Don't She Look Good | ||||
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Studio album by | ||||
Released | November 1972 | |||
Recorded | 1971–1972 | |||
Studio | Bradley's Barn, Mount Juliet, Tennessee | |||
Genre | ||||
Label | Decca | |||
Producer | Owen Bradley | |||
Bill Anderson chronology | ||||
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Singles from Don't She Look Good | ||||
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Don't She Look Good is a studio album by American country singer-songwriter Bill Anderson. It was released in November 1972 on Decca Records and was produced by Owen Bradley. The album was Anderson's twentieth studio recording to be issued. It was also his fourth studio album released in 1972. Two additional projects were collaborations with Jan Howard earlier in the year. The album's only single was the title track, which became a major hit on the country charts.
Don't She Look Good was recorded between 1971 and 1972 at Bradley's Barn studio in Mount Juliet, Tennessee, a studio where Anderson recorded many of his previous albums. [2] Sessions were produced by the studio's owner and acclaimed producer, Owen Bradley. Like many of Anderson's previous albums, the project consisted of 11 tracks. [3] Unlike any of his previous releases, Don't She Look Good did not include any songs composed entirely by Anderson himself. One song was a co-write with Michael Taylor. "Some of Nashville's best writers gave me such great material that I didn't need any of mine!" he recalled in the liner notes. [2] Among some of the writers Anderson recorded songs by was Jerry Chesnut, who wrote the record's title track. Also included are songs by Ray Griff and Ben Peters. Peters wrote the track, "I Can't Believe That It's All Over", a song that became a major hit for Skeeter Davis. [3]
Don't She Look Good was released in November 1972 on Decca Records. It was one of four album releases by Anderson on the Decca label that year. Among his others was two studio efforts with country artist Jan Howard. A previous album release was a solo effort in May 1972. It would also be Anderson's final album to be released on the Decca label before the company switched to the MCA name. [2] It was originally released as a vinyl LP record, with six songs on side one and five songs on side two. [3] In February 1973, the album peaked at number ten on the Billboard country albums chart after spending 15 weeks on there. [4] Its only single release was the title track, which was issued in August 1972. [5] By November, the song reached number two on the Billboard Hot Country Singles chart after spending 16 weeks there. It ultimately became of Anderson's biggest hits as a recording artist. [6]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Don't She Look Good" | Jerry Chesnut | 2:07 |
2. | "This Land, the Lord and Me" | Chesnut | 2:40 |
3. | "If Only You'd a Happened to Me (A Long Time Ago)" |
| 2:23 |
4. | "Calgary" |
| 2:25 |
5. | "Gotta Keep Moving" | Steve Karliski | 2:17 |
6. | "I Can't Believe That It's All Over" | Ben Peters | 2:30 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Love's Not Love (Till You Give It Away)" |
| 2:18 |
2. | "I'm Just Gone" | Buzz Rabin | 2:35 |
3. | "Sugar in Your Coffee" | Ray Griff | 2:22 |
4. | "Watching It Go" | Gene Thomas | 2:45 |
5. | "Country Music in My Soul" | Bobby Bond | 2:30 |
All credits are adapted from the liner notes of Don't She Look Good. [2]
Chart (1972–1973) | Peak position |
---|---|
US Top Country Albums (Billboard) [7] | 10 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
United States | November 1972 | Vinyl | Decca | [2] |
Germany | MCA | [8] | ||
For Loving You is a studio album released by the American country music artists Bill Anderson and Jan Howard in February 1968 on Decca Records. The album was their first collaborative album, setting the trend for a series of studio albums over the next few years. The album's title track, "For Loving You", was the lead single and became a number 1 hit on the Billboard country songs chart.
If It's All the Same to You is a studio album by American country music artists Bill Anderson and Jan Howard. The album was released on Decca Records in March 1970 and was produced by Owen Bradley. It was the pair's second collaborative album after several years of performing together on tour and on television. The album's title track became a major hit on the Billboard country chart, reaching the top 10. Additionally, the album itself would reach peak positions on the Billboard country albums chart.
Rock Me Back to Little Rock is the tenth studio album by American country artist Jan Howard. It was released in June 1970 on Decca Records and was produced by Owen Bradley. The album featured two singles, one of which became a top 20 hit on the Billboard country chart. Additionally, the album would reach peak positions on the Billboard country albums chart.
Bill and Jan (Or Jan and Bill) is a studio album released by American country artists Bill Anderson and Jan Howard. It was released in January 1972 on Decca Records and was produced by Owen Bradley. It was the duo's third collaborative album together and featured singles that became hits on the Billboard country chart. The album itself would also chart on the Billboard country albums list in 1972.
Love Is Like a Spinning Wheel is the twelfth studio album by American country artist Jan Howard. It was released in March 1972 on Decca Records and was produced by Owen Bradley. The album spawned two singles that became minor hits on the Billboard country songs chart. It was one of Howard's final studio albums for the Decca label before departing the label within a year's time.
