Dii involuti

Last updated

In Etruscan religion, the dii involuti ("veiled" or "hidden gods", also di involuti or dii superiores et involuti) were a group of gods, or possibly a principle, superior to the ordinary pantheon of gods. In contrast to the ordinary Etruscan gods, including the Dii Consentes , the dii involuti were not the object of direct worship and were never depicted. [1] Their specific attributes and number are unknown; Jean-René Jannot  [ fr ] suggests that they may represent either an archaic principle of divinity or "the very fate that dominates individualized gods". [2]

The sky-god Tinia was believed to require their consent to cast the thunderbolt that announced disasters. [3] According to Seneca in his Naturales quaestiones ,

The third manubia Jupiter also sends, but he summons to council the gods whom the Etruscans call the Superior, or Veiled Gods [diis quos superiores et involutos vocant], because the lightning destroys whatever it strikes and everywhere alters the state of private or public affairs that it encounters, for fire allows nothing to remain as it was. [4]

The dii involuti may be identical with the "Secret Gods of Favour" mentioned by Martianus Capella. [5]

Related Research Articles

<span class="mw-page-title-main">Etruscan language</span> Extinct language of ancient Italy

Etruscan was the language of the Etruscan civilization in the ancient region of Etruria, in Etruria Padana and Etruria Campana in what is now Italy. Etruscan influenced Latin but was eventually superseded by it. The Etruscans left around 13,000 inscriptions that have been found so far, only a small minority of which are of significant length; some bilingual inscriptions with texts also in Latin, Greek, or Phoenician; and a few dozen purported loanwords. Attested from 700 BC to AD 50, the relation of Etruscan to other languages has been a source of long-running speculation and study, with it mostly being referred to as one of the Tyrsenian languages, at times as an isolate, and a number of other less well-known hypotheses.

<span class="mw-page-title-main">Aius Locutius</span> Roman deity

Aius Locutius, or Aius Loquens, was a Roman deity or numen associated with the Gallic invasions of Rome during the early 4th century BC.

In ancient Roman religion, the diiNovensiles or Novensides are collective deities of obscure significance found in inscriptions, prayer formulary, and both ancient and early-Christian literary texts.

<span class="mw-page-title-main">Etruscan religion</span>

Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture.

<span class="mw-page-title-main">Aita</span> Etruscan underworld deity

Aita, also spelled Eita, is an epithet of the Etruscan chthonic fire god Śuri as god of the underworld, roughly equivalent to the Greek god Hades.

<span class="mw-page-title-main">Haruspex</span> Person trained to practise a form of divination

In the religion of ancient Rome, a haruspex was a person trained to practise a form of divination called haruspicy, the inspection of the entrails of sacrificed animals, especially the livers of sacrificed sheep and poultry. Various ancient cultures of the Near East, such as the Babylonians, also read omens specifically from the liver, a practice also known by the Greek term hepatoscopy.

<span class="mw-page-title-main">Etruscan history</span>

Etruscan history is the written record of Etruscan civilization compiled mainly by Greek and Roman authors. Apart from their inscriptions, from which information mainly of a sociological character can be extracted, we do not have any historical works written by the Etruscans themselves, nor is there any mention in the Roman authors that any was ever written. Remnants of Etruscan writings are almost exclusively concerned with religion.

<span class="mw-page-title-main">Etruscan cities</span>

Etruscan cities were a group of ancient settlements that shared a common Etruscan language and culture, even though they were independent city-states. They flourished over a large part of the northern half of Italy starting from the Iron Age, and in some cases reached a substantial level of wealth and power. They were eventually assimilated first by Italics in the south, then by Celts in the north and finally in Etruria itself by the growing Roman Republic.

Larissa Bonfante was an Italian-American classicist, Professor of Classics emerita at New York University and an authority on Etruscan language and culture.

<i>Dii Consentes</i> List of twelve major deities in the pantheon of Ancient Rome

The Dii Consentes, also known as Di or Dei Consentes, or The Harmonious Gods, is an ancient list of twelve major deities, six gods and six goddesses, in the pantheon of Ancient Rome. Their gilt statues stood in the Roman Forum, and later apparently in the Porticus Deorum Consentium.

