Turn of the Cards | ||||
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Studio album by | ||||
Released | July 1974 | |||
Recorded | 1974 | |||
Studio | De Lane Lea Music Centre, Wembley, UK | |||
Genre | Progressive rock | |||
Length | 40:54 | |||
Label | ||||
Producer |
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Renaissance chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Turn of the Cards is the fifth studio album by the English progressive rock band Renaissance, released in July 1974. [2] It was the last Renaissance studio album to include excerpts from existing classical pieces. [3] It was also the first album recorded by the group after Michael Dunford, who had written songs for their previous three albums, joined the group as an acoustic guitarist.
In the UK, this was the first release on Miles Copeland's fledgling label, BTM Records (British Talent Managers). [4] In 1977, after releasing a total of 10 albums, including two more by Renaissance ( Scheherazade and Other Stories and the double LP Live at Carnegie Hall ), the label folded due to bankruptcy. [5]
Hipgnosis, who had previously designed the covers to the band's albums Prologue and Ashes Are Burning , designed the cover. After producing a storyboard of ideas, they visited the recording studio to get a feel for the music, then produced the final artwork. [4] The castle in the background is Warwick Castle. The first BTM UK pressings had an alternate back cover, with a close-up portrait of Annie Haslam framed in one of the 'cards'.
For Turn of the Cards, Renaissance again made use of De Lane Lea Studios and co-producer/engineer Dick Plant. Richard Gottehrer, co-founder of Renaissance's new American record label Sire Records, is also credited as co-producer of the album, but according to drummer Terry Sullivan, Gottehrer never set foot inside De Lane Lea Studios and his sole involvement with the album was collaborating on the final remix of "Things I Don't Understand", which was done at Record Plant Studios in the U.S. [4] "Things I Don't Understand" was a problematic track from the beginning. During the first take the band went into a spontaneous instrumental jam that they were all very pleased with, but after returning from a break they found that the tape op had accidentally erased the entire recording. [4] The producers did numerous mixes of the song in a struggle to find a sound that everyone could be satisfied with. [4]
"Things I Don't Understand" was founder member Jim McCarty's last released contribution to the band. However, it was an old Renaissance song; bassist/vocalist Jon Camp said that when he joined Renaissance back in 1972, it was already a part of the band's set list. [4] Prologue was the last time McCarty actively wrote songs for Renaissance, rather than simply allowing them to use material he had already written.
Jimmy Horowitz did the orchestral arrangements on the album. Sullivan recalled, "He was a true gentleman and a total professional. His approach was to have a soft touch on the strings, which was exactly what we were looking for." [4]
"Running Hard" quotes a melodic phrase first used in "Mr. Pine" from the Illusion album, as well as the piece "Litanies" by French composer Jehan Alain, both at keyboardist John Tout's suggestion. [4] The music to "Cold Is Being" is taken from "Adagio in G minor" (attributed to Tomaso Albinoni, but actually composed by Remo Giazotto); it was credited in the back notes ("Thanks to Jehan Alain for the opening piece of RUNNING HARD and Albinoni for COLD IS BEING"). "Mother Russia" is cited by Jon Camp as being a case where he made major compositional contributions without being credited for them. [6] Betty Thatcher wrote the lyrics, which are based on the famous novel One Day in the Life of Ivan Denisovich , before Renaissance had any music for the song, breaking from the band's usual pattern of only using Thatcher's lyrics when she wrote them for a piece of music they had given her. [4] Sullivan said he was present when Thatcher wrote the lyrics to "Black Flame", which she did while seated in a special writing chair in her house. [4]
The album's title was inspired by the cover art Hipgnosis created. [4]
Some credits on the original album were later inexplicably cropped: "Many thanks to Miles Copeland, Julian, Shirley" had originally read, "Many thanks to Miles Copeland, Julian, Shirley, Richard and Natalie Halem."
In 2019 Esoteric Recordings announced a re-mastered and 4 disc (3 CD plus 1 DVD-audio) expanded edition of the album which was released on 20 March 2020. [7]
All tracks are written by Michael Dunford and Betty Thatcher, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Running Hard" | Dunford, Thatcher [nb 1] | 9:37 |
2. | "I Think of You" | 3:07 | |
3. | "Things I Don't Understand" | Dunford, Jim McCarty | 9:29 |
No. | Title | Writer(s) | Length |
---|---|---|---|
4. | "Black Flame" | 6:23 | |
5. | "Cold Is Being" | Dunford, Thatcher [nb 2] | 3:00 |
6. | "Mother Russia" | 9:18 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Everybody Needs A Friend" (Previously unreleased - recorded De Lane Lea Studios, Wembley - 23 March 1974) | Andy Powell, Ted Turner, Martin Turner, Steve Upton | |
8. | "Mother Russia" (Single edit for a U.S.-only single - Previously unreleased on CD) | ||
9. | "Things I Don't Understand" (New stereo mix) | Dunford, McCarty | |
10. | "Black Flame" (New stereo mix) | ||
11. | "Mother Russia" (New stereo mix) |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Can You Understand" | ||
2. | "Black Flame" | ||
3. | "Carpet of the Sun" | ||
4. | "Cold is Being" | ||
5. | "Things I Don't Understand" | Dunford, McCarty | |
6. | "Running Hard" |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ashes Are Burning" | ||
2. | "Mother Russia" | ||
3. | "Prologue" | Dunford [nb 3] |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Running Hard" | Dunford, Thatcher [nb 4] | |
2. | "I Think of You" | Michael Dunford and Betty Thatcher | |
3. | "Things I Don't Understand" | Dunford, Jim McCarty | |
4. | "Black Flame" | Michael Dunford and Betty Thatcher | |
5. | "Cold Is Being" | Dunford, Thatcher [nb 5] | |
6. | "Mother Russia" | Michael Dunford and Betty Thatcher |
Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit "Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female lead vocal with a fusion of classical, folk, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestral arrangements and vocal harmonies.
Adagio in G minor for strings and organ, also known as Adagio in Sol minore per archi e organo su due spunti tematici e su un basso numerato di Tomaso Albinoni , is a neo-Baroque composition often misattributed to the 18th-century Venetian composer Tomaso Albinoni. In fact the work was composed by a 20th-century musicologist and Albinoni biographer named Remo Giazotto. The piece was purportedly based on the discovery of a bass line by Albinoni in a manuscript fragment.
Scheherazade and Other Stories is the sixth studio album by the English progressive rock band Renaissance, released in 1975. Some critics consider it their best album, although others prefer earlier albums. This is the first album in which Renaissance did not use quotes from actual classical pieces and the first not to feature any songwriting credits from the original members. Contrary to popular belief, "Song of Scheherazade" is not based on Nikolai Rimsky-Korsakov's Scheherazade, but does have a brief recurring motif that alludes to that work.
Illusion is the second studio album by the English progressive rock band Renaissance, released in 1971. It was originally released only in Germany and did not receive a wider release until 1973. It was first released in the UK in 1977, with a cover that had the original front and rear cover artwork swapped.
Prologue is the third studio album by the English progressive rock band Renaissance, released in October 1972.
Ashes Are Burning is the fourth studio album by the English progressive rock band Renaissance, released in 1973. It was the first of several Renaissance albums to feature an orchestra playing along with the band. It was the band's first album to make the Billboard 200 album chart, peaking at No. 171.
Live at Carnegie Hall is a 1976 live double album by the English progressive rock band Renaissance. It presented songs from all of the band's Annie Haslam-era studio albums thus far, including the forthcoming Scheherazade and Other Stories.
Novella is the seventh studio album by the English progressive rock band Renaissance, released in 1977. Bassist Jon Camp began working as a lyricist for this album, making it the first Renaissance album since Illusion (1971) to include songs written entirely by the band members themselves.
A Song for All Seasons is the eighth studio album by the English progressive rock band Renaissance, released in 1978. It marked the return of electric guitars to the band's music after several years of absence. "Northern Lights" from the album reached the top ten on the UK Singles Chart and is the band's only UK chart single.
Azure d'Or is the ninth studio album by the English progressive rock band Renaissance, released in May 1979.
Camera Camera is the tenth studio album by the English progressive rock band Renaissance, released in 1981.
Time-Line the eleventh studio album by the English progressive rock band Renaissance, released in April 1983. It was the last album released by Renaissance before they disbanded in 1987.
Tuscany is the 12th album by the English progressive rock band Renaissance, released in 2001. After a lengthy hiatus, original members Annie Haslam, Michael Dunford, Terence Sullivan and John Tout came together to record a new album, assisted by Roy Wood; Tout was unavailable for the later sessions and was replaced by Mickey Simmonds.
Betty Thatcher was an English lyricist who wrote many of the lyrics for the progressive rock band Renaissance.
"Mother Russia" is the closing song on Renaissance's 1974 album Turn of the Cards. It also appears on the 1976 live album Live at Carnegie Hall, the compilation Tales of 1001 Nights, Vol. 1, and several other Renaissance concert albums.
Nevada were a British folk/progressive rock band and a spin-off from Renaissance, featuring Annie Haslam on vocals and Mick Dunford on guitar. Their Christmas single, "In the Bleak Midwinter", reached the lower edges of the UK singles chart in 1983.
In the Land of the Rising Sun: Live in Japan 2001 is a live album by the English progressive rock band Renaissance. It was released in 2002 by Giant Electric Pea. The album was recorded in Tokyo, Japan in 2001.
Grandine il vento is the 13th studio album by the English progressive rock band Renaissance, first released in 2013 and re-released as Symphony of Light in 2014. It was financed through a Kickstarter campaign.
"Northern Lights" is a song by the English progressive rock band Renaissance, released in 1978 from their album A Song for All Seasons. It was the band's only hit single, reaching No. 10 on the UK Singles Chart.