The opening ceremony of the 2004 Summer Olympics was held on August 13, 2004 starting at 20:45 EEST (UTC+3) at the Olympic Stadium in Marousi, Greece, a suburb of Athens.[2] As mandated by the Olympic Charter, the proceedings combined the formal and ceremonial opening of this international sporting event, including welcoming speeches, hoisting of the flags and the parade of athletes, with an artistic spectacle to showcase the host nation's culture and history. 72,000 spectators (with nearly 50 world leaders) attended the event, with approximately 15,000 athletes from 202 countries participating in the ceremony as well. It marked the first-ever international broadcast of high-definition television, undertaken by the U.S. media conglomerate NBC Universal and the Japanese broadcaster NHK. The Games were officially opened by President of the Hellenic RepublicKonstantinos Stephanopoulos at 23:46 EEST (UTC+3).
The opening ceremony began with a 28-second countdown—one second per Olympics held since Athens last hosted the first modern games, paced by the sounds of an amplified heartbeat. At the end of the countdown, fireworks are then set off.
400 percussionists perform the zeimbekiko before walking around the stadium ground. A 50-person strong bouzouki band also performs. It is led by two drummers, one inside the stadium, and one projected on the stadium screen from the ancient stadium of Olympia, the locale of the Olympic games of antiquity. A blazing comet, seemingly coming from the ancient stadium of Olympia on the screen was Petros Kourtis,[3][4] the drummer who appeared on the big screen of the Olympic Stadium. Nikos Hatzidavitidis,[5] the drummer playing for Petros, and lands on the flooded stadium drawing with its fire the Olympic Rings. The comet symbolizes the fire of the ancients giving life to the modern Olympic movement, thus bridging the past and the present together. According to Dimitris Papaioannou, the event "was a pageant of traditional Greek culture and history harkening back to its mythological beginnings, and viewed through the progression of Greek art."
The segments that followed were divided in two main parts. The first part of the main artistic segment of the opening ceremony was called "Allegory." "Allegory" introduced the main conceptual themes and ideals that are going to be omnipresent throughout the entire opening ceremony, such as the confluence of the past and present, love and passion as the progenitors of history, and humanity's attempt to understand itself. The second part, called the "Clepsydra," or "Hourglass," celebrates the themes introduced in the "Allegory" section through a portrayal of Greek history from the ancient to the modern times.
Allegory
The "Allegory" segment begins with a recitation of a verse from Nobel Prize-winning Greek poet George Seferis' poem "Mythistorema 3." As the verse is being recited on the speakers, the spotlights are focused upon a woman clad in a black gown looking out to the water. Holding a marble sculpture head, the woman seems to be entering into a dream. As she looks into the dark water, a centaur appears whose human and animal parts supposedly symbolize the duality of spirit and body. The centaur then walks about and then throws a spear of light into the center of the stadium, from which a giant statue that exemplifies Cycladic art (and thus one of the first depictions of the human form in Greek art) emerges. This Cycladic head also represents one of the first attempts of humanity to understand itself. With the use of lasers, geometrical shapes and other scientific images (such as a stylistic representation of the Solar System) are displayed on the figure's face. The statue then breaks into pieces that float away, and from within it emerges a smaller kouros statue from the Archaic Period of Greek sculpture, which in turn breaks apart to reveal the depiction of man in a sculpture of the classical period, symbolizing the dawn of individuality and extolling human scale, one of the principal themes of the 2004 Olympics. At the end of this sequence, a cube arises from the water, and a man starts slowly balancing himself on the rotating cube while representations of humankind's greatest achievements, contrasted to humanistic representations and images of people of various ethnicities and ages, are projected onto the pieces of broken sculpture, which seem to be floating above the water. This last sequence is meant to symbolize the birth of logical thought, higher learning, and humanity finally making sense of the world in which it lives. After this sequence, the pieces of sculpture descend to the water, meant to symbolize the Greek isles.
Clepsydra
Generations of people come one after the other; changing like the leaves of the trees.[nb 1]
In the next sequence, Eros, the Greek god of love, is introduced flying over a pair of lovers (a man and a woman) frolicking in the pool of water located in the center of the stadium. The young couple along with Eros symbolize the fact that the humanity which creates and shapes history is born out of love and passion. This segment introduces the next part of the ceremony, the "Clepsydra," which highlights the themes of the opening ceremony through a celebration of Greek history. The lovers then lie down in the water, and both fall into a dream state. Throughout the rest of the scenes from history and mythology, Eros flies over the parade, occasionally touching or stepping on the floats moving beneath him, thus reinforcing the theme of love and passion as the source for all history.