<span class="mw-page-title-main">Etruscan military history</span>

The Etruscans, like the contemporary cultures of Ancient Greece and Ancient Rome, had a persistent military tradition. In addition to marking the rank and power of certain individuals in Etruscan culture, warfare was a considerable economic boon to Etruscan civilization. Like many ancient societies, the Etruscans conducted campaigns during the summer months of the year, raiding neighboring areas, attempting to gain territory, and combatting piracy. These activities were a means of acquiring valuable resources such as land, prestige goods and slaves. It was also likely that individuals taken in battle would be ransomed back to their families and clans at a high cost. Prisoners could also potentially be sacrificed on tombs to honor fallen leaders of Etruscan society, not unlike the sacrifices made by Achilles for Patroclus.

Vegoia is a sibyl, prophet, or nymph within the Etruscan religious framework who is identified as the author of parts of their large and complex set of sacred books, detailing the religiously correct methods of founding cities and shrines, draining fields, formulating laws and ordinances, measuring space and dividing time; she initiated the Etruscan people to the arts, as originating the rules and rituals of land marking, and as presiding over the observance, respect, and preservation of boundaries. Vegoia also is known as Vecu, Vecui, and Vecuvia, as well as Vegoe; her name is also given as Begoe or Bigois.

<span class="mw-page-title-main">Narce</span>

Narce was a Faliscan settlement in Italy located 5 kilometers south of Falerii. Its residents spoke an Italic language related to Latin. It was inhabited from the 2nd millennium to the 3rd century B.C. The ancient name of the settlement is uncertain, but it may have been called Fescennium.

<span class="mw-page-title-main">Satre (Etruscan god)</span> Etruscan god identified with Saturn

Satre or Satres was an Etruscan god who appears on the Liver of Piacenza, a bronze model used for haruspicy. He occupies the dark and negative northwest region, and seems to be a "frightening and dangerous god who hurls his lightning from his abode deep in the earth." It is possible that Satre is also referred to with the word "satrs" in the Liber Linteus, the Etruscan text preserved in Ptolemaic Egypt as mummy wrappings.

<span class="mw-page-title-main">Mars of Todi</span> Ancient bronze statue from Italy

The Mars of Todi is a near life-sized bronze warrior, dating from the late 5th or early 4th century BC, believed to have been produced in Etruria for the Umbrian tribe. It was found near Todi, on the slope of Montesanto, in the property of the Franciscan Convent of Montesanto.

<i>Winged-Horses of Tarquinia</i>

The high-relief of the "Tarquinia Winged Horses" is a fragment of the colonnade that supported the pediment of the most important temple of the ancient Etruscan city of Tarquínia, at the Ara della Regina, better known as the Major Temple of Tarquínia. Nowadays situated at the Province of Viterbo.

Jean MacIntosh Turfa is an American archaeologist and authority on the Etruscan civilization.

Margarita Gleba is an archaeologist and expert on early textiles and other organic materials.

<span class="mw-page-title-main">Apulu</span> Etruscan god

Apulu, also syncopated as Aplu, is an epithet of the Etruscan fire god Śuri as chthonic sky god, roughly equivalent to the Greco-Roman god Apollo. Their names are associated on Pyrgi inscriptions too. The name Apulu or Aplu did not come directly from Greece but via a Latin center, probably Palestrina.

Tarquitius Priscus was a Roman writer of Etruscan heritage, known for works on the etrusca disciplina, the body of knowledge pertaining to Etruscan religion and cosmology.

References

  1. Turfa, Jean MacIntosh (2012). Divining the Etruscan World: The Brontoscopic Calendar and Religious Practice. Cambridge: Cambridge University Press. p. 61. ISBN   978-1107009073.
  2. Jannot, Jean-René (2005). Religion in Ancient Etruria. Translated by Whitehead, Jane. Madison: University of Wisconsin Press. p. 15. ISBN   0299208400.
  3. Jannot 2005, p. 25.
  4. Quoted in Turfa, Jean MacIntosh (2014). "Etruscan Religion". The Handbook of Religions in Ancient Europe. Abingdon and New York: Routledge. p. 153. ISBN   978-1844657094.
  5. de Grummond, Nancy Thomson (2006). Etruscan Myth, Sacred History, and Legend. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology. p. 53. ISBN   1931707863.