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Douglas Henderson | |
|---|---|
| Born | 1949 |
| Nationality | American |
| Known for | Paleoart |
| Website | douglashendersonehi |
Doug Henderson (born 1949) is an American paleoartist, illustrator and painter specializing in the portrayal of fossil animals and environments. He lives in Montana. [1]
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Henderson is best known for his renditions of prehistoric landscapes and their inhabitants, and for his artistic approach to paleoart through his use of light, shadow, and atmosphere. [2] He has illustrated many books on dinosaurs and extinct life, including Dinosaurs: A Global View, Dawn of the Dinosaurs, and Maia: A Dinosaur Grows Up. Henderson played a role in the Dinosaur Renaissance with his images of dinosaurs and their environments, particularly in illustrating aspects of their behaviour not seen in more traditional restorations. In a 2015 survey of the international paleontological community, Henderson was listed as among the most recognized and influential paleoartists. [3]
Henderson cites the dinosaur culture of the 1950s, including the 1933 movie King Kong , as some of his original inspirations for his artwork. He has worked to produce illustrations for books, museum exhibits, murals, posters, and has also done design work for movies and animation projects. [4] He is credited as a "dinosaur specialist" on the film Jurassic Park , in which his paintings appeared. [2]
Henderson's work is in many different educational textbooks, like Dinosaurs: The Textbook, and Dinosaur Imagery: The Science of Lost Worlds and Jurassic Art: The Lanzendorf Collection.
Henderson's style of art is widely considered "murky" or "indistinct", or otherwise lacking in detail, which many say adds to the realism of the artwork, as the art is drawn as if drawn from memory of actually seeing the dinosaur in question. [5] Henderson was also very active in the work of Paleoart throughout the years of 1986 and 1987, being one of the first artists to produce an image of the Deccan Traps erupting for the book, Dinosaurs: A Global View. [6] Henderson also dislikes digital art and digital renderings of art, and instead favors oil paintings and crude sketches, citing "there is something unsatisfactory about digital illustration—too many renderings of various things tend to look too much alike." [7]
Henderson's art is displayed often in museums and other exhibits of paleontology, often due to his portrayal of landscapes from long ago and presenting them as they would have appeared over billions of years ago. [8]
