Germany, founded by Peter Diezel and Peter Stapfer, that builds high-end guitar amplifiers. The company was established in 1992.
Model | Preamp | Poweramp | Loops | Dimensions | Mass | Form factor(s) | Output |
---|---|---|---|---|---|---|---|
VH-X | 4-channel, 99 storable presets, 10 assignable DFX | Mono, 4 tubes [1] | 3: 1 switchable pre-loop, 2 switchable fx loops | 23.5 x 11.5 x 11.5 in | 53 lb (24 kg) | Head | 100W |
VH4 | 4-channel | Mono, 4 tubes | 4 channel inserts, serial and parallel master loops | 29 × 11 × 11 in 74 × 28 × 28 cm | 50 lb (23 kg) | Head | 90 — 160W |
VH4S | 4-channel | Stereo, 4 tubes | 4 channel inserts, serial and parallel master loops | 29 × 11 × 11 in 74 × 28 × 28 cm | 50 lb (23 kg) | Head | 2 × 50W |
VH2 | 2-channel | Mono, 4 tubes | series; non midi switchable | 29 × 11 × 11 in 74 × 28 × 28 cm | 51 lb (23 kg) | Head | 100W |
Herbert | 3-channel | Mono, 6 tubes | 1 parallel, 1 insert loops, 1 switchable insert loop | 29 × 11 × 11 in 74 × 28 × 28 cm | 60 lb (27 kg) | Head | 180W |
Hagen | 4-channel | Mono, 4 tubes | 1 parallel, 1 insert loops, 1 switchable insert loop | 29 × 11 × 11 in 74 × 28 × 28 cm | 53 lb (24 kg) | Head | 100W |
D-Moll | 2,5-channel (channels 2 and 3 share the tone stack) | Mono, 4 tubes | series and parallel; both sends are midi switchable | 23 × 12 × 11 in 59 × 29,5 × 27 cm | 51 lb (23 kg) | Head | 100W |
Lil Fokker | 2-channel; non midi switchable | Mono, 4 tubes | series; non midi switchable | 29 × 11 × 11 in 74 × 28 × 28 cm | 51 lb (23 kg) | Head | 100W |
Schmidt | 3 ECC83, 1 ECC81 2-channel class A with boost | Mono, 2 tubes | TBA serial and parallel loop, switchable reverb for both channels | 20 × 12 × 12 in 50 × 30 × 31 cm | 48,5 lb (22 kg) | Head | 15-30W |
Lucy (bass amp) | TBA | up to 8 EL34 500 Watts RMS | TBA parallel and serial loop | TBA | TBA | Head | TBA |
Model | Preamp | Poweramp | Loops | Dimensions | Mass | Form factor(s) | Output |
---|---|---|---|---|---|---|---|
Einstein | 2-channel | Mono, 2 or 4 tubes | 1 parallel, 1 serial | Combo: 59 × 45 × 30 cm Head: 59 × 25 × 30 cm | Combo: (31 kg) Head: 50W (19 kg), 100W (21 kg) | Head Combo | 50W, 100W 50W |
Diezel offers 4x12 and 2x12 cabinets in front or rear loaded configurations. The front loaded cabinets come standard with V30 or G12K100 speakers while the rear loaded cabinets come standard with a Hemp cone speaker. All cabinets are now made in Germany with black grill cloth.
The following bands and artists use or have used Diezel Amps: Killswitch Engage, Adam Jones of Tool, Matthew Bellamy of Muse, Metallica, Dave Meniketti of Y&T, Billy Corgan, Nine Inch Nails, Guns N' Roses, Slipknot, Ian D'Sa of Billy Talent, Brent Hinds and Bill Kelliher of Mastodon, Korn, Wes Borland of Limp Bizkit, Mike Mushok of Staind, Greg O'Shea of The Prophecy, Within Temptation, Neal Schon, Buckethead, Dir En Grey, Ayabie, George Lynch, Godsmack, Mark Tremonti, Genghis Tron, Shinedown, Myles Kennedy of Alter Bridge, Miles Holmwood of Stereos, Weezer, Dave Cee of The Meese Commission, Warren DeMartini, The Arusha Accord, Tadashi, Steve Robello of Dublin Death Patrol and Barry Stock of Three Days Grace.
A 19-inch rack is a standardized frame or enclosure for mounting multiple electronic equipment modules. Each module has a front panel that is 19 inches (482.6 mm) wide. The 19 inch dimension includes the edges or "ears" that protrude from each side of the equipment, allowing the module to be fastened to the rack frame with screws or bolts. Common uses include computer servers, telecommunications equipment and networking hardware, audiovisual production gear, music production equipment, and scientific equipment.