The pageantry following the statues and the introduction of Eros continues to portray scenes that show the sequence of Greek civilisation through its art. The scenes start with the Minoan civilisation. The first float features the iconic image of Minoan civilization: that of the fertility goddess clad in a bodice exposing her breasts and clutching serpents in both hands. The subsequent floats then feature scenes of bull-jumping, dolphins, and other elements that harken back to the images in the frescoes of Phaestos. The scenes then proceed to the more stark art of the Mycenean civilisation, followed by representations of the Classical period. A chariot carrying an actor portraying Alexander the Great introduces images from the Hellenistic period, which in turn are followed by representations of Byzantine art, the Greek War of Independence, and lastly of 20th century elements of Greek culture, such as the popular shadow-theatre figure Karagiozis, who is said to be a humorous and self-deprecating depiction (and parody) of Greek mentality.
At the end of the parade, "Eros" lowered enough to help a pregnant woman remove her outer garment. This last part represents the ceremony coming into full circle: the "Clepsydra" segment began with the image of the Minoan fertility goddess and is now ending with a pregnant woman representing the future of all humanity and history. With belly glowing, the woman moves into the lake of water as the stadium's lights dim and lights underneath the pool of water turn on, thus creating an image of stars in a galaxy. According to Greek myth, the stars of the galaxy were born out of the milk of Hera's fertile breasts. In fact, the name for the Milky Way Galaxy, the home to planet Earth, was born out of this myth. Slowly the stars rise around the woman, and move to form a rapidly rotating DNAdouble helix, which is the basis for all life on the planet. Humanity's attempt to understand itself, a theme that has been omnipresent throughout the entire ceremony beginning with the Cycladic head, is further reinforced by the representation of the DNA double helix, which symbolizes humanity's latest and most recent attempt to understand itself: the late 20th and early 21st centuries witnessed great advances in the field of genetics with the mapping of the human genome.
Finally, all the characters of the parade begin to walk inside the pool, around its center, mixing the past and the present in a single marching beat of the drums. The confluence of the past and the present is another main theme of the opening ceremony. The music begins a crescendo with choruses, when all of a sudden an olive tree is lifted from the center of the pool—symbolizing goddess Athena's preferred gift by the Greeks—land and food—over Poseidon's gift, the horse—a tool of warfare. At the music's climax, all the characters stop and raise their arms as if worshipping the Tree, which is high above, surrounded also by the fragments of the deconstructed statues who resemble a mount.
In order to prepare for the entry of the athletes to the stadium, the giant pool of water that had been constructed on the floor of the stadium had to first be drained. 2,162,000 liters of water were drained from the stadium in a time period of three minutes, providing a dry, hard surface for the athletes to march and gather on.[7]
Typically, Greece leads the Parade of Nations in any Olympics, with the host nation entering the stadium last. However, since Greece was the host nation, they went last, sending only their flag with the weightlifter Pyrros Dimas as the flag bearer into the stadium at the beginning of the parade, and the athletes themselves at the end of it.
The debut position was given to Saint Lucia (Αγία Λουκία in Greek), who led the Parade of Nations into the stadium. As the nations entered in Greek alphabetical order, Zimbabwe—which has usually been the penultimate nation, followed only by the host country—appeared in the middle of the parade.[8] Countries such as the United States and Switzerland, which are usually at the rear of the pack, were granted earlier entries as well due to their position in the Greek alphabet.
The entrances of Afghanistan and Iraq were emotional highpoints of the parade.[9] The nation of Kiribati made its debut Olympic appearance at the 2004 Summer Olympics, and East Timor marched under its own flag for the first time. Serbia and Montenegro appeared at the Olympics under the nation's new name for the first time since the country was officially renamed in 2003, its only time at the Summer Olympics prior to the union's dissolution in 2006 (just after the 2006 Winter Olympics); it had previously been known as Yugoslavia.
Due to the unpopularity of the American-led invasion of Iraq among Greeks, it had been expected by the media that audience members would protest against the war during the entrance of the American delegation into the stadium by booing;[10] however, the Americans did receive a warm welcome, much to the pleasant surprise of US news anchors covering the event as well as NBC Sports anchor Bob Costas.[9] NBC's coverage of the Olympics has been praised, and the company was awarded with 6 Emmy Awards for its coverage of the Games and technical production.[11][12] Additionally, NBC televised all 28 sports in the 2004 Games, becoming the first broadcaster to do so.[13]
Apart from Greece, the Greek crowd reserved some of their loudest cheers for their fellow Greeks from Cyprus, Australia, home to many Greeks and site of the previous Summer Olympics and Mediterranean countries such as France and Italy, as well as for Brazil and Canada. A loud cheer was also given for Djibouti, because it had only one person enter the stadium. The teams from Palestine and Serbia and Montenegro were also very warmly welcomed. Cheers greeted Portugal, the nation that hosted the UEFA Euro 2004, which Greece won beating Portugal in the final match by 1–0.
