Don Quixote (disambiguation)

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Don Quixote , fully El ingenioso hidalgo Don Quijote de la Mancha, is a classic novel by Miguel de Cervantes Saavedra, originally published in two parts, in 1605 and 1615.

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Don Quixote or Quixote (with variations in spelling) may also refer to:

Arts, entertainment and media

Film

Music

Ballet

  • Don Quixote (ballet) (1869), choreographed by Marius Petipa to the music of Ludwig Minkus
  • Don Quixote (1965), choreographed by George Balanchine to the music of Nicolas Nabokov
  • Don Quixote, or Fantasies of a Madman, choreographed by Boris Eifman

Opera

Albums and songs

Television

Theatre

Visual arts

Other arts, entertainment and media

Science and technology

Astronomy

Other uses

See also

Related Research Articles

<i>Don Quixote</i> Spanish novel by Miguel de Cervantes

Don Quixote is a Spanish epic novel by Miguel de Cervantes. It was originally published in two parts, in 1605 and 1615. Considered a founding work of Western literature, it is often labelled as the first modern novel and one of the greatest works ever written. Don Quixote is also one of the most-translated books in the world and one of the best-selling novels of all time.

<i>Man of La Mancha</i> Musical

Man of La Mancha is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century novel Don Quixote. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or Don Quixote. Wasserman complained repeatedly about people taking the work as a musical version of Don Quixote.

<span class="mw-page-title-main">Dulcinea del Toboso</span> Fictional character

Dulcinea del Toboso is a fictional character who is unseen in Miguel de Cervantes' novel Don Quijote. Don Quijote believes he must have a lady, under the mistaken view that chivalry requires it. As he does not have one, he invents her, making her the very model of female perfection: "[h]er name is Dulcinea, her country El Toboso, a village of La Mancha, her rank must be at least that of a princess, since she is my queen and lady, and her beauty superhuman, since all the impossible and fanciful attributes of beauty which the poets apply to their ladies are verified in her; for her hairs are gold, her forehead Elysian fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her fairness snow, and what modesty conceals from sight such, I think and imagine, as rational reflection can only extol, not compare".

<i>Lost in La Mancha</i> 2002 film by Keith Fulton and Louis Pepe

Lost in La Mancha is a 2002 documentary film about Terry Gilliam's first attempt to make The Man Who Killed Don Quixote, a film adaptation of the 1605/1615 novel Don Quixote by Miguel de Cervantes. The documentary was shot in 2000 during pre-production and filming and it was intended as a "making-of" documentary for the film. However, Gilliam's failure to complete his film resulted in the documentary filmmakers retitling their work as Lost in la Mancha and releasing it independently.

<span class="mw-page-title-main">Sancho Panza</span> Character in Don Quixote

Sancho Panza is a fictional character in the novel Don Quixote written by Spanish author Miguel de Cervantes Saavedra in 1605. Sancho acts as squire to Don Quixote and provides comments throughout the novel, known as sanchismos, that are a combination of broad humour, ironic Spanish proverbs, and earthy wit. "Panza" in Spanish means "belly".

<span class="mw-page-title-main">Alonso Fernández de Avellaneda</span> Authors pseudonym

Alonso Fernández de Avellaneda is the pseudonym of a man who wrote a sequel to Cervantes' Don Quixote, before Cervantes finished and published his own second volume.

<i>El retablo de maese Pedro</i>

El retablo de maese Pedro is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of Don Quixote, with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work. Because of its brief length by operatic standards, its very challenging part for a boy opera performer, and its use of puppets, it is not part of the standard operatic repertoire.

<span class="mw-page-title-main">Cide Hamete Benengeli</span> Fictional character

Cide Hamete Benengeli is a fictional Arab Muslim historian created by Miguel de Cervantes in his novel Don Quixote, who Cervantes says is the true author of most of the work. This is a skilful metafictional literary pirouette that seems to give more credibility to the text, making the reader believe that Don Quixote was a real person and the story is decades old. However, it is obvious to the reader that such a thing is impossible, and that the pretense of Cide Hamete's work is meant as a joke.

