A discomix, or simply a disco, is an extended reggae 12-inch single that typically features the vocal track followed by a dub version or a deejay version of the same track. [1] [2] The format became popular in the mid-1970s, with the extended bass range of 12-inch singles being better suited to dub music. [1] The first big hit discomix was "Ya Ho" by the Jays and Ranking Trevor, released in 1976. [3] The popularity of the format led to Black Echoes magazine (later Echoes) publishing a weekly 'Reggae Disco Chart'. [4]
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs which have several songs on each side. It is named for its 12-inch (300 mm) diameter. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33+1⁄3 or 45 rpm. The conventional 7-inch single usually holds three or four minutes of music at full volume. The 12-inch LP sacrifices volume for extended playing time.
Third World is a Jamaican reggae fusion band formed in 1973. Their sound is influenced by soul, funk and disco. Although it has undergone several line-up changes, Stephen "Cat" Coore and Richard Daley have been constant members.
Disco 2 is the second remix album by English synth-pop duo Pet Shop Boys, released on 12 September 1994 by Parlophone. It consists of remixes of songs from the duo's albums Behaviour (1990) and Very (1993), as well as B-sides from the time.
"Shellshock" is a single released by British group New Order on 17 March 1986. The song originally appeared on the soundtrack to the movie Pretty in Pink one month prior to its single release. Production is credited to New Order and John Robie, and is loosely inspired by the 1983 Robie-produced R&B club hit, "One More Shot"—a studio project where Robie performed under the band name, C-Bank, and featuring vocals by Jenny Burton.
Martin Glover, better known by his stage name Youth, is a British record producer and musician, best known as a founding member and bassist of the rock band Killing Joke. He is also a member of the Fireman, along with Paul McCartney.
Dennis Emmanuel Brown CD was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favourite singer, dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers.
"Bela Lugosi's Dead" is the debut single by the English post-punk band Bauhaus, released on 6 August 1979 on the Small Wonder label. It is often considered the first gothic rock record.
Lloyd Woodrowe James, better known as Prince Jammy or King Jammy, is a Jamaican dub mixer and record producer. He began his musical career as a dub master at King Tubby's recording studio. His dubs are known for their clear sound and use of effects.
"Police and Thieves" is a reggae song first recorded by the falsetto singer Junior Murvin in 1976. It was covered by the punk band The Clash and included on their self-titled debut album released in 1977.
"Back to My Roots" is a song by American dance music singer and drag queen RuPaul, released as the fourth single from his album Supermodel of the World, released on April 27, 1993. Although the single failed to chart on the Billboard Hot 100, it reached number one on the Hot Dance Club Play chart in July 1993 and helped to further establish RuPaul's popularity, particularly with both the dance music and LGBT audiences in the United States.
Winston Riley was a Jamaican singer, songwriter and record producer. The Jamaica Gleaner notes he was one of the most successful reggae producers.
"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, Sandinista!. It reached number 34 on the UK Singles Chart.
"Pull Up to the Bumper" is a 1981 song by Jamaican singer Grace Jones, released as the third single from her fifth album, Nightclubbing (1981). Sonically, it is an uptempo electro-disco, post-punk, dance-pop and reggae-disco song with dub production, "pulsing drums and chic new-wave licks", as well as elements of funk and R&B music. Its lyrics were written by Jones alone, while she, along with Kookoo Baya and Dana Manno, are credited as its composers. The song's instrumental part was originally recorded in 1980 during the Warm Leatherette sessions; however, it did not make the album as Chris Blackwell found its sound not fitting in the rest of the material. It was completed for the 1981 critically acclaimed Nightclubbing album and became its third single in June 1981. The song peaked at number two on the Billboard Hot Dance Club Songs chart in the US and number 53 in the UK. When re-released in 1986, it peaked at number 12 in the UK. The track has come to be one of Jones' signature tunes and her first transatlantic hit.
"Lips Like Sugar" is a single by Echo & the Bunnymen which was released in August 1987. It was the second single from their 1987 eponymous album.
George Nooks, a.k.a.Prince Mohamed, Prince Mohammed, or George Knooks is a Jamaican reggae singer who initially found fame as a deejay.
Jarret Lloyd Vincent, better known by one of his stage aliases Bim Sherman, was a Jamaican musician and singer-songwriter.
Subatomic Sound System, founded in 1999 by Emch and Noah Shachtman, is an American record label and collective hosting musicians, producers, DJs, and visual artists from a variety of backgrounds and traditions. In late 2008, Subatomic Sound System garnered international attention for a limited edition vinyl 12" featuring their collaboration with Vienna's Dubblestandart and dub inventor Lee "Scratch" Perry, releasing the first songs from Perry in the dubstep genre, one of the first recorded examples of a tangible connection between the popular UK based electronic genre that emerged in the early 2000s and the Jamaican dub from the 1970s where dubstep's origins were rooted and which had been primarily originated by Perry himself. Beginning in 2008, Subatomic Sound System started hosting weekly radio shows on 91.5fm, Radio New York, and webcasts on Brooklyn Radio. In 2011 Subatomic Sound System began performing as Lee "Scratch" Perry's backing band with a hybrid of electronics and live instruments. In 2013 they performed together at Coachella Valley Music and Arts Festival and afterward became Perry's exclusive touring band in North America. In 2017, Subatomic Sound System released their first full-length album with Perry entitled 'Super Ape Returns To Conquer' which debuted No. 5 on the Billboard reggae chart and No. 2 on iTunes US reggae album chart and reached No. 1 on North America World music NACC charts.
"Elisabeth's Eyes" is a song by English musician Nik Kershaw, released in 1989 as the second and final single from his fourth studio album, The Works (1989). It was written by Kershaw, and produced by Kershaw and Julian Mendelsohn.
"The Freeze" is a song by the English new wave band Spandau Ballet, released on 12 January 1981 as the follow-up to their debut single, the number 5 UK hit "To Cut a Long Story Short". As was the case with that release, the 7-inch single of "The Freeze" featured a dub mix on its B-side, and the 12-inch single had two additional mixes of the song geared toward dance clubs. The cover art used for both formats of the single also repeated its predecessor in having a simple black-and-white classical motif. This design, however, was also seen on the sets of the music video for the song. Reviews of "The Freeze" were mixed. It reached number 17 on the UK Singles Chart.