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Doug Binder (born 1941) is an English artist. His work has varied significantly over his career, and is now focused on oil paintings of the human form. Along with Dudley Edwards and David Vaughan, he co-founded the design collective BEV in the 1960s. [1]
Binder was born in Bradford in 1941, and studied at the Bradford College of Art, before moving on to the Royal College of Art in 1961, specialising in painting.
He was involved in the London arts scene during the "Swinging Sixties", associated with the nascent pop-psychedelic decor, with The Beatles being among his first customers. Paul McCartney commissioned him to paint his Knight piano. He was also involved with The Roundhouse, a London venue that hosted many high-profile musical acts during the 1960s and 1970s.
In the early 1970s, Binder's work changed, influenced by the pop culture of the time. In the latter half of the decade, he developed an interest in sculpture. Returning to the North of England in the 1980s, he took a renewed interest in oil painting and representation, and his work has been focused on this area since then.
Binder is the curator at the Dean Clough galleries in Halifax, West Riding, and is one of the site's in situ artists. He is still an active contributor to the galleries but no longer sells many of his works. In September 2007, Binder launched a solo exhibition at York gallery/studio, The ArtSpace. The show, "From the Life: New Paintings by Doug Binder", ran for three weeks. Binder returned to the same place, renamed from ArtSpace to "According to McGee", in November 2010 with a solo show entitled "Full Circle". [2]
Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.
Allen Jones is a British pop artist best known for his paintings, sculptures, and lithography. He was awarded the Prix des Jeunes Artistes at the 1963 Paris Biennale. He is a Senior Academician at the Royal Academy of Arts. In 2017 he returned to his home town to receive the award Honorary Doctor of Arts from Southampton Solent University
Barry McGee is an American artist. He is known for graffiti art, and a pioneer of the Mission School art movement. McGee is known by his monikers: Twist, Ray Fong, Bernon Vernon, and P.Kin.
Nicholas Krushenick was an American abstract painter, collagist and printmaker whose mature artistic style straddled Pop Art, Op Art, Minimalism and Color Field. He was active in the New York art scene from the mid-1950s to the mid-1970s, before he began focusing his time as a professor at the University of Maryland. Initially experimenting with a more derivative Abstract Expressionist style, by the mid-1960s he had developed his own unique approach, painting increasingly decisive compositions marked by bold, colorful, geometric fields and forms simultaneously flattened and amplified by strong black outlines, in a style that eventually became known as Pop abstraction. In 1984, the biographical dictionary World Artists, 1950-1980 observed that Krushenick "has been called the only truly abstract Pop painter." Today, as other artists have been carefully folded into the same paradoxical genre, Krushenick is not only considered a singular figure within that style but also its pioneer, earning him the title "the father of Pop abstraction."
Gerald Gladstone was a Canadian sculptor and painter.
Tom Palin is a British painter.
Prunella Clough was a prominent British artist. She is known mostly for her paintings, though she also made prints and created assemblages of collected objects. She was awarded the Jerwood Prize for painting, and received a retrospective exhibition at Tate Britain.
Billy Al Bengston was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Jahar Dasgupta, is a contemporary painter from India. He was born in Jamshedpur, India.
Dudley Edwards is an English painter, draughtsman and applied artist specialising in illustration, textiles, ceramics, murals and photography.
Dorothy Hood was an American painter in the Modernist tradition. Her work is held in private collections and at several museums, most notably the Museum of Modern Art and Museum of Fine Arts, Houston. Her preferred mediums were oil paint and ink.
Grégoire Müller is a contemporary Swiss painter and writer, who lives in La Chaux-de-Fonds, Switzerland. His figurative paintings frequently explore current events and world news as documented on television and in print.
Jerry Kwan is a Hong Kong artist, Born in Xinhui, Guangdong in 1934, in southern China, Kwan moved to Hong Kong in 1949. He started painting during the 1960s and the 1970s. While Kwan did not work with just one single style in his artworks, his main focus was on oil paintings.
Bror Alexander Utter was a painter, printmaker, and art teacher who lived and worked his entire life in Fort Worth, Texas, but his art achieved national recognition. He worked in an array of styles ranging from landscapes influenced by Regionalism, still lifes, architectural scenes, and figurative works inspired by the theater to modernist abstractions. He was a prominent member of the Fort Worth Circle.
Dansaekhwa, often translated as "monochrome painting" from Korean, is a retroactive term grouping together disparate artworks that were exhibited in South Korea beginning in the mid 1970s. While the wide range of artists whose work critics and art historians consider to fall under this category are often exhibited together, they were never part of an official artistic movement nor produced a manifesto. Nonetheless, their artistic practices are seen to share "a commitment to thinking more intensively about the constituent elements of mark, line, frame, surface and space around which they understood the medium of painting." Their interests compose a diverse set of formal concerns that cannot be reduced to a preference for limited color palettes.
Robert Boynes is a contemporary Australian artist working primarily in painting, but has also produced prints, films and sculptures.
Allie McGhee is a Detroit-based African American painter and pillar of the Detroit art community since the 1960s. Allie McGhee attended Cass Technical High School in Detroit, MI, and completed his undergraduate work at Eastern Michigan University in 1965.
Frances Barth is an American visual artist best known for paintings situated between abstraction, landscape and mapping, and in her later career, video and narrative works. She emerged during a period in which contemporary painters sought a way forward beyond 1960s minimalism and conceptualism, producing work that combined modernist formalism, geometric abstraction, referential elements and metaphor. Critic Karen Wilkin wrote, "Barth's paintings play a variety of spatial languages against each other, from aerial views that suggest mapping, to suggestions of perspectival space, to relentless flatness ... [she] questions the very pictorial conventions she deploys, creating ambiguous imagery and equally ambiguous space that seems to shift as we look."
Rudolf Němec was a Czech painter, printmaker, poet and sculptor. He was one of the leading representatives of the New Figuration in Czechoslovakia.
David Saunders is an English artist, teacher and musician. Over his long career Saunders's work has undergone some changes but is best known for his systematic and constructivist style which he practised from the late 1960s to the mid 1990s. He is mainly exhibited and appreciated in the UK and Europe, where his work is held in many national collections.
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