Dinamiti

Last updated

Dinamiti
Dinamiti in 1969.jpg
Dinamiti in 1969, from left to right: Dado Topić, Josip Boček, Alberto Krasnići, Ratko Divjak
Background information
Origin Osijek, SR Croatia, SFR Yugoslavia
Genres
Years active1963-1969
Labels Komuna, Croatia Records
Past members Krunoslav Slabinac
Antun Nikolić
Alberto Krasnići
Miroslav Šaranović
Vladimir Lazić
Ratomir Divjak
Dado Topić
Josip Boček

Dinamiti (trans. The Dynamites) were a Yugoslav rock band formed in Osijek in 1963. They were one of the pioneers of the Yugoslav rock scene.

Contents

Dinamiti were formed in 1963 by Krunoslav "Kićo" Slabinac (vocals, rhythm guitar), Antun "Tuca" Nikolić (guitar), Alberto Krasnići (bass guitar), Miroslav Šaranović (drums) and Vladimir Lazić (organ), Šaranović soon being replaced by Ratomir "Ratko" Divjak. The band performed covers, attracting large attention of the audience and the media, gaining the reputation of competent instrumentalists. After Slabinac, Nikolić and Lazić left the band, Krasnići and Divjak were joined by vocalist Dado Topić and guitarist Josip Boček. The band continued to perform covers, but also started to move towards progressive rock with Topić's compositions and their jazz-influenced improvisations. The band disbanded in 1969, after Topić and then Boček moved to Korni Grupa.

After leaving Dinamiti, Slabinac achieved large success as a solo artist, becoming one of the most notable acts of the 1970s Yugoslav pop scene. Topić and Boček achieved nationwide popularity with Korni Grupa, before Topić left the band in 1971 to form Time, also a highly successful act on the Yugoslav rock scene. Divjak dedicated himself to jazz, performing as a member of numerous jazz and jazz fusion ensembles.

History

1963–1969

Dinamiti's history begins in 1961, when vocalist and rhythm guitarist Krunoslav "Kićo" Slabinac formed the band Tornado in Osijek. In 1962 the group changed the name to Kon-Tiki, and in 1963 started working under the name Dinamiti. [1] [2] The first Dinamiti lineup featured, beside Slabinac, Antun "Tuca" Nikolić (guitar), Alberto Krasnići (bass guitar), Miroslav Šaranović (drums) and Vladimir Lazić (organ). [1] Soon after the group started performing as Dinamiti, Šaranović moved to the band Indexi, and was replaced by Ratomir "Ratko" Divjak. [1]

The band performed mostly at dances, gaining attention of the audience as a cover act. [1] For a period of time, they held regular concerts in Zagreb's Workers' Hall, performing four to five times a week, with 1,200 to 1,500 people attending each of these performances. [2] They performed diverse material, from jazz and contemporary rock hits to schlagers, gaining reputation as competent instrumentalists. [1] The band made some recordings on reel-to-reel tape recorder, and these songs were often played on Radio Osijek and in Osijek cinemas. [3]

In 1966, Dinamiti performed on the first edition of Belgrade Gitarijada festival, winning the seventh place. [2] In 1967, they performed on the second edition of Belgrade Gitarijada, reaching the festival's semi-finals, [2] and won the first place at Zagreb Gitarijada festival, after which they went to Germany, where they performed in the clubs P.N. Hit House and Havana Beat Center in Munich. [1] [3] However, after only several weeks, they had to return to Yugoslavia, as both Slabinac and Nikolić were drafted to serve their mandatory stint in the Yugoslav Army. [1] The band continued their activity after Slabinac's and Nikolić's return from the army, achieving local success with the song "Plavuša" ("Blonde Girl"), written by Stevo Radović of the band Bele Višnje, with whom Slabinac served his army stint in Titograd. [4] However, at the time Slabinac fell in love with the daughter of the Colorado Circus owner, so together with Nikolić and Lazić he started playing in the circus orchestra. While the circus performed in Belgrade, Slabinac and the girl broke up, so the three musicians left the orchestra. [1] In order to earn some money quickly, they formed the band Vizije (The Visions) with two Belgrade musicians, brothers Toma and Miodrag Milanović, for a period of time holding regular concerts in Belgrade Youth Center. [1]

