Paul Naschy was a Spanish film actor, screenwriter, and director working primarily in horror films. His portrayals of numerous classic horror figures—The Wolfman, Frankenstein's monster, Count Dracula, The Hunchback of Notre Dame, Fu Manchu and a mummy—earned him recognition as the Spanish Lon Chaney. Naschy also starred in dozens of action films, historical dramas, crime films, TV shows and documentaries. He also wrote the screenplays for most of his films and directed a number of them as well, signing many of them "Jacinto Molina". Naschy was bestowed Spain's Gold Medal of Merit in the Fine Arts in 2001.
La Noche de Walpurgis /Walpurgis Night, is a 1970 Spanish/German horror film starring Paul Naschy, the fifth in his series about the werewolf Waldemar Daninsky. This film was directed by León Klimovsky and written by Paul Naschy, and is generally regarded to have kickstarted the Spanish horror film boom of the 1970s, due to its awesome box office success upon its release. This was Naschy's all-time most financially successful film. It was also the first of 8 films that he would make with director Leon Klimovsky at the helm.
The Mark of the Wolfman, is a 1968 Spanish horror film, the first in a long series of films about the werewolf Count Waldemar Daninsky, played by Paul Naschy. The film was also known as Hell's Creatures, The Nights of Satan, The Vampires of Dr. Dracula and Frankenstein's Bloody Terror. Naschy originally suggested actress Barbara Steele for the part of the vampire countess Wandesa, but Aurora De Alba wound up getting the part.
Las Noches del Hombre Lobo is a 1968 Spanish horror film about the werewolf Count Waldemar Daninsky, played by Paul Naschy. It has always been referred to as the second of Paul Naschy's 12 "Hombre Lobo" films. However, there are serious doubts as to whether the film was actually made; no one, including Naschy himself, has ever seen it. It was never theatrically released, nor has it ever turned up on video. It is considered today to be a lost film.
Los Monstruos del Terror, also known as Dracula vs. Frankenstein and Assignment: Terror, is a 1969 Spanish-German-Italian horror film co-directed by Tulio Demicheli and Hugo Fregonese.. Eberhard Meichsner was also credited as a director only in the British promotional material, but by all accounts he was not actually involved.
The Fury of the Wolfman, aka Wolfman Never Sleeps, is a 1970 Spanish horror film that is the fourth in a long series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. Naschy wrote the screenplay as well. The film was shot in early 1970. It was not theatrically released in Spain until 1975 due to problems involved in finding a distributor, although it was distributed in edited form on U.S. TV in 1974.
El Retorno de Walpurgis is a 1973 Mexican-Spanish co-production horror film that is the seventh in a twelve-film series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. This film ignored the events in all of the earlier Wolf Man films and began an entirely new origin for el Hombre Lobo, which is strange because the film's Spanish title The Return of Walpurgis seems to tie it in with Naschy's earlier 1970 film Walpurgis Night. The Wolf Man makeup was done by Fernando Florido. The film was shot in June 1973, and by September, it was already in theaters in Spain, as El Retorno de Walpurgis. It wasn't released theatrically in the U.S. however until 1976, as Curse of the Devil.
La Maldicion de la Bestia is a 1975 Spanish horror film that is the eighth in a long series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. The film has also been known as The Werewolf and the Yeti, Night of the Howling Beast and Hall of the Mountain King. This film ignored the events from the earlier Hombre Lobo films and provided an all-new origin for Waldemar's lycanthropy, having the curse transmitted to Waldemar by the bites of two female werewolves. A yeti is woven into the storyline, but in this film the Yeti is not the direct cause of Waldemar's lycanthropy. Fernando Florido and Adolfo Ponte handled the special effects throughout the film.
El Retorno del Hombre Lobo is a 1980 Spanish horror film that is the ninth in a 12-film series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. It is also known as The Craving and Night of the Werewolf.
The Beast and the Magic Sword is a 1983 Spanish/Japanese horror film that is the tenth in a long series of films about the werewolf Count Waldemar Daninsky, played by Paul Naschy. This film moved the Daninsky family curse back to a medieval setting, as Naschy felt the Daninsky saga need not always be confined to a modern-day setting.
Licántropo, also known as Licantropo: The Moonlight Murders or Lycanthrope: The Full Moon Killer, is a 1996 Spanish horror film that is the 11th in the "Hombre Lobo" series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. Following his near-fatal heart attack in 1991, Naschy wrote the screenplay for this film as a sort of therapy while he was recuperating from his surgery. He filed it away for future use and the script lay dormant until producer Primitivo Rodriguez contacted Naschy in 1996 and asked him if he had any ideas for a new horror movie.