I, Don Quixote is a non-musical play written for television and directed by Karl Genus. It was broadcast in season 3 of the CBS anthology series DuPont Show of the Month on the evening of November 9, 1959. Written by Dale Wasserman, the play was converted by him ca. 1964 into the libretto for the stage musical Man of La Mancha, with songs by Mitch Leigh and Joe Darion. After a tryout at Goodspeed Opera House in Connecticut, Man of La Mancha opened in New York on November 22, 1965, at the ANTA Washington Square Theatre.

<i>Man of La Mancha</i> (film) 1972 film by Arthur Hiller

Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion. The musical was suggested by the classic novel Don Quixote by Miguel de Cervantes, but more directly based on Wasserman's 1959 non-musical television play I, Don Quixote, which combines a semi-fictional episode from the life of Cervantes with scenes from his novel.

<i>Don Quixote</i> (1947 film) 1947 Spanish film by Rafael Gil

Don Quixote or Don Quixote de la Mancha is the first sound film version in Spanish of the great classic novel by Miguel de Cervantes Saavedra. It was directed and adapted by Rafael Gil and released in 1947. A huge undertaking for Spanish cinema in its day, it was the longest film version of the novel up to that time, and very likely the most faithful, reverently following the book in its dialogue and order of episodes, unlike G.W. Pabst's 1933 version and the later Russian film version, which scrambled up the order of the adventures as many film versions do. Characters such as Cardenio, Dorotea, and Don Fernando, which are usually omitted because their respective subplots have little to do with the main body of the novel, were kept in this film.

<span class="mw-page-title-main">Alonso Quijano</span> Fictional character

Alonso Quijano is the personal name of the famous fictional hidalgo who is better known as Don Quixote, a name he invents after falling into insanity. Alonso Quijano/Don Quixote is the leading character of the 1605/1615 novel Don Quixote de la Mancha, written by Miguel de Cervantes.

<span class="mw-page-title-main">Cayetano Hilario Abellán</span>

Cayetano Hilario Abellán was a Spanish self-taught sculptor who produced sculptures based on different themes. His work is known because of his group of characters from the Miguel de Cervantes' well known novel Don Quixote, among others.

<i>Don Quichotte auf der Hochzeit des Comacho</i>

Don Quichotte auf der Hochzeit des Comacho, TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes's novel Don Quixote. The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: Don Quichotte auf der Hochzeit des Comacho; later it was also known as Don Quixote der Löwenritter.

Don Quixote is a 1973 Australian ballet film directed by and starring Rudolf Nureyev and Robert Helpmann. The film is adapted from Marius Petipa's ballet of the same name, itself based on Miguel de Cervantes' novel El ingenioso hidalgo don Quijote de la Mancha.

Garbancito de la Mancha is a Spanish animated film directed by José María Blay and Arturo Moreno. Released in 1945, it is the first animated feature film produced in Spain, the first cel-animated feature film produced in Europe, and the first animated feature film produced in color outside of the United States. It is inspired by the story of Don Quijote.

<span class="mw-page-title-main">Juan de la Cuesta</span>

Juan de la Cuesta (?-1627) was a Spanish printer known for printing the first editions of Don Quixote de la Mancha (1605) and the Novelas ejemplares (1613), by Miguel de Cervantes, as well as the works of other leading figures of Spain's Golden Age, such as Lope de Vega.

<i>Don Quixote, Knight Errant</i> 2002 Spanish film

Don Quixote, Knight Errant is a 2002 Spanish adventure film directed and written by Manuel Gutiérrez Aragón, consisting of an adaptation of the second part of Miguel de Cervantes' Don Quixote. It stars Juan Luis Galiardo and Carlos Iglesias respectively as Don Quixote and Sancho Panza, alongside Santiago Ramos, Fernando Guillén Cuervo, Manuel Manquiña, Kiti Manver, Manuel Alexandre, Juan Diego Botto and Emma Suárez.

<i>El Quijote de Miguel de Cervantes</i> Spanish television series (1992)

El Quijote de Miguel de Cervantes is a Spanish prime-time television series based on the 17th century novel Don Quixote by Miguel de Cervantes. Produced by Emiliano Piedra for Televisión Española, it was directed by Manuel Gutiérrez Aragón, with screenplay by Camilo José Cela and starring Fernando Rey as Don Quixote and Alfredo Landa as Sancho Panza. Its five episodes adapting the first part of the novel were broadcast on La Primera of Televisión Española in 1992.