Adagio in G minor for strings and organ, also known as Adagio in Sol minore per archi e organo su due spunti tematici e su un basso numerato di Tomaso Albinoni (Mi 26), is a neo-Baroque composition often misattributed to the 18th-century Venetian composer Tomaso Albinoni. In fact the work was composed by a 20th-century musicologist and Albinoni biographer named Remo Giazotto. The piece was purportedly based on the discovery of a bass line by Albinoni in a manuscript fragment.
Scholarly debate over the existence of the fragment persists, with most seeing the affair as a musical hoax perpetrated by Giazotto. There is no room for doubt when it comes to the source of everything in the Adagio other than the bassline, and Giazotto's authorship of these parts is not disputed. [1] [2]
The composition is often referred to as "Albinoni's Adagio" or "Adagio in G minor by Albinoni, arranged by Giazotto". [1] The ascription to Albinoni rests upon Giazotto's purported discovery of a manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden which had preserved most of its collection, although its buildings were destroyed in the bombing raids of February and March 1945 by the British and American Air Forces. Giazotto concluded that the manuscript fragment was a portion of a church sonata ( sonata da chiesa , one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708. [1]
In his account, Giazotto then constructed the balance of the complete single-movement work based on this fragmentary theme. He copyrighted it and published it in 1958 under a title which, translated into English, reads "Adagio in G minor for strings and organ, on two thematic ideas and on a figured bass by Tomaso Albinoni". [3] Giazotto never produced the manuscript fragment, and no official record has been found of its presence in the collection of the Saxon State Library. [4]
The piece is most commonly orchestrated for string ensemble and organ, or string ensemble alone, but with its growing fame has been transcribed for other instruments.
The Adagio has been used in many films, television programmes, advertisements, recordings, and books. Notable occurrences include:
Tomaso Giovanni Albinoni was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called "Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni.
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era.
Remo Giazotto was an Italian musicologist, music critic, and composer, mostly known through his systematic catalogue of the works of Tomaso Albinoni. He wrote biographies of Albinoni and other composers, including Antonio Vivaldi.
Adagio may refer to:
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