After Slabinac, Nikolić and Lazić left the band, Krasnići and Divjak invited vocalist Dado Topić and guitarist Josip Boček, at the time members of the band Đavolji Eliksiri (The Devil's Elixirs ), to join them. [1] The new incarnation of Dinamiti became a live attraction, thanks to their performances based on improvisations and covers of works by foreign progressive rock acts. [1] The band also performed some of Topić's compositions, like "Novine" ("Newspapers") and "Život moj" ("My Life"), [5] which were in accordance with the emerging trends on the Yugoslav rock scene and were well received by the audience. [1] This lineup of the band won the first place at the Zagreb Gitarijada festival, the Golden Guitar Award and the Audience Award at the Belgrade Beat Festival and performed on Radio Belgrade on several occasions. [6] The band's work, especially Topić's vocal skills, was widely praised by the Yugoslav press. [6] They made some recordings, but never released any of them. [1]

In 1969 the band moved to Zagreb, where they performed mostly in the clubs Kulušić and Lola. [7] In the summer of 1969 they held a large Adriatic coast tour, with Josipa Lisac and Alenka Pinterič as guest vocalists. [7] The band attracted new attention of the press after German string instrument manufacturing company Framus gifted them an electric guitar. [7] However, despite the attention of the audience and praises by the music press, Dinamiti ended their activity at the end of 1969, as Topić moved to Korni Grupa, where he was soon joined by Boček. [1]

Post breakup

After he ended his activity with Vizije, Slabinac started a career as a solo singer, achieving huge success on the Yugoslav pop scene. [1] He died on 13 November 2020. [1] With Korni Grupa Topić and Boček achieved nationwide success. In 1971 Topić left Korni Grupa and formed highly successful band Time. [1] Divjak dedicated himself to jazz music, studying at the University of Music and Performing Arts Graz and playing in various ensembles, including Time and the successful jazz rock band September. [8] Alberto Krasnići wrote several songs for the Osijek band Had ( Hades ), released on the band's 7-inch singles. [1]

In 1994, the recordings of the songs "Čačak kolo" and "Čađava mehana" ("Dusty Tavern"), both covers of traditional songs, were released on the Komuna compilation albums U mojim venama: Etno rock (In My Veins: Ethnic Rock) and Sjaj izgubljene ljubavi: Muzika šezdesetih (Spark of the Lost Love: Music of the Sixties) respectively, as a part of the YU retROCKspektiva (YU RetROCKspective) album series. [1] The recordings "Tema za bossa novu" ("Bossa Nova Theme") and "Crying Time" (a cover of Ray Charles song) were published on the box set Kad je rock bio mlad - Priče sa istočne strane (1956-1970) (When Rock Was Young - East Side Stories (1956-1970)), released by Croatia Records in 2005 and featuring songs by the pioneering Yugoslav rock acts. [1]

Discography

Compilation appearances

Related Research Articles

<span class="mw-page-title-main">Crni Biseri</span>

Crni Biseri were a Yugoslav rock band formed in Belgrade in 1963. The band were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Siluete</span> Serbian and Yugoslav rock band

Siluete were a Serbian and Yugoslav rock band formed in Belgrade in 1961. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Samonikli</span> Yugoslav rock group active 1964–1969

Samonikli were a Yugoslav rock band formed in Belgrade in 1964. Despite having no official releases, the band made a number of recordings for Yugoslav radio and television and are notable as one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Iskre</span> Yugoslav rock band

Iskre were a Yugoslav rock band formed in Belgrade in 1961. Iskre were one of Yugoslavia's earliest rock bands and are notable for being one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Džentlmeni</span> Yugoslav rock band

Džentlmeni were a Yugoslav rock band formed in Belgrade in 1966.

