"Dragon's Domain" is the eighth episode of the first series of Space: 1999. The screenplay was written by Christopher Penfold; the director was Charles Crichton. The final shooting script was dated 21 January 1975, with blue-page amendments dated 29 January 1975 and yellow-page amendments dated 30 January 1975. Live-action filming took place Monday 27 January 1975 through Monday 10 February 1975.[2]
On Moonbase Alpha, Captain Tony Cellini experiences a vision of a nameless enemy that he perceives as a mass of light and piercing sound. He attempts to take off in an Eagle Transporter but old friend Commander Koenig stuns him with a laser first.
Dr Russell believes that Cellini is dealing with unresolved trauma from a mission to the exoplanet Ultra in 1996, before the Moon was ejected from the Solar System. On reaching their destination, the crew of the Ultra Probe, piloted by Cellini, encountered a collection of derelict alien spacecraft. When the crew docked with one of the ships, they were attacked by an enormous, shrieking, tentacled creature with a single luminous eye and a fiery maw. The monster hypnotised Cellini's shipmates, devoured each of them alive, and then regurgitated their charred remains. Weapons had no effect on the creature and Cellini was forced to flee, blasting the command module free of the probe ship to use as an escape pod.
After a six months alone in space, Cellini reached Earth. His accomplishment was quickly overshadowed by mass disbelief of his horrific story. The World Space Commission ruled that there had been no creature and that the other crewmembers had been killed in a decompression accident. Cellini remained in Russell's psychiatric care until Koenig was made commander of Alpha and gave him a position at the Moonbase.
Cellini tells Koenig and Russell that his attempt to leave Alpha was in response to a feeling that the creature is near and he must face it again. When the Moon eventually drifts near the spacecraft graveyard, Ultra Probe is revealed to still be docked. Koenig prepares to investigate in an Eagle. Determined to face the creature alone, Cellini hi-jacks the Eagle and docks with the probe. The creature re-appears, with Cellini attacking it with a fire axe before it seizes him in its tentacles. Koenig arrives with reinforcements in a second Eagle, and witnesses Cellini perishing in the same way as his crew. Koenig deduces the creature's weakness is its eye and destroys it with Cellini's axe.
As the Moon leaves the graveyard, Russell closes Cellini's medical file. While talking with Koenig, she muses that when the Alphans eventually find a new home, they will need to reinvent humanity's mythology. She suggests a new fairytale: Tony Cellini and the Monster; akin to Saint George and the Dragon.
The story, a take on Saint George and the Dragon, was originally conceived as a vehicle for Nick Tate with Alan Carter having commanded Ultra Probe and vindicating himself in this story by slaying the beast.[3] Reports indicate that Martin Landau (always cautious of his male castmates—especially Tate—receiving any significant exposure) influenced the production staff to rewrite the part as a one-off guest role. Script editor Johnny Byrne suggested that the rewriting was done by Landau and executive producer Gerry Anderson;[2] Byrne himself did not do it, and story consultant Christopher Penfold had already resigned from the series. Penfold originally intended the alien monster to be a giant spider and provisionally titled the episode "Web".[4]
In the final shooting script, dated 21 January 1975, the Tony Cellini character is named 'Jim Calder' and Doctor Monique Bouchere is 'Olga Vishenskaya'. This draft contains no reference to Koenig, Bergman and Dixon mentioning evidence about the spaceship graveyard or the Ultra Probe's docking with the alien ship apart from the scanner contacts and Cellini's testimony.[5]
Fulfilling their agreement with RAI, the Italian production company co-funding the first series, Italian actor Gianni Garko would be cast in the role of the tortured astronaut; Jim Calder would be re-christened Tony Cellini. Garko, though a talented actor, was not a fluent speaker of the English language and, in an ironic twist, asked Nick Tate to help teach him his lines in English.[2]
Many of the spacecraft miniatures seen in the graveyard sequences had been used before in the series: the Sidon ship from "Voyager's Return", the Atherian ship from "Collision Course", the battleship used in "Alpha Child" and "War Games" and the front piece used to transform the battleship into the Deltan gunship in "The Last Enemy". Reports indicated that the visual effects crew shot a sequence including Star Trek's USS Enterprise and Doctor Who'sTARDIS, but the footage was never used.[2]
The blue quilted nylon jacket worn by Bergman would be used in the second series as Alan Carter's excursion jacket. The orange versions of the jacket seen on Koenig and Cellini would be worn next episode by Security personnel and later, in series two, by Maya and a variety of guest artists. The computer banks seen in the main module of the Ultra Probe ship originated in SHADO Control from the Andersons' previous science-fiction series UFO. Commissioner Dixon's office on Earth was a redress of M's office from the James Bond film The Man with the Golden Gun.[4] Its red-leather padded door can be seen at the top of the scene.
A retrospective by Nerdist calls "Dragon's Domain" the best episode of the series.[7] A 1992 issue of TV Zone magazine expressed the same view, describing it as "the episode everyone remembers [...] [T]his is perhaps the only occasion the series got absolutely everything right, and it's one to savour."[8] A 2004 issue rated it the best episode of Year One, commenting: "[...] 'Dragon's Domain' scores for one simple reason – it scares you rigid." As well as the horror and Crichton's "dark direction", the magazine praised the episode's "solid drama" and the performances of Garko and Landau.[9]
Journalist and Space: 1999 fan Shaqui Le Vesconte called the alien creature "genuinely the stuff of nightmares."[10] Ian Berriman of SFX characterised the episode as "full-on horror" with a "Lovecraftian abomination at its heart."[4]Jay Allen Sanford was critical of the creature, writing that he was "completely unimpressed by the rubber Japanese porntentacle monster with a conveyor belt going in and out of its mouth". Of the Ultra Probe scenes, he argued that Lost in Space gave a better take on the idea of a "spaceship junkyard".[11]
According to John Kenneth Muir, besides George and the Dragon, the story evokes Homer's Odyssey and the novels Moby-Dick and Twenty Thousand Leagues Under the Seas in its portrayal of Cellini's quest to destroy the monster. He also argued that the episode "feels like a direct precursor" to the science fiction horror film Alien (1979) and its sequel, Aliens (1986).[12]
Adaptations
The episode was adapted in the sixth Year One Space: 1999 novel Astral Quest by John Rankine, published in 1975. In the novel, the characters Tony Cellini and Monique Bouchere retain their original names Jim Calder and Olga Vishenskaya.[13]
In the Italian AMZ comic counterpart of the episode (titled "Nel regno del mostro", literally translated "Into the Monster's kingdom"), the moon arrives in an unidentified system of the Ultra galaxy and Koenig sends the Ultra Probe to explore the system.[14]
References
↑Fanderson – The Official Gerry Anderson Website. Original ATV Midlands broadcast date
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