Donald Anthony Preziosi (born January 12, 1941) is an American art historian. He is Emeritus Professor of Art History at the University of California, Los Angeles. In August 2007, he was appointed the MacGeorge Fellow at the University of Melbourne. [1] He also served as president of the Semiotic Society of America (1985).
In his writing he combines disciplines as diverse as intellectual history, critical theory and museology. His 1998 book The Art of Art History: A Critical Anthology is considered 'the most widely used English-language introduction to art history'. [1]
At UCLA, Professor Preziosi developed the art history critical theory program and the UCLA museum studies program. At Oxford, he held the Slade Professorship of Fine Arts in 2001, where he delivered a series of lectures entitled Seeing Through Art History. [2]
Preziosi received his bachelor's degree from Fairfield University and his master's degree in Linguistics and a Ph.D. in art history from Harvard University. [3]
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. Film theory is not to be confused with general film criticism, or film history, though these three disciplines interrelate.
In the visual arts, style is a "... distinctive manner which permits the grouping of works into related categories" or "... any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art".
Victor Burgin is a British artist and writer.
Stephen Jay Greenblatt is an American literary historian and author. He has served as the John Cogan University Professor of the Humanities at Harvard University since 2000. Greenblatt is the general editor of The Norton Shakespeare (2015) and the general editor and a contributor to The Norton Anthology of English Literature.
Fredric Ruff Jameson was an American literary critic, philosopher and Marxist political theorist. He was best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
Meyer Schapiro was a Lithuanian-born American art historian who developed new art historical methodologies that incorporated an interdisciplinary approach to the study of works. An expert on early Christian, Medieval and modern art, he explored periods and movements with an eye toward their works' social, political and material constructions.
Biosemiotics is a field of semiotics and biology that studies the prelinguistic meaning-making, biological interpretation processes, production of signs and codes and communication processes in the biological realm.
Felix Joseph Slade was an English lawyer and collector of glass, books and prints.
René Wellek was a Czech-American comparative literary critic. Like Erich Auerbach, Wellek was a product of the Central European philological tradition and was known as a "fair-minded critic of critics."
The Slade Professorship of Fine Art is the oldest professorship of art and art history at the universities of Cambridge, Oxford and University College, London.
Sir John Frank Kermode, FBA was a British literary critic best known for his 1967 work The Sense of an Ending: Studies in the Theory of Fiction and for his extensive book-reviewing and editing.
Sir John Newenham Summerson was one of the leading British architectural historians of the 20th century.
Amelia Jones, originally from Durham, North Carolina, is an American art historian, art theorist, art critic, author, professor and curator. Her research specialisms include feminist art, body art, performance art, video art, identity politics, and New York Dada. Jones's earliest work established her as a feminist scholar and curator, including through a pioneering exhibition and publication concerning the art of Judy Chicago; later, she broadened her focus on other social activist topics including race, class and identity politics. Jones has contributed significantly to the study of art and performance as a teacher, researcher, and activist.
Leo Braudy is University Professor and Professor of English at the University of Southern California, where he teaches 17th- and 18th-century English literature, film history and criticism, and American culture. He has previously taught at Yale, Columbia, and Johns Hopkins University. He is best known for his cultural studies scholarship on celebrity, masculinity, and film, and is frequently sought after for interviews on popular culture, Hollywood cinema, and the American zeitgeist of the 1950s.
James Sloss Ackerman was an American architectural historian, a major scholar of Michelangelo's architecture, of Palladio and of Italian Renaissance architectural theory.
Art history is, briefly, the history of art—or the study of a specific type of objects created in the past.
Charles Townsend Harrison was a UK art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open University. Although he denied being an artist himself, he was a full participant and catalyst in the Art and Language group.
Peter John Murray was a British art historian and the Professor of History of Art at Birkbeck College, London from 1967 to 1980. Together with his wife, Linda Murray, he wrote primers on Italian Renaissance art which have been used by generations of students. In 1959 they published the highly successful Penguin Dictionary of Art and Artists, which was frequently updated and reissued. In 1963, they published two substantial introductory texts The Art of the Renaissance, and a book that became a classic primer The Architecture of the Renaissance.
Josephine Dawn Adès,, also known as Dawn Adès, is a British art historian and academic. She is professor emeritus of art history and theory at the University of Essex.
Paul Cobley is an eminent British semiotician and narratologist.