The Doctor Who Restoration Team is a loose collection of Doctor Who fans, many within the television industry, who restore Doctor Who episodes for release on a variety of formats. It was formed in 1992 by a group of fans asked for and received funding from the BBC to perform colour restorations on a series of John Pertwee Doctor Who episodes. The group has worked with BBC Television and BBC Worldwide [1] and has restored many of the final Doctor Who VHS releases and all of the "classic series" DVD and Blu-Ray releases to date.[ when? ]
During the original colour restorations, the team were keen to present the episodes as close to the original broadcast master tapes as possible, as explained by senior Restoration Team content producer Steve Roberts:
"One thing which the team had to constantly be wary of was the temptation to not just restore, but to also improve on the original ... This would not be in the spirit of restoration, and the viewer would not be seeing a fair representation of the story as it originally was. [2] "
In 1997, whilst working on the VHS release of The War Machines , the approach of straight restoration, that of returning the episodes to their original state, competed with the desire to improve upon what was originally broadcast. Sound engineer Mark Ayres explained the difficulties:
"There are some difficult decisions as to how far I should take my work. Because the original video has been transferred to film, I've tried to remove anything which was added during the process of optical copying – in other words taking it back to its condition on original transmission. [3] "
The War Machines featured a couple of instances of sound effects being faded in at the wrong points during the original studio recordings. Ayres:
"It would be very easy to 'grab' a sound effect, and put it back where it's supposed to be. I haven't done it, because it was wrongly done at the time, and that's the way it should stay. All I've tried to do is correct technical defects which have occurred later with the film, I haven't corrected things which were done wrongly on the original tapes. Except in two places. [3] "
Ayres edited two instances of the original sound engineer on the serial fading the audio up and down quickly and creating uneven sound levels.
Since work on the Doctor Who DVD releases began, the frequency of these edits and revisions has increased.[ citation needed ] The earliest releases had the colour graded to appear more consistent. Later releases have had their opening and closing credits remade to match the originals using modern software and electronic fonts, untidy transitional frames have often been removed resulting in a fractionally shorter running time, miscued sound effects are routinely adjusted and visual effects considered substandard are adjusted. The colour grading is often noticeably different from the broadcast originals.
For example, when recreating effects for the serial The Pirate Planet , the team explained that "in the remade version, we took the liberty of allowing the wrench to be blasted back towards the camera at this point to help 'sell' the effect better." [4]
One member, Mark Ayres, has done much of the audio restoration work for the final VHS releases, as well as many of the DVD releases, and all of the "Missing Soundtrack" CD releases since 1999. [5] Other known team members, past and present, include:
Invasion of the Dinosaurs, simply titled Invasion in Part One, is the second serial of the 11th season of the British science fiction television series Doctor Who, which was first broadcast in six weekly parts on BBC1 from 12 January to 16 February 1974.
Remembrance of the Daleks is the first serial of the 25th season of the British science fiction television series Doctor Who. The serial was first broadcast in four weekly episodes from 5 to 26 October 1988. It was written by Ben Aaronovitch and directed by Andrew Morgan.
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The Daleks is the second serial in the British science fiction television series Doctor Who, which was first broadcast on BBC TV in seven weekly parts from 21 December 1963 to 1 February 1964. Written by Terry Nation and directed by Christopher Barry and Richard Martin, this story marks the first appearance of the show's most popular villains, the Daleks, and the recurring Skaro people, the Thals.
Spearhead from Space is the first serial of the seventh season in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 3 to 24 January 1970. It was the first Doctor Who serial to be produced in colour and the only one to be made entirely on 16 mm film.
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Doctor Who and the Silurians is the second serial of the seventh season in the British science fiction television series Doctor Who. It was first broadcast in seven weekly parts on BBC1 from 31 January to 14 March 1970.
Inferno is the fourth and final serial of the seventh season of the British science fiction television series Doctor Who, which was first broadcast in seven weekly parts on BBC1 from 9 May to 20 June 1970. The serial remains the last time a Doctor Who story was transmitted in seven episodes. This serial was also the last regular appearance of Caroline John in the role of Liz Shaw.
The Dæmons is the fifth and final serial of the eighth season of the British science fiction television series Doctor Who, which was first broadcast in five weekly parts on BBC1 from 22 May to 19 June 1971.
Tele-snaps were off-screen photographs of British television broadcasts, taken and sold commercially by John Cura. From 1947 until 1968, Cura ran a business selling the 250,000-plus tele-snaps he took. The photographs were snapped in half of a normal frame of 35mm film, at an exposure of 1/25th of a second. Generally around 70–80 tele-snaps were taken of each programme. They were mostly purchased by actors and directors to use as records and examples of their work before the prevalence of videocassette recorders.
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VidFIRE is a technology intended to restore the video-like motion of footage originally shot with television cameras that have been converted to formats with telerecording as their basis. The word is both a noun and a verb; in a sense, it is the opposite of filmizing, which makes video look like film.
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Several portions of the long-running British science-fiction television programme Doctor Who are no longer held by the BBC. Between 1967 and 1978, the BBC routinely deleted archive programmes for various practical reasons—lack of space, scarcity of materials, and a lack of rebroadcast rights. As a result, 97 of 253 episodes from the programme's first six years are currently missing, primarily from seasons 3, 4 and 5, leaving 26 serials incomplete. Many more were considered lost until recovered from various sources, mostly overseas broadcasters.
Death to the Daleks is the third serial of the 11th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts on BBC1 from 23 February to 16 March 1974.
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Mark Ayres is an electronic musician, composer and audio engineer.