The Longhorn | |
---|---|
Directed by | Lewis D. Collins |
Written by | Daniel B. Ullman |
Produced by | Vincent M. Fennelly |
Starring | Wild Bill Elliott Myron Healey Phyllis Coates |
Cinematography | Ernest Miller |
Edited by | Richard V. Heermance |
Music by | Raoul Kraushaar Mort Glickman |
Production company | Frontier Pictures |
Distributed by | Monogram Pictures |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | English |
The Longhorn is a 1951 American Western film directed by Lewis D. Collins and starring Wild Bill Elliott, Myron Healey, and Phyllis Coates. [1] It was shot at the Iverson Ranch. It was remade as the 1956 film Canyon River .
The movie opens as Wyoming rancher Jim Kirk flees three bandits intent on robbing the money he earned by selling his Texas Longhorn herd. Back at his ranch, Kirk explains to his cowhand Andy that he is carrying a cashier's check made out to him, because he feared being robbed.
Kirk tells Andy that the price for Longhorns has fallen steeply. Kirk has a plan to breed Longhorns with Hereford cattle. He shows Andy a prototype that he has bred, which will have the stamina of a Longhorn and yield as much beef as a Hereford. The only place to get a herd of Herefords is in Oregon, and driving them all the way back to Wyoming seems insane to everyone but Kirk.
When Kirk deposits his check in town, Andy slips away to meet with Latimer, the gang leader who engineered the failed robbery of Kirk. Andy tells Latimer about Kirk's plan, and they agree to hijack the Herefords as Kirk drives them back to his ranch.
On their way to Oregon, Andy is shot by Native American horse thieves. Kirk walks on foot for miles to find a doctor, who just manages to save Andy's life. While Andy recovers, Kirk buys a herd of Herefords and tries to hire a road crew. Most men turn him down, because driving Herefords over the open range seems impossible. The only men who agree are a bunch of outlaws whom nobody else will hire.
The cattle drive back to Wyoming is arduous, and the crew grows restless when they run out of meat. Kirk refuses to butcher one of the Herefords. Meanwhile, Andy meets with Latimer to plot the hijacking of the herd. They agree to start a stampede and force the cattle into a canyon, where they will kill Kirk and his crew.
Just before Andy is supposed to start the stampede, Kirk tells Andy that he will be the foreman of the crew when they return to Kirk's ranch, and he also offers Andy an ownership stake in the herd. When the stampede begins, Andy regrets his betrayal, and fires on Latimer and his henchmen. He is killed in the gun battle, but he helps to thwart Latimer's plan. The film ends as Kirk arrives back at his ranch with his Herefords.
The Texas Longhorn is an American breed of beef cattle, characterized by its long horns, which can span more than 8 ft (2.4 m) from tip to tip. It derives from cattle brought from the Iberian Peninsula to the Americas by Spanish conquistadores from the time of the Second Voyage of Christopher Columbus until about 1512. For hundreds of years the cattle lived a semi-feral existence on the rangelands; they have a higher tolerance of heat and drought than most European breeds. It can be of any color or mix of colors. In some 40% of the cattle it is some shade of red, often a light red; the only shade of red not seen is the deep color typical of the Hereford.
Red River is a 1948 American Western film, directed and produced by Howard Hawks and starring John Wayne and Montgomery Clift. It gives a fictional account of the first cattle drive from Texas to Kansas along the Chisholm Trail. The dramatic tension stems from a growing feud over the management of the drive between the Texas rancher who initiated it (Wayne) and his adopted adult son (Clift).
John Sparks, nicknamed Honest John, was an American politician who was the 10th Governor of Nevada. Like his predecessor, Reinhold Sadler, Sparks was a cattleman and his rise to political power was evidence of the decline of the mining industry and the rise of the ranching industry in Nevada. He was a member of the Silver – Democratic Party. In 1958, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum.
The Cowboys is a 1972 American Western film starring John Wayne, Roscoe Lee Browne, and Bruce Dern, and featuring Colleen Dewhurst and Slim Pickens. It was the feature film debut of Robert Carradine. Based on the 1971 novel of the same name by William Dale Jennings, the screenplay was written by Irving Ravetch, Harriet Frank, Jr., and Jennings, and the film was directed by Mark Rydell.
The Rare Breed is a 1966 American Western film directed by Andrew V. McLaglen and starring James Stewart, Maureen O'Hara and Brian Keith in Panavision. Loosely based on the life of rancher Col. John William Burgess, the film follows Martha Evans's (O'Hara) quest to fulfill her deceased husband's dream of introducing Hereford cattle to the American West. The film was one of the early major productions to be scored by John Williams, who was billed as "Johnny Williams" in the opening credits.