A subwoofer is a loudspeaker designed to reproduce low-pitched audio frequencies known as bass and sub-bass, lower in frequency than those which can be (optimally) generated by a woofer. The typical frequency range for a subwoofer is about 20–200 Hz for consumer products, below 100 Hz for professional live sound, and below 80 Hz in THX-certified systems. Subwoofers are never used alone, as they are intended to augment the low-frequency range of loudspeakers that cover the higher frequency bands. While the term "subwoofer" technically only refers to the speaker driver, in common parlance, the term often refers to a subwoofer driver mounted in a speaker enclosure (cabinet), often with a built-in amplifier.
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Marshall is a British company that designs and manufactures music amplifiers, speaker cabinets, brands personal headphones and earphones, drums and bongos. The company also owns a record label called Marshall Records. It was founded in London by drum shop owner and drummer, Jim Marshall, and is now based in Bletchley, Milton Keynes, England.
Bowers & Wilkins, commonly known as B&W, is a British company that produces consumer and professional loudspeakers and headphones.
The Vox AC30 is a guitar amplifier manufactured by Vox. It was introduced in 1958 to meet the growing demand for louder amplifiers. Characterised by its "jangly" high-end sound it has become widely recognized by British musicians and others, such as George Harrison and John Lennon of the Beatles, Bill Wyman of the Rolling Stones, Brian May of Queen, Dave Davies of the Kinks and Hank Marvin.
An audio/video receiver (AVR) is a consumer electronics component used in a home theater. Its purpose is to receive audio and video signals from a number of sources, and to process them and provide power amplifiers to drive loudspeakers and route the video to displays such as a television, monitor or video projector. Inputs may come from a satellite receiver, radio, DVD players, Blu-ray Disc players, VCRs or video game consoles, among others. The AVR source selection and settings such as volume, are typically set by a remote controller.
A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
A guitar speaker is a loudspeaker – specifically the driver (transducer) part – designed for use in a combination guitar amplifier of an electric guitar, or for use in a guitar speaker cabinet. Typically these drivers produce only the frequency range relevant to electric guitars, which is similar to a regular woofer type driver, which is approximately 75 Hz — 5 kHz, or for electric bass speakers, down to 41 Hz for regular four-string basses or down to about 30 Hz for five-string instruments.
Jennings Musical Instruments is a manufacturer of musical instruments, and the original owner of the Vox brand. The company was founded by Thomas Walter Jennings.
TC Electronic is a Danish audio equipment company that designs and imports guitar effects, bass amplification, computer audio interfaces, audio plug-in software, live sound equalisers, studio and post-production equipment, studio effect processors, and broadcast loudness processors and meters. In August 2015, the company was purchased by Music Tribe, a holding company chaired by Uli Behringer.
The Yamaha Royal Star Venture is a luxury touring motorcycle built by the Yamaha Motor Company. It is a premier touring motorcycle manufactured in two forms by Yamaha from 1983 to 1993 and from 1999 to 2013.
The Marshall Super Lead Model 1959 is a guitar amplifier head made by Marshall. One of the famous Marshall Plexis, it was introduced in 1965 and with its associated 4×12″ cabinets gave rise to the "Marshall stack".
The Volkswagen California is a campervan based on the mid-sized Transporter panel van, developed by Volkswagen Commercial Vehicles (VWCV) and sold since 2003. It is the first campervan designed and built in-house by VWCV Special Business Unit, a subsidiary of Volkswagen Commercial Vehicles.
The term backline is used in popular music and sound reinforcement system contexts to refer to electronic audio amplification equipment and speaker enclosures that are placed behind the band or the rhythm section on stage, including amplifiers and speaker cabinets for guitars, bass guitars and keyboards. Such equipment is often rented or leased by the band or their management, or provided by the venue. Speakers placed at the front of the stage facing the performers are also known as monitor speakers or "foldback". The main speakers facing the audience are sometimes referred to as "front of house speakers".
Fryette Amplification of North Hollywood, California is a manufacturer of hand-built electric guitar amplifiers, speaker cabinets, power amplifiers, sound effects pedals and pedalboard accessories. The company was founded as VHT Amplification in Studio City, Los Angeles, California by Steven Fryette in January 1989 and was the first to produce a true three-channel vacuum tube amplifier.
The Marshall JTM45 is the first guitar amplifier made by Marshall. First produced in 1963, it has been called a "seminal" amplifier, and is praised as being among the most desirable of all the company's amplifiers.
The JCM800 series is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in '81. The JCM800 amplifiers became a staple of 1980s hard rock and heavy metal bands.
A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines which keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone.