Don't Have to Worry | ||||
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Studio album by | ||||
Released | 1969 | |||
Recorded | May 29, 1969 | |||
Studio | Vault Recordings, Los Angeles, California, United States | |||
Genre | Blues | |||
Length | 46:30 | |||
Label | BluesWay BLS 6032 | |||
Producer | Ed Michel | |||
Earl Hooker chronology | ||||
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Don't Have to Worry is an album by blues musician Earl Hooker released by the BluesWay label in 1969. [1] [2] [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
All compositions credited to Earl Hooker except where noted
Earl Zebedee Hooker was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His "Blue Guitar", a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as "You Shook Me".
Frederick Martin Roulette was an American electric blues lap steel guitarist and singer. He was best known as an exponent of the lap steel guitar. He was a member of the band Daphne Blue and collaborated with Earl Hooker, Charlie Musselwhite, Henry Kaiser, and Harvey Mandel. He also released several solo albums. One commentator described Roulette as an "excellent musician".
Johnny "Big Moose" Walker was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals.
Andrew Odom was an American Chicago blues and electric blues singer and songwriter. Born in Denham Springs, Louisiana, United States, he is best known for the close resemblance of his singing style to that of Bobby Bland and B.B. King. He recorded three solo albums in his lifetime and performed regularly around Chicago and further afield until his death.
Down in Virginia is an album by blues musician Jimmy Reed released by the BluesWay label in 1969.
The New Jimmy Reed Album is an album by blues musician Jimmy Reed released by the BluesWay label in 1967.
Soulin' is an album by blues musician Jimmy Reed released by the BluesWay label in 1967.
Big Boss Man is an album by blues musician Jimmy Reed released by the BluesWay label in 1968.
Livin' the Blues is an album by blues/jazz vocalist Jimmy Rushing released by the BluesWay label in 1968.
Every Day I Have the Blues is an album by blues/jazz vocalist Jimmy Rushing with an orchestra arranged and conducted by Oliver Nelson released by the BluesWay label in 1967.
A Long Way from Home is an album by blues musicians Brownie McGhee and Sonny Terry released by the BluesWay label in 1969.
I Couldn't Believe My Eyes is an album by blues musicians Brownie McGhee and Sonny Terry with Earl Hooker recorded in 1969 but not released by the BluesWay label until 1973.
Sweet Black Angel is an album by blues musician Earl Hooker released on the Blue Thumb label in 1969. The album was co-produced by musician Ike Turner and Blue Thumb founder Bob Krasnow.
2 Bugs and a Roach is an album by blues musician Earl Hooker released by the Arhoolie label in 1969. Jimmy Page wanted a Gibson EDS-1275 guitar, after seeing the sleeve.
Live at Mister Kelly's, often stylized as "Live" , is a live album by blues musician Muddy Waters released by the Chess label in 1971.
Rockin' Wild in Chicago is a live album by the American blues musician Magic Sam, compiling tracks recorded in Chicago between 1963 and 1968, that was released by the Delmark label in 2021.
The Blues Is Where It's At is an album by blues pianist/vocalist Otis Spann recorded in 1966 and originally released by the BluesWay label.
Dirty Double Mother is an album by blues musician Roosevelt Sykes recorded in 1973 and released by the BluesWay label. On the cover, the title is "Dirty Double Mother," while on the label, it is cited as "Double Dirty Mother," which is also the title of the first song.
The Bottom of the Blues is an album by blues pianist/vocalist Otis Spann recorded in 1967 and originally released by the BluesWay label.
I Ain't from Chicago is an album by blues musician Jimmy Reed released by the BluesWay label in 1973.