Cattle drives were a major economic activity in the 19th and early 20th century American West, particularly between 1850s and 1910s. In this period, 27 million cattle were driven from Texas to railheads in Kansas, for shipment to stockyards in St. Louis and points east, and direct to Chicago. The long distances covered, the need for periodic rests by riders and animals, and the establishment of railheads led to the development of "cow towns" across the frontier.
The Virginian is a 1946 American Western film directed by Stuart Gilmore and starring Joel McCrea, Brian Donlevy, Sonny Tufts, and Barbara Britton. Based on the 1902 Owen Wister novel of the same name, the film was adapted from the popular 1904 theatrical play Wister had collaborated on with playwright Kirke La Shelle. The Virginian is about an eastern school teacher who comes to Medicine Bow in Wyoming and encounters life on the frontier. The film is a remake of the 1929 movie with Gary Cooper and Walter Huston. There have been several versions of the story, beginning with a 1914 film directed by Cecil B. DeMille and including a 1960s television series that bore little relation to the book other than the title. The film was originally distributed by Paramount Pictures, and is currently owned by EMKA.
Cattle Queen of Montana is a 1954 American Western film shot in Technicolor directed by Allan Dwan and starring Barbara Stanwyck and Ronald Reagan. The supporting cast includes Gene Evans, Lance Fuller, Jack Elam, Chubby Johnson, and Morris Ankrum.
Whip Wilson was an American cowboy film star of the late 1940s and into the 1950s, known for his roles in B-Westerns.
Branded is a 1950 American Technicolor Western film starring Alan Ladd, Mona Freeman, Charles Bickford, and Robert Keith. It was adapted from the novel Montana Rides by Max Brand under pen name Evan Evans. A gunfighter on the run from the law is talked into posing as the long-lost son of a wealthy rancher.
The Goodnight–Loving Trail was a trail used in the cattle drives of the late 1860s for the large-scale movement of Texas Longhorns. It is named after cattlemen Charles Goodnight and Oliver Loving.
Prairie Moon is a 1938 American Western film directed by Ralph Staub and starring Gene Autry, Smiley Burnette, and Shirley Deane. Written by Betty Burbridge and Stanley Roberts, the film is about a singing cowboy who takes care of three tough boys sent west from Chicago after their father dies and leaves them a cattle ranch.
Mountain Rhythm is a 1939 American Western film directed by B. Reeves Eason and starring Gene Autry, Smiley Burnette, and June Storey. Based on a story by Connie Lee, the film is about a cowboy who organizes his fellow ranchers to oppose an Eastern promoter's land grab scheme.
The Singing Hill is a 1941 American western film directed by Lew Landers and starring Gene Autry, Smiley Burnette, and Virginia Dale. Based on a story by Jesse Lasky Jr. and Richard Murphy, the film is about a singing cowboy and foreman of a ranch that may be sold to an unscrupulous banker by the young madcap heiress who is unaware that the sale will result in the local ranchers losing their free grazing land and their ranches. In the film, Autry performed the 1940 song "Blueberry Hill", first recorded by Sammy Kaye, which would become a standard recorded by such artists as Louis Armstrong (1949), Fats Domino (1956), and Elvis Presley (1957). The song became one of Autry's best-selling recordings. In 1987, "Blueberry Hill" received an ASCAP Award for Most Performed Feature Film Standards on TV.
Back in the Saddle is a 1941 American Western film directed by Lew Landers and starring Gene Autry, Smiley Burnette, and Mary Lee. Written by Richard Murphy and Jesse Lasky Jr., the film is about a singing cowboy who attempts to bring peace between ranchers and the operator of a copper mine whose chemicals are poisoning the area's water supply. The film features several of Autry's hit songs, including "Back in the Saddle Again", "I'm An Old Cowhand", and "You Are My Sunshine".
Call of the Canyon is a 1942 American Western film directed by Joseph Santley and starring Gene Autry, Smiley Burnette, the Sons of the Pioneers, and Ruth Terry. Based on a story by Maurice Rapf and Olive Cooper, the film is about a singing cowboy who leads a group of cattlemen against the corrupt agent of a large packing company looking to swindle them by undercutting the buying price for beef. The film features three songs by Autry and the Sons of the Pioneers, including the classic "Take Me Back to My Boots and Saddle".
Riders of the Range is a 1949 American Western film directed by Lesley Selander.
Saddle Legion is a 1951 American Western film directed by Lesley Selander and starring Tim Holt. It co-stars Dorothy Malone, who was one of Holt's most prestigious co-stars. She was borrowed from Warner Bros.
Canyon River is a 1956 American CinemaScope Western film directed by Harmon Jones and starring George Montgomery.
Fargo is a 1952 American Western film directed by Lewis D. Collins and starring Wild Bill Elliott, Myron Healey and Phyllis Coates. The film's sets were designed by the art director Dave Milton. It was shot at the Iverson Ranch.