Björk then sang her song Oceania.[14] The song was written at the ocean's point of view, from which the singer believes all life emerged, and details the human's evolution, whilst accompanied by a choir. While she sang, her dress slowly covered the athletes with a white sheet. At the end of the song, a projection of the world was shown on the dress. However, technical complications with the sheet meant that the sheet didn't reach all the athletes by the end of the song. If the segment succeeded, it would be a call back to the flags covering all athletes in the Olympic opening ceremonies of 1992 and 2000.
After introducing the founders of the Modern Olympic Games, Pierre de Coubertin and Demetrios Vikelas and the first games in 1896, runner Giorgos Sabanis carries a flag with an image of an olive branch symbolizing not only peace but Athens itself, lapped around the stadium, symbolically crossing tape dedicated to the previous 27 Olympiads. The runner symbolically stumbles at the 1916, 1940, and 1944 Games which were canceled due to world wars. The runner ended his run at the very center of the stadium, where the olive tree from the artistic section has appeared, symbolizing the Modern Olympic Games journey around the world, and coming back home to Athens.
Two short speeches were delivered in front of the olive tree, a traditional Greek and Olympic symbol. The first speech came from Gianna Angelopoulos-Daskalaki, the President of the Athens Organizing Committee for the Olympic Games (ATHOC), and the first female chief organizer of an Olympic Games. Angelopoulos-Daskalaki offered a message of welcome to the Athletes of the World in Greek and English: "Καλως ΗΡΘΑΤΕ"! and "Welcome! Welcome to the Games of the XXVIII Olympiad. Welcome to a unique Olympic Homecoming." She told the athletes in Greek: "Η Ελλάδα είναι εδώ. Είμαστε έτοιμοι." which translates into English as "Greece is here. We're ready" and also stated, "Ολυμπιακοί Αγώνες, Καλώς ήρθατε." (in Greek), "Jeux olympiques, bienvenue." (in French), and "Olympic Games, Welcome home!" (in English). She also stated the people of Greece "have waited long for this moment," alluding to the long period between the first modern Olympic Games in Greece and the 2004 Games.
Angelopoulos-Daskalaki was followed by the President of the International Olympic Committee (IOC) Jacques Rogge, who delivered a speech encouraging participating athletes to resist the urge to use banned performance-enhancing substances and "show us that sport unites by overriding national, political, religious, and language barriers". Rogge speaking in Greek stated, "Έχω τώρα την τιμή να καλέσω τον Πρόεδρο της Ελληνικής Δημοκρατίας. Να κηρύξει την Έναρξη των Αγώνων." which translate into English as "I have the honor of inviting the President of the Hellenic Republic. To announce the opening of the Games." Rogge then introduced the President of the Hellenic RepublicKonstantinos Stephanopoulos, who declared the games officially open. Stephanopoulos was accompanied by the Adjutant to the President of the Hellenic Republic Air ForceColonelGeorgios Dritsakos, who spoke in Greek saying,
"Κηρύσσω την έναρξη των Ολυμπιακών Αγώνων της Αθήνας...και τον εορτασμό της 28ης Ολυμπιάδος της σύγχρονης εποχής."
—Constantinos Stephanopoulos, President of the Hellenic Republic
which translates into English as "I declare open the Olympic Games of Athens...and the celebration of the XXVIII Olympiad of the modern era."[15]
The Olympic Flag, Anthem and Oaths
Five bells, each bell representing a continent, then are rung to heralded in the opening the games. The audience also rang their bells given to them. As the bells were rung, children run into the stadium floor holding olive branches. In the midst of their crowd, the Olympic flag made its entrance. It was carried in by eight Greek athletes. They were:
They then passed on the flag to the eight sailors of the Hellenic Navy. Then the Olympic flag was hoist and raised while singing of the Olympic Hymn which the Greek choirs sang in Greek was conducted by John Psathas.[16]
Greek freestyle swimmer Zoi Dimoschaki gave the Athletes Oath on behalf of all athletes in Greek. Greek basketball referee Lazaros Voreadis delivered the officials oath in Greek.
The Opening Ceremony culminated at the end of the torch relay, a tradition began when Berlin hosted the games in 1936. This segment preceding the torch's arrival honored the first global torch relay that was begun in Athens. Before the torch came into the stadium, three rings arose from the center of the stadium that simulated a globe. Projections of doves were shown on the globe and on the LED screens as symbol of peace. Then actors, suspended on cables, started rising out of the crowd and ran towards the globe, carrying glowing sticks meant to simulate the Olympic torch. On the globe, the names of the cities which the torch visited were projected, and this segment ended with all the torchbearers floating mid-air coming together at the globe. After this segment ended, the lights were dimmed, and the sound of the heartbeat accompanied by thunderous cheers and applause met the torch's final arrival to the Olympic Stadium.
The torch was finally passed to the 1996 Olympic sailing champion Nikolaos Kaklamanakis, who lit a giant tapered column resembling the Olympic torch — not, as usual, a cauldron — to burn during the duration of the 2004 Summer Olympics. As Kaklamanakis ascended the steps to light the cauldron, the cauldron seemed to bow down to him, symbolizing that despite advance of technology, technology is still a creation and tool of humanity and that it was meant to serve humanity's needs. The ceremony concluded with a breathtaking fireworks display.
Dignitaries in attendance
The ceremony was attended by delegates from 90 countries, which included: 3 kings, 4 princes, 29 presidents and 26 premiers. They included:
During the "Allegory" segment highlighting the conceptual and themes and ideals of the opening ceremony, the chosen music was Gustav Mahler's Symphony No. 3 in D Minor: 6. Langsam. The music played during the "Clepsydra" segment highlighting Greek history and mythology was composed by Konstantinos Bita. The songs played were instrumental in nature and many used traditional Greek instruments. Famous Greek artists such as Stavros Xarhakos (whose song "Zeimbekiko" was played), Manos Hadjidakis, Mikis Theodorakis and Konstantinos Bita, were included in the Olympic soundtrack. The whole music project was arranged by composer George Koumendakis, who had worked in the past several times with Papaioannou and was assisted in this project by Maria Metaxaki. The music production team included Marcus Dillistone, Paul Stefanidis, Dick Lewsey and Julian Scott.
New Zealand composer John Psathas (son of Greek immigrant parents) was chosen to compose and arrange music to accompany parts of the opening ceremonies. The most prestigious engagement of his career to date, he joins the ranks of well-known composers, such as John Williams, Ryuichi Sakamoto, Leonard Bernstein and Mikis Theodorakis who have also written music for the Olympics.
Mr Psathas was engaged in 2003 to compose and arrange music for the Games’ opening and closing ceremonies. He has since commuted several times between Wellington and Athens to work on the music and supervise the rehearsal process.
His music includes a number of specially composed fanfares and processionals to accompany the arrival of the IOC President, the lighting of the Olympic cauldron and to precede the Olympic oaths, and he is responsible for the soundtrack to the entire ‘flame sequence’ of the ceremony. John Psathas has also arranged the National Anthem of Greece, the Olympic Hymn, and music by Shostakovich, Debussy and the foremost living Greek composer Mikis Theodorakis to accompany other parts of the ceremony. The fireworks at the Games’ closing ceremony on 29 August will also feature music by the composer.
During the Parade of Nations, Dutchman DJ Tiësto provided the music, becoming the first DJ ever to spin live at the Olympics. During the course of his performance the Dutch athletes started dancing in front of the DJ booth and had to be moved on by officials. Tiësto later released a condensed version of the performance on CD titled Parade of the Athletes. In the liner notes, he noted the IOC requested to him that the music not contain any lyrics as they could be inadvertently misinterpreted.
Björk performed "Oceania", later included on her album Medúlla, immediately after the Parade of Nations ended. While the song was being played, a large piece of fabric (which belonged to Björk's dress) was pulled over the heads of the athletes, who had gathered on the ground in the center of the stadium following their march around the stadium. At the conclusion of Björk's performance, a map of the world was projected on the fabric.
The entrance of the torch on the stadium was surrounded by the "Le Roi Lear Fanfarre", by Claude Debussy; and the cauldron was lighted by the final part of "Pirogov Suite", an epic suite by Dmitri Shostakovich. Both songs were adapted by John Psathas.
The ceremony was a source of major acclaim amongst international press[26] and featured never before seen technologies used in a stadium, including a giant pool with slip-proof iridescent fiberglass flooring that drained its water in three minutes,[27] beautiful and innovative lighting, and an ingenious staging system utilizing a complex network of automated cables that lifted, maneuvered, and choreographed the floating pieces of sculpture to follow the music and narrative of the opening ceremony. The costumes, which also drew great international praise, were designed by well-known London-based Greek fashion designer Sophia Kokosalaki.[28]Eleftheria Deco was awarded for her lighting design of the opening ceremony with an Emmy award. NBC, an American television broadcaster of the 2004 Athens Olympics, has also been awarded with 6 Emmy Awards for its coverage of the Games and technical production.[29]
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↑ This quote was printed as is from the Media Guide. The actual quote from the Iliad is commonly translated as "Like the generations of leaves, the lives of mortal men. Now the wind scatters the old leaves across the earth, now the living timber bursts with the new buds and spring comes round again. And so with men: as one generation comes to life, another dies away."[6]
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