Dream City is an operetta in two acts with music by Victor Herbert and a libretto by Edgar Smith. The original production opened at Weber's Music Hall in New York City on December 24, 1906, and ran for 102 performances until March 23, 1907. The show contained a one-act musical burlesque The Magic Knight which parodies Richard Wagner's opera Lohengrin . [1]
The Magic Flute, K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled The Magic Flute Part Two.
Parsifal is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem Parzival of the Minnesänger Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail.
Julie Taymor is an American director and writer of theater, opera, and film. Her stage adaptation of The Lion King debuted in 1997 and received eleven Tony Award nominations, with Taymor receiving Tony Awards for Best Director and Costume Designer. Her film Frida, about Mexican artist Frida Kahlo, was nominated for five Academy Awards, including a Best Original Song nomination for Taymor's composition "Burn It Blue". She also directed the musical Across the Universe.
Alcina is a 1735 opera seria by George Frideric Handel. Handel used the libretto of L'isola di Alcina, an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's Orlando furioso, an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé.
Armide is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem La Gerusalemme liberata. The work is in the form of a tragédie en musique, a genre invented by Lully and Quinault.
Edward McMaken Eager was an American lyricist, dramatist, and writer of children's fiction. His children's novels feature the appearance of magic in the lives of ordinary children. Most of the Magic series is contemporary low fantasy.
Amadigi di Gaula is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for an English theatre and the second he wrote for Richard Boyle, 3rd Earl of Burlington in 1715. The opera about a damsel in distress is based on Amadis de Grèce, a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. Amadigi was written for a small cast, employing four high voices. Handel made prominent use of wind instruments, so the score is unusually colorful, comparable to his Water Music.
Amadis is an opera in three acts with prologue by Jules Massenet to a French libretto by Jules Claretie based on the Spanish knight-errantry romance Amadis de Gaula, originally of Portuguese origin, by Garci Rodríguez de Montalvo.
Oberon, or The Elf-King's Oath is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem Oberon by Christoph Martin Wieland, which itself was based on the epic romance Huon de Bordeaux, a French medieval tale. It was premiered in London on 12 April 1826.
Roland is an opera with music by Jean-Baptiste Lully and a libretto by Philippe Quinault. It was first performed on January 8, 1685, at the Palace of Versailles by the Académie Royale de Musique and later, beginning on March 8, 1685, at the company's public theatre in Paris, the Théâtre du Palais-Royal. The story is derived from Ariosto's epic poem Orlando Furioso. The opera takes the form of a tragédie en musique with an allegorical prologue and five acts.
Emanuele Luzzati was an Italian painter, production designer, illustrator, film director and animator. He was nominated for Academy Awards for two of his short films, La gazza ladra (1965) and Pulcinella (1973).
Armida is a 1784 opera in three acts by Austrian composer Joseph Haydn, set to an Italian-language libretto taken from Antonio Tozzi's 1775 opera Rinaldo, as amended by Nunziato Porta, and ultimately based on the story of Armida and Rinaldo in Torquato Tasso's poem Gerusalemme liberata.
Jérôme Savary was an Argentinian-French theater director and actor. His work has democratized and widened the appeal of musical theater in France, drawing together and blending such genres as opera, operetta, and musical comedy.
Armida is an opera by Antonín Dvořák in four acts, set to a libretto by Jaroslav Vrchlický that was originally based on Torquato Tasso's epic La Gerusalemme liberata. Dvořák's opera was first performed at Prague's National Theatre on 25 March 1904; the score was published as opus 115 in 1941.
The Magic Knight is a one-act Victorian burlesque with music by Victor Herbert and a libretto by Edgar Smith. The piece parodies Wagner's opera Lohengrin.
Amadis de Gaule, or Amadis des Gaules, is a French opera in three acts by the German composer Johann Christian Bach. The libretto is a revision by Alphonse de Vