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Donald Milton Clarke | |
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| Born | 1940 (age 82–83) Kenosha, Wisconsin, United States |
| Occupation | Writer |
| Alma mater | University of Wisconsin–Madison |
| Notable works | The Rise and Fall of Popular Music (1995) |
| Website | |
| www | |
Donald Milton Clarke (born 1940) is an American writer on music. [1]
Clarke was born in 1940 and raised in Kenosha, Wisconsin. From 1959 through 1969, he worked at a car factory in Kenosha American Motors Corporation. In 1973, he graduated from the University of Wisconsin–Madison with a Bachelor of Science in education with honors. He lived in England from 1973 to 1998, during which time, from 1974 to 1979, he worked for Marshall Cavendish Publications.
From 1998, Clarke lived in Austin, Texas, moving in 2003 to West Des Moines, Iowa, where he worked for a time on the music e-zines BluesWax and FolkWax. He then moved to Allentown, Pennsylvania, in 2009, and in 2014, to Colorado Springs.
Clarke was the author/editor of the Penguin Encyclopedia of Popular Music (1989, 1998), which is now available free on website. His other books include Wishing On The Moon: The Life and Times of Billie Holiday (1994), The Rise And Fall Of Popular Music (1995), [2] and All Or Nothing At All: A Life Of Frank Sinatra (1997). The Billie Holiday biography was reprinted by Da Capo Press in 2000 under the title Billie Holiday: Wishing On The Moon.
Books
Articles
Billie Holiday was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.
The bugle is a simple signaling brass instrument with a wide conical bore. It normally has no valves or other pitch-altering devices, and is thus limited to its natural harmonic notes, and pitch is controlled entirely by varying the embouchure.
Paul Quinichette was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q".
"April in Paris" is a popular song composed by Vernon Duke with lyrics by Yip Harburg in 1932 for the Broadway musical Walk a Little Faster. The original 1933 hit was performed by Freddy Martin, and the 1952 remake was by the Sauter-Finegan Orchestra, whose version made the Cashbox Top 50. Composer Alec Wilder writes, "There are no two ways about it: this is a perfect theater song. If that sounds too reverent, then I'll reduce the praise to 'perfectly wonderful,' or else say that if it's not perfect, show me why it isn't."
Baude Cordier was a French composer in the ars subtilior style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this.
Charles Baker Fowlkes was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years.
The piccolo trumpet is the smallest member of the trumpet family, pitched one octave higher than the standard B♭ trumpet. Most piccolo trumpets are built to play in either B♭ or A, using a separate leadpipe for each key. The tubing in the B♭ piccolo trumpet is one-half the length of that in a standard B♭ trumpet. Piccolo trumpets in G, F, and even high C are also manufactured, but are rarer.
"I Wished on the Moon" is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936.
"I've Got My Love to Keep Me Warm" is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by (i) Ray Noble, Howard Barrie, vocalist; (ii) Red Norvo, Mildred Bailey, vocalist; (iii) and Billie Holiday with her orchestra. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, On the Avenue.
George Michael Sinclair Kennedy CBE was an English music critic and author who specialized in classical music. For nearly two decades he was the chief classical music critic for both The Daily Telegraph (1986–2005) and The Sunday Telegraph (1989–2005). A prolific writer, he was the biographer of many composers and musicians, including Vaughan Williams, Elgar, Barbirolli, Mahler, Strauss, Britten, Boult and Walton. Other notable publications include writings on various musical institutions, the editing of music dictionaries as well as numerous articles for The New Grove Dictionary of Music and Musicians and the subsequent Grove Music Online.
Arthur Shapiro was an American jazz bassist.
Ted "Mohawk" Sturgis was an American jazz bassist.
The valide trombone is a hybrid valve trombone invented in the 1940s by jazz musician Brad Gowans. It features both a set of three piston valves and a slide to vary the pitch. The slide on the valide is positioned within the valve section and is shorter than a regular trombone slide, only covering four slide positions instead of the usual seven. The slide does not lock, requiring the player to hold the slide at all times, and encouraging the player to use both the valves and the slide together.
Bobby Tucker was a pianist and arranger during the jazz era from the 1940s into the 1960s. He is most famous for being Billie Holiday's accompanist from 1946 to 1949 and Billy Eckstine's from 1950 to 1993.
Salem Tutt Whitney and J. Homer Tutt, known collectively as the Tutt Brothers, were American vaudeville producers, writers, and performers of the late 19th and early 20th century. They were also known as Whitney & Tutt, Tutt & Whitney and the Whitney Brothers. They were prominent in black vaudeville and created over forty revues for black audiences.
Ford Lee "Buck" Washington was an American vaudeville performer, pianist, and singer. He was best known as half of the duo Buck and Bubbles, who were the first black artists to appear on television, with John W. Bubbles, his performance partner for 40 years.
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