Bill Anderson Sings is a studio album by American country singer-songwriter Bill Anderson. It was released in February 1964 on Decca Records and was produced by Owen Bradley. The album was Anderson's second studio release as a recording artist and included two singles that became major hits on the Billboard country chart. The album itself would also reach positions on the Billboard charts following its release.
Showcase is a studio album by American country singer-songwriter Bill Anderson. It was released in November 1964 on Decca Records and was produced by Owen Bradley. The album was Anderson's third studio release as a recording artist and second to be released in 1964. It included two singles that became major hits on the Billboard country chart along with subsequent B-sides.
Bright Lights and Country Music is a studio album by Bill Anderson and the Po' Boys. It was released in November 1965 on Decca Records and was produced by Owen Bradley. It was Anderson's first studio album to include dual credit with his band, The Po' Boys. It was his fourth studio album overall. The album included one single release, the title track. This song became a major hit on the Billboard country charts. The album itself also reached charting positions on Billboard shortly after its release.
Get While the Gettin's Good is a studio album by American country singer-songwriter Bill Anderson. It was released in February 1967 on Decca Records and was produced by Owen Bradley. The project was Anderson's sixth studio album and included one single issued. The album itself reached peak positions on the Billboard country albums chart.
I Can Do Nothing Alone is a studio album by American country singer-songwriter Bill Anderson. It was released in June 1967 on Decca Records and was produced by Owen Bradley. It was Anderson's seventh studio record and his first album to consist entirely of gospel music. Although the album did not produce any singles, it made peak positions on the Billboard country albums chart.
Wild Weekend is a studio album by American country singer-songwriter Bill Anderson. It was released in May 1968 on Decca Records and was produced by Owen Bradley. The record was Anderson's ninth studio release to be issued during his recording career. It reached peak positions on the Billboard country albums chart and also produced two singles that became major hits.
Happy State of Mind is a studio album by American country singer-songwriter Bill Anderson. It was released in September 1968 on Decca Records and was produced by Owen Bradley. Anderson's tenth studio recording, it was also his second studio album released in 1968. Among the songs included on the release was the title track, which became a major hit in both the United States and Canada.
Love Is a Sometimes Thing is a studio album by American country singer-songwriter Bill Anderson. It was released in June 1970 on Decca Records and was produced by Owen Bradley. It was Anderson's fourteenth studio album since signing with the Decca label in 1958. Its only single, the title track, would become a major hit on the Billboard country chart in 1970. The album itself would also reach peak positions on the country albums chart following its release.
Where Have All Our Heroes Gone is a studio album by American country singer-songwriter Bill Anderson. It was released in December 1970 on Decca Records and was produced by Owen Bradley. It was Anderson's fifteenth studio album as a recording artist and his third studio album released in 1970. The album's title track became a major hit on the Billboard country chart. The album itself would also reach peak positions on the Billboard country albums chart.
Always Remember is a studio album by American country singer-songwriter Bill Anderson. It was released in April 1971 on Decca Records and was produced by Owen Bradley. His sixteenth studio effort, it was also Anderson's only studio album to be released in 1971. The title track became a single and a top ten hit on the Billboard country chart. The album would also reach peak positions on the albums chart too.
Bill Anderson Sings for "All the Lonely Women in the World" is a studio album by American country singer-songwriter Bill Anderson. It was released in May 1972 on Decca Records and was produced by Owen Bradley. It was Anderson's nineteenth studio recording to be released during his music career. The album included one song that became a major hit for him in 1972, the title track. The album would also reach positions on national music charts at the time.
Bill is a studio album by American country singer-songwriter Bill Anderson. It was released in July 1973 on MCA Records and was produced by Owen Bradley. It was Anderson's first studio album to be released on the MCA label after Decca Records merged with the label. It was also his twenty first studio recording to be released and only album project to be issued in 1973. The album included three singles, two of which became number one hits in either the United States and Canada. The album itself also would reach peak positions on national publication charts.
From This Pen is a compilation album by American country music singer-songwriter Bill Anderson. It was released in June 1965 via Decca Records in several sessions produced by Owen Bradley. It was Anderson's second compilation released during his career and contained songs that he had recorded since his signing with the label. Many of the songs featured were major hits for Anderson in preceding years.
Bill Anderson's Greatest Hits, Vol. 2 is a compilation album by American country singer-songwriter Bill Anderson. It was released in September 1971 on Decca Records and was produced by Owen Bradley. The record was Anderson's fourth compilation released in his recording career and contained one single that became a major hit in 1971. The album itself included some his biggest hits from the era.
"Don't She Look Good" is a song written by Jerry Chesnut that was recorded by American country singer-songwriter Bill Anderson. It was released as a single in 1972 via Decca Records and became a major hit the same year.