Kathryn Grayson was an American actress and coloratura soprano.
Valiant Is the Word for Carrie is a 1936 American drama film directed by Wesley Ruggles and written by Claude Binyon, based on the 1935 novel of the same name by Barry Benefield. The film stars Gladys George, Arline Judge, John Howard, Dudley Digges, Harry Carey, and Isabel Jewell.
Hedda Hopper was an American gossip columnist and actress. At the height of her influence in the 1940s, her readership was 35 million. A strong supporter of the House Un-American Activities Committee (HUAC) hearings, Hopper named suspected communists and was a major proponent of the Hollywood blacklist. Hopper continued to write gossip until the end of her life, her work appearing in many magazines and later on radio. She had an extended feud with another gossip columnist, arch-rival Louella Parsons.
Louella Parsons was an American movie columnist and a screenwriter. She was retained by William Randolph Hearst because she had championed Hearst's mistress Marion Davies and subsequently became an influential figure in Hollywood. At her peak, her columns were read by 20 million people in 700 newspapers worldwide.
William DeWolf Hopper Jr. was an American stage, film, and television actor. The only child of actor DeWolf Hopper and actress and Hollywood columnist Hedda Hopper, he appeared in predominantly minor roles in more than 80 feature films in the 1930s and 1940s. After serving in the United States Navy during World War II, he left acting, but in the mid-1950s, he was persuaded by director William Wellman to resume his film career. He became best known for his work as private detective Paul Drake in the CBS television series Perry Mason.
Joan Evans is a retired American film actress.
Love in the Afternoon is a 1957 American romantic comedy film produced and directed by Billy Wilder, and starring Gary Cooper, Audrey Hepburn and Maurice Chevalier. The screenplay by Wilder and I.A.L. Diamond is based on the 1920 Claude Anet novel Ariane, jeune fille russe. The story explores the relationship between a notorious middle-aged American playboy business magnate and the 20-something daughter of a private detective hired to investigate him. The supporting cast features John McGiver and Lise Bourdin.
Louise Fazenda was an American film actress, appearing chiefly in silent comedy films.
Edward James Nugent was an American film and stage actor.
Indiscreet is a 1931 American pre-Code comedy film directed by Leo McCarey and starring Gloria Swanson and Ben Lyon. The screenplay by Buddy G. DeSylva, Lew Brown, and Ray Henderson, based on their story Obey That Impulse, originally was written as a full-fledged musical, but only two songs – "If You Haven't Got Love" and "Come to Me" – remained when the film was released. The film is available on DVD.
Maude Eburne was a Canadian character actress of stage and screen, known for playing eccentric roles.
The Best of Everything is a 1959 American drama film directed by Jean Negulesco from a screenplay by Edith Sommer and Mann Rubin, based on the 1958 novel of the same name by Rona Jaffe. It stars Hope Lange, Stephen Boyd, Suzy Parker, Martha Hyer, Diane Baker, Brian Aherne, Robert Evans, Louis Jourdan, and Joan Crawford. The film follows the professional careers and private lives of three women who share a small apartment in New York City and work together in a paperback publishing firm. Alfred Newman wrote the musical score, the last under his longtime contract as 20th Century-Fox's musical director.
Havana Widows is a 1933 American pre-Code comedy film directed by Ray Enright, starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on November 18, 1933. Two chorus girls travel to Havana in search of rich husbands. Their target is Deacon Jones, a self-appointed moralist who cannot drink without getting drunk.
Colleen is a 1936 Warner Bros. romantic musical film directed by Alfred E. Green. It stars Dick Powell, Ruby Keeler, and Joan Blondell.
Beauty for Sale is a 1933 American pre-Code film about the romantic entanglements of three beauty salon employees. Based on the 1933 novel Beauty by Faith Baldwin, it stars Madge Evans, Alice Brady, Otto Kruger and Una Merkel.
The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released.
Return to Peyton Place is a 1961 American drama film in color by De Luxe and CinemaScope, produced by Jerry Wald, directed by José Ferrer, and starring Carol Lynley, Tuesday Weld, Jeff Chandler, Eleanor Parker, Mary Astor, and Robert Sterling. The screenplay by Ronald Alexander is based on the 1959 novel Return to Peyton Place by Grace Metalious. The film was distributed by 20th Century Fox and is a sequel to their earlier film Peyton Place (1957).
Adrienne D'Ambricourt was a French-American actress of the silent and sound film eras. She was born in Paris, and emigrated to the United States after the end of World War I.
Maude Violet Clarke was an Irish historian.
The Doughnut, or Doughnut economics, is a visual framework for sustainable development – shaped like a doughnut or lifebelt – combining the concept of planetary boundaries with the complementary concept of social boundaries. The name derives from the shape of the diagram, i.e. a disc with a hole in the middle. The centre hole of the model depicts the proportion of people that lack access to life's essentials while the crust represents the ecological ceilings that life depends on and must not be overshot. The diagram was developed by University of Oxford economist Kate Raworth in her 2012 Oxfam paper A Safe and Just Space for Humanity and elaborated upon in her 2017 book Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist and paper.