<span class="mw-page-title-main">Elipse</span> Yugoslav rock band

Elipse were a Yugoslav rock band formed in Belgrade in 1962. The band were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Tomi Sovilj i Njegove Siluete</span> Yugoslav music group

Tomi Sovilj i Njegove Siluete were a Yugoslav beat group formed in Belgrade in 1964. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Sanjalice</span>

Sanjalice were a Yugoslav rock band formed in Belgrade in 1964. Sanjalice are notable for being one of the pioneers of the Yugoslav rock scene, as well as one of the first Yugoslav all-female bands.

<span class="mw-page-title-main">Zlatni Dečaci</span> Yugoslav rock band

Zlatni Dečaci were a Yugoslav rock band formed in Belgrade in 1962. The band were one of the pioneers of the Yugoslav rock scene.

Ritam was a Yugoslav music magazine. Prior to the appearance of Ritam, there were Yugoslav magazines dedicated to jazz, but Ritam, founded in 1962, was the first Yugoslav magazine which dealt with jazz as well as rock and pop music, thus paving the way for Yugoslav rock magazines like Džuboks and Pop Express.

<span class="mw-page-title-main">Gitarijada (Belgrade)</span> Musical festival in Belgrade, Serbia

Gitarijada was a musical festival held in Belgrade, Serbia, at the time part of Socialist Federal Republic of Yugoslavia. The first edition of the festival was held in 1966, and second and the last in 1967. The festival was one of the first rock festivals in Yugoslavia and considered one of the most notable events in the early days of Yugoslav rock music.

<span class="mw-page-title-main">Bele Vrane</span> Yugoslav rock band

Bele Vrane were a Yugoslav rock band formed in Ljubljana in 1966.

Parada ritma, also known as Vatromet ritma, was a series of concerts held in SFR Yugoslavia during 1964 and 1965. The first concert in the series is notable as the first rock festival in Yugoslavia and arguably the first rock festival in a communist country.

<span class="mw-page-title-main">Plamenih 5</span> Yugoslav rock band

Plamenih 5 were a Yugoslav rock band formed in Belgrade in 1964. Despite having no official releases, the band are notable as one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Bijele Strijele</span> Yugoslav rock band

Bijele Strijele were a Yugoslav rock band formed in Zagreb in 1961. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Crveni Koralji</span> Croatian and Yugoslav rock band

Crveni Koralji were a Croatian and Yugoslav rock band formed in Zagreb in 1962. They were one of the pioneers of the Yugoslav rock scene.

Delfini were a Yugoslav band formed in Split in 1963. They were one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Delfini (Zagreb band)</span>

Delfini were a Yugoslav rock band formed in Zagreb in 1963. They are notable as one of the pioneers of the Yugoslav rock scene.

<span class="mw-page-title-main">Žeteoci</span> Croatian band

Žeteoci were a Yugoslav rock band formed in Zagreb in 1966. Founded by four students of the Zagreb Catholic Faculty of Theology, Žeteoci performed beat music with religious lyrics, being the first Christian rock band in Yugoslavia, arguably the first Christian rock band in a communist country and one of the first Christian rock bands in general. In addition, Žeteoci, as other 1960s rock bands from Yugoslavia—although they were not among the earliest Yugoslav rock bands—played a pioneering roll on the Yugoslav rock scene. Their first and only album, To nije tajna, released in 1969, was the second full-length album in the history of Yugoslav rock music.

<span class="mw-page-title-main">Kameleoni</span>

Kameleoni were a Yugoslav rock band formed in Kopar in 1965. They were one of the pioneers of the Yugoslav rock scene.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Janjatović, Petar (2024). Ex YU rock enciklopedija 1960–2023. Belgrade: self-released / Makart. p. 82.
  2. 1 2 3 4 Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 166.
  3. 1 2 Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 167.
  4. Janjatović, Petar (2024). Ex YU rock enciklopedija 1960–2023. Belgrade: self-released / Makart. p. 34.
  5. Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 172.
  6. 1 2 Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. pp. 169–170.
  7. 1 2 3 Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 171.
  8. Janjatović, Petar (2024). Ex YU rock enciklopedija 1960–2023. Belgrade: self-released. p. 272.