Don't Promise Me Anything | |
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Directed by | Wolfgang Liebeneiner |
Written by | |
Based on | Don't Promise Me Anything by Charlotte Rissmann |
Produced by | |
Starring | |
Cinematography | |
Edited by | Walter von Bonhorst |
Music by | Georg Haentzschel |
Production company | |
Distributed by | Terra Film |
Release date |
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Running time | 104 minutes |
Country | Nazi Germany |
Language | German |
Don't Promise Me Anything (German : Versprich mir nichts!) is a 1937 German comedy film directed by Wolfgang Liebeneiner and starring Luise Ullrich, Viktor de Kowa and Heinrich George. [1] It was partly shot at the Grunewald Studios in Berlin. [2] The film's sets were designed by the art directors Karl Weber and Erich Zander. The Berlin premiere took place at the Gloria-Palast. In 1950 Liebeneiner remade the film as When a Woman Loves with Hilde Krahl and Johannes Heesters in the lead roles.
A perfectionist but talented artist is reluctant to sell his paintings, but because they need the money his wife sells them without his knowledge and claims to be the artist herself. However, when she is commissioned to paint a mural she turns to her husband for help.
Writing for Night and Day in 1937, Graham Greene gave the film a negative review, describing the film as "unconvincing", and with "the added disadvantage of being [] unfit[] for irrational behaviour". The only point of interest for Greene was the costume and acting of Will Dohm which worryingly evoked German militarism. [3]
Viktor de Kowa was a German stage and film actor, chanson singer, director, narrator, and comic poet.
Terra Film was a Berlin-based film production company. Founded in 1919, it became one of Germany's largest film production companies in the 1930s under the Nazi regime.
Scandal at the Fledermaus is a 1936 German comedy film directed by Herbert Selpin and starring Viktor de Kowa, Maria Andergast and Adele Sandrock. It was shot at the Terra Studios in Berlin. The film's sets were designed by the art director Erich Czerwonski. It was partly shot on location in London. It is also known by the alternative title Scandal Over Mary.
Waltz of Love is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch and Georg Alexander. It was shot at the Babelsberg Studios in Berlin with sets designed by the art director Erich Kettelhut. It premiered at the Gloria-Palast in Berlin on 7 February 1930. A separate English language version The Love Waltz was also produced.
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Savoy Hotel 217 is a 1936 German mystery drama film directed by Gustav Ucicky and starring Hans Albers, Brigitte Horney and Alexander Engel. It was shot at the Babelsberg Studios in Potsdam. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. The costumes were by Herbert Ploberger. It premiered at Berlin's UFA-Palast am Zoo.
Regine is a 1935 German drama film directed by Erich Waschneck and starring Luise Ullrich, Anton Walbrook and Olga Chekhova. It was shot at the Grunewald Studios in Berlin. The film's sets were designed by Otto Erdmann and Hans Sohnle.
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The Castle in the South is a 1933 German comedy film directed by Géza von Bolváry and starring Liane Haid, Viktor de Kowa, and Paul Kemp. A separate French-language version Château de rêve was also produced and released by UFA's French subsidiary. It was made at the Tempelhof Studios in Berlin while location shooting took place in Dalmatia and at Rügen in Pomerania. The film's sets were designed by the art director Emil Hasler.
Every Day Isn't Sunday is a 1935 German comedy film directed by Walter Janssen and starring Adele Sandrock, Wolfgang Liebeneiner and Carola Höhn. It shares its name with an unrelated 1959 film of the same title. Both films feature the popular song of the same name by Carl Clewing. It was shot at the EFA Studios in Berlin. The film's sets were designed by the art director Heinrich Richter.
When a Woman Loves is a 1950 West German comedy film directed by Wolfgang Liebeneiner and starring Hilde Krahl, Johannes Heesters and Mathias Wieman. It is based on the play Don't Promise Me Anything by Charlotte Rissmann, which Liebeneiner had previously made into a 1937 film of the same title.
Dance on the Volcano is a 1938 German historical musical comedy film directed by Hans Steinhoff and starring Gustaf Gründgens, Sybille Schmitz and Ralph Arthur Roberts. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Rochus Gliese. A light-hearted costume film, the production was a significant departure for both its director, best known for his Nazi-supporting propaganda films, and its star Gründgens, celebrated as a classical actor.
Journey to Happiness is a 1948 German romantic drama film directed by Erich Engel and starring Käthe Dorsch, Rudolf Forster and Hildegard Knef. It was made at the Babelsberg Studios in Berlin while location shooting took place around the Attersee (lake) in Austria.The film's sets were designed by the art director Erich Kettelhut. It was one of a significant number of films produced during Nazi Germany but not released until after the fall of the Nazi regime. It was originally made in 1944 during the Second World War, but its release was delayed by four years before it eventually premiered in the Soviet Zone.
I Love You is a 1938 German romantic comedy film directed by Herbert Selpin and starring Viktor de Kowa, Luise Ullrich and Olga Limburg. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Karl Weber and Erich Zander. It is in the style of a screwball comedy, inspired by the story of Adam and Eve.
Before God and Man is a 1955 West German drama film directed by Erich Engel and starring Viktor de Kowa, Antje Weisgerber and Hans Söhnker. It was shot at the Tempelhof Studios in West Berlin. The film's sets were designed by the art directors Emil Hasler and Walter Kutz.
Annelie is a 1941 German historical comedy drama film directed by Josef von Báky and starring Luise Ullrich, Werner Krauss and Käthe Haack. It was shot at the Babelsberg and Tempelhof Studios in Berlin and on location around Königsberg in East Prussia. The film's sets were designed by the art director Emil Hasler. It was based on a play of the same title by Walter Lieck. It was screened at the 1941 Venice Film Festival.