Tomb of the Werewolf is a 2003 film directed by Fred Olen Ray. It is the twelfth and last in a long series of films about the werewolf Count Waldemar Daninsky, played by Paul Naschy. The film contains a number of adult sex scenes bordering on softcore pornography. The film was shot on Video in 2003 and first distributed directly to VHS as Tomb of the Werewolf in June 2004. It was later reissued as an uncensored DVD in 2015 as The Unliving by Retromedia Entertainment. Director Ray said years later in an interview that the film never made a profit.
Vengeance of the Zombies is a 1972 Spanish horror film directed by León Klimovsky and starring Paul Naschy, Mirta Miller, Vic Winner and Aurora de Alba. The film was shot in July 1972, but was only theatrically released in Spain in June 1973. It was shown in Italy as La Vendetta dei Morti Viventi. The film was shown in Germany over the years under three different titles....Rebellion of the Living Dead, Invocation of the Devil and Blood Lust of the Zombies.
La orgía de los muertos a.k.a. The Hanging Woman, Beyond the Living Dead, Return of the Zombies and Bracula: Terror of the Living Dead, is a 1972 Spanish/ Italian horror film directed by José Luis Merino, starring Paul Naschy and Dyanik Zurakowska. The film was shot in March 1972, but wasn't shown in Spanish theaters until September 3, 1973. It was shown theatrically in the U.S. in 1974 as The Hanging Woman, and then was later re-released there as Beyond the Living Dead. It was released in Germany on April 6, 1976 as Der Totenchor der Knochenmanner/ Death Chorus of the Skeletons, and re-released in Germany on March 1, 1977 as Die Bestie aus dem Totenreich/ The Beast from the Death Realm. It was shown in the U.K. as Zombies - Terror of the Living Dead, in France as Les Orgies Macabres, and in Australia as Bracula, Terror of the Living Dead.
Horror Rises from the Tomb, is a 1972 Spanish horror film starring Paul Naschy and directed by Carlos Aured. Leon Klimovsky was Naschy's first choice for director, but he was busy on another film so his assistant director Carlos Aured took the job. Naschy was mercilessly rushed into writing the screenplay for the producers in 36 hours, yet after the film was completed, it took more than a year to get it released in theaters. The film was shot in February 1972, and was only released in Spain and Mexico on April 27, 1973 as El espanto surge de la tumba. The film was released in Germany on October 4, 1974 as Blutmesse fur der Teufel/ Blood Mass for the Devil. They re-released the film in Germany on Sept. 2, 1980 as Blood Mass of the Zombies in an attempt to cash in on George Romero's hit film Dawn of the Dead. In France, the film was retitled L'amour parmi les monstres.
Panic Beats is a 1983 film starring Paul Naschy and Julia Saly. The film was a Spanish-Japanese co-production made as a sequel to Naschy's 1972 Horror Rises From the Tomb. It was produced by Augusto Boue and Julia Saly for Naschy's company Aconito Films. Paul Naschy plays the monstrous Alaric de Marnac and Julia Saly, Lola Gaos, and Silvia Miro co-star. Some stock music written by Roberto Nicolosi for 1959's Caltiki the Immortal Monster can be heard in the background.
La cruz del diablo is a 1975 Spanish horror film directed by John Gilling and starring Carmen Sevilla, Adolfo Marsillach, Ramiro Oliveros and Emma Cohen. Its plot concerns a hashish-smoking British writer who travels to Spain to visit his sister, only to discover she has been murdered by a satanic cult.
Count Dracula's Great Love is a 1973 Spanish film directed by Javier Aguirre, and starring Paul Naschy as Count Dracula. The film also features Rosanna Yanni, Haydee Politoff, Mirta Miller and Ingrid Garbo.
Inquisition is a 1976 Spanish-Italian historical horror film written and directed by Paul Naschy. It also features Daniela Giordano, Julia Saly and Mónica Randall. The film was shot in May and June 1976, and first shown in Spain in 1978. The special effects were handled by Fernando Florido, who outdid himself with his elaborate design for the demon Belphegor, seen during the film's bizarre dream sequence. Daniela Giordano loved the film and thought it was one of the best projects she ever worked on. An Argentinian one-sheet exists with the name of the film as Bajo el terror de la Inquisicion / Under the Terror of the Inquisition, but there is no evidence that the film was ever shown there theatrically.
Seven Murders for Scotland Yard is a 1971 Italian-Spanish giallo film directed by José Luis Madrid and starring Paul Naschy, Patricia Loran and Renzo Marignano. Naschy and Madrid wrote the screenplay, Tito Carpi's name was simply added to the credits to satisfy the requirements for a Spanish-Italian co-production. The film was shot in June 1971, and was first released in Italy in 1971 as Sette Cadaveri per Scotland Yard / Seven Corpses for Scotland Yard. It was shown in Spain on July 10, 1972 as Jack el destripador de Londres, and finally wound up theatrically released in the U.S. in 1976 as Seven Murders for Scotland Yard. The Mexican one-sheet poster simply called the film Jack el distripador/ Jack the Ripper.
