Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. Mento typically features acoustic instruments, such as acoustic guitar, banjo, hand drums, and the rhumba box — a large mbira in the shape of a box that can be sat on while played. The rhumba box carries the bass part of the music.
There are several subgenres of reggae music including various predecessors to the form.
Lorenzo "Laurel" Aitken was an influential Caribbean singer and one of the pioneers of Jamaican ska music. He is often referred to as the "Godfather of Ska".
The Ethiopians were one of Jamaica's best-loved harmony groups during the late ska, rocksteady and early reggae periods. Responsible for a significant number of hits between the mid-1960s and early 1970s, the group was also one of the first Jamaican acts to perform widely in Britain.
"Day-O " is a traditional Jamaican folk song. The song has mento influences, but it is commonly classified as an example of the better known calypso music.
Justin Hinds was a Jamaican ska vocalist, with his backing singers the Dominoes.
Phyllis Dillon was a Jamaican rocksteady and reggae singer who recorded for Duke Reid's lucrative Treasure Isle record label in the late 1960s and early 1970s.
Lloyd Parks is a Jamaican reggae vocalist and bass player who has recorded and performed as a solo artist as well as part of Skin, Flesh & Bones, The Revolutionaries, The Professionals, and We the People Band.
Sidney Denis Preston was a British record producer, recording studio owner, radio presenter and music critic. He was particularly influential in the British jazz and associated skiffle scenes from the 1940s to the 1960s.
Lord Flea was the stage name of Norman Byfield Thomas, a Jamaican mento musician credited with "helping start the calypso craze in U.S." With his band The Calypsonians, Flea toured America throughout the late 1950s, and released an album on the Capitol label. The band also performed in two calypso-related films.
Kenneth Lloyd Khouri was a pioneering Jamaican record producer and founder of Federal Records, the first recording studio in Jamaica, which was sold to Bob Marley's Tuff Gong record label in 1981. He is credited by reggae historians for the birth of rocksteady in the 1960s. Rocksteady later mixed with Jamaican mento, a genre in which Khouri also had a pioneering role, leading to the creation of reggae music.
Count Lasher was the stage-name of Terence Parkins, a Jamaican singer and songwriter. Born in the mountainous parish of Saint Thomas, Lasher predominantly utilized first rural, and then urban mento styles in his music, although in later years he recorded some ska and reggae singles. Successful and prolific in output, Count Lasher remains an overlooked figure in the history of Jamaican music.
Augustus "Lord" Messam was a Jamaican mento singer who performed throughout the 1950s up until the mid 1960s. With his band, Messam released several records that consisted of a mixture of original and traditional material on the Stanley Motta record label, under the name Lord Messam & His Calypsonians.
Melodisc Records was a record label founded by Emil E. Shalit in the late 1940s. It was one of the first independent record labels in the UK and the parent company of the Blue Beat label.
"Mama Don't Want No Peas an' Rice an' Cocoanut Oil" is a 1932 song of Bahamian origin, first recorded by Mart Britt and his Orchestra, but most famous in the version by Count Basie. The lyrics describe a woman suffering from alcoholism. The song has become a jazz standard.
