New Moon Shine is the thirteenth studio album by singer-songwriter James Taylor released in 1991. The album peaked at number 37 on the Billboard 200 chart and certified platinum. The album was producer-pianist Don Grolnick's sixth and final studio album with Taylor prior to his death in 1996 at age 48 from Non-Hodgkin lymphoma.
Southern Accents is the sixth studio album by Tom Petty and the Heartbreakers, released on March 26, 1985, through MCA Records. The album's lead single, "Don't Come Around Here No More", co-written by Dave Stewart of Eurythmics, peaked at number 13 on the Billboard Hot 100. The song "Southern Accents" was later covered by Johnny Cash for his Unchained album in 1996.
Mr. Wonderful is the second studio album by British blues rock band Fleetwood Mac, released on 23 August 1968. This all-blues album was broadly similar to their debut album, albeit with some changes to personnel and recording method. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. A horn section was introduced and Christine Perfect of Chicken Shack was featured on keyboards. The album took a total of four days to record. In the US, the album was not issued under the name Mr. Wonderful, though around half of the tracks appeared on English Rose.
Weasels Ripped My Flesh is the eighth album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums - Burnt Weeny Sandwich and Weasels Ripped My Flesh - from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo album Hot Rats. While Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.
Quaudiophiliac is a compilation album featuring music by Frank Zappa, released in DVD-Audio format by Barking Pumpkin Records in 2004. It compiles recordings he made while experimenting with quadraphonic, or four-channel, sound in the 1970s. Zappa prepared quadraphonic mixes of a number of his 1970s albums, with both Over-Nite Sensation (1973) and Apostrophe (') (1974) being released in discrete quadraphonic on Zappa's DiscReet Records label.
Like a Rock is the thirteenth studio album by American singer-songwriter Bob Seger, released in 1986. The title track is best known for being featured in Chevrolet truck commercials throughout the 1990s and early 2000s.
Hello Big Man is the 11th studio album by American singer-songwriter Carly Simon, released by Warner Bros. Records, on August 31, 1983.
The Flock was an American, Chicago-based jazz rock band, that released two albums on Columbia Records in 1969 and 1970. The Flock did not achieve the commercial success of other Columbia jazz-rock groups of the era such as Chicago and Blood Sweat & Tears, but were recognized for featuring a violin prominently in their recordings. The violinist, Jerry Goodman, went on to become a member of Mahavishnu Orchestra and a solo artist.
The Pious Bird of Good Omen is a compilation album by the British blues rock band Fleetwood Mac, released in 1969. It consists of their first four non-album UK singles and their B-sides, one track from their first album Fleetwood Mac, two tracks from their second album Mr. Wonderful, and two tracks by the blues artist Eddie Boyd with backing by members of Fleetwood Mac. These came from Boyd's album 7936 South Rhodes.
Michael Nyman is the third album release by Michael Nyman and the second with the Michael Nyman Band, having previously contributed tracks to new music compilations. Most of the music was material from early films by Peter Greenaway such as "Bird List Song" from The Falls, sung by Lucie Skeaping, and music from Act of God and Tree.
Hot House is a 1995 album by American musician Bruce Hornsby. It is Hornsby's second solo album and his fifth overall studio release. "Walk in the Sun" and "Cruise Control", from the album, were released as singles.
Long Hard Ride is the fifth studio album by The Marshall Tucker Band, released in 1976 and produced by Paul Hornsby. Guest performers included Charlie Daniels, John McEuen and Jerome Joseph. The title track was made into a short film that was played as a sort of movie trailer. It depicts the members of the band as a gang of cowboys. The album's cover features Frank C. McCarthy's painting "The Last Crossing" (1972). Cover design and art direction John Kosh.
The Flock is the self-titled debut album by the Flock. It was released in 1969. Producer John McClure was a well known producer of jazz and classical albums for Columbia.
Life in the Tropics is the 11th album by the American Jazz group The Rippingtons. It was released in 2000, and was the group's first release for Peak label. The album reached No. 3 on Billboard's contemporary jazz chart.
Constantine Astori was a renowned artist of mostly landscapes in pastels, watercolors and charcoal.
Flock Rock: Best of the Flock is a compilation album by The Flock. It includes songs from their first and second albums, the only ones released on Columbia Records, as well as five previously unreleased songs.
"(I'm a) Road Runner" is a hit song by Junior Walker & the Allstars, and was the title track of the successful 1966 album Road Runner. Written by the team of Holland–Dozier–Holland, it was released on the Tamla (Motown) label in 1966 and reached number 20 in the U.S. and in 1969 number 12 in the UK.
Doin' Alright is the debut studio album by R&B singer O'Bryan.
Primal Scream is the eighth jazz album by Canadian trumpeter Maynard Ferguson on Columbia Records. Primal Scream marks the beginning of the second phase of Ferguson's career with Columbia, where his live big band sound is set aside in favor of lavish studio productions. The album credits reveal an all-star ensemble made up of New York's finest musicians, along with backing vocalists and strings were recruited for this release.
Hey Jude is the ninth studio album by soul singer Wilson Pickett, recorded at FAME Studios in Muscle Shoals, Alabama and released in 1969. The title track, a cover of the Beatles song of the same name, was a success, peaking at #13 on the Billboard R&B singles chart and #23 on the top 200. Also released as a single was a cover of Steppenwolf's "Born to Be Wild", which was less successful.
