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Do-si-do is a dance move in squaredancing where two partners who are facing each other go around each other before returning to their starting positions.
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Do-si-do is a dance move in squaredancing where two partners who are facing each other go around each other before returning to their starting positions.
It is a circular movement where two people, who are initially facing each other, walk around each other without or almost without turning, i.e., facing in the same direction (same wall) all the time. In most cases it takes 6–8 counts to complete.
The movement is basically defined by as follows:
The actual steps vary in specific dances.
Considering the amount of space in which to accomplish the figure, the partners might adjust their shoulders slightly diagonally to allow for less sideways movement during the shoulder passes.
The advancing pass may also be by the left shoulders, although it may be called as a "left do-si-do", "see-saw", "do-si-don't", or "reverse do-si-do". [1]
While executing this move, women may move their skirts with their hands from side to side (skirtwork), flaring it to the right as right shoulders pass, and to the left as left shoulders pass. Men may decide to place their arms on top of each other, in a style very similar to Russian folk dancing.
The term is a corruption of the original French term dos-à-dos for the dance move, which means "back to back", as opposed to " vis-à-vis " which means "face to face". [2]
Do-si-do is the most common spelling in modern English dictionaries [3] and is the spelling used in contra dance, sometimes without hyphens. [4] A related variant is do-se-do.
In modern western square dancing, the usual spelling is Dosado which is the closest to the original French form as it’s pronounced in French [Dozado] (used by Callerlab, the largest international association of square dance callers) [5] or DoSaDo (used by the American Callers Association). [6]
Dos-a-dos is still in current use in some dances.[ citation needed ]
In English country dance and other British dance forms, it is known as the "back to back". [7]
Styling traditions, or the addition of flourishes to a basic step, tend to be local, and not all dancers like to do styling, but nevertheless a common styling done to the dosado is the "Hungarian Swing" or "Highland Fling" styling. This addition to the basic step is accomplished as follows:
Even with styling the move should take no longer to execute than a normal Dosado.
In contra dance it is common for experienced dancers to embellish the move by making one or more counterclockwise turns as they go around the other dancer.
The Dosado can also be fractionalized—1/4 Dosado results in the active dancers standing side-by-side right hip-to-right hip, 1/2 Dosado results in the active dancers standing back-to-back, and 3/4 Dosado results in the active dancers standing side-by-side left hip-to-left hip. When standing side-to-side the dancers join adjacent hands palm-to-palm to make a mini-wave (in the case of two people), an ocean wave (in the case of three-six people), or a tidal wave (in the case of eight people).
A Dosado 1+1/2 would be a full (or normal) Dosado and an additional 1/2 Dosado, resulting in the dancers standing back-to-back. Dosado variants are often considered entertaining "gimmicks".[ citation needed ]
Contra dance is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States, Canada, and other Anglophone countries.
An alphabetic list of modern country dance terminology:
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
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The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
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This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
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The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
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CALLERLAB is the international association of square dance callers, and is the largest square dance association in the United States. CALLERLAB provides guidance and education, certifying caller coaches, maintaining standardized lists of calls and definitions, and generally promoting the square dance activity. After some initial work started in 1971, it was officially established in 1974 by several members of the Square Dance Hall of Fame. Callerlab makes it so people can dance anywhere in the world with uniform dance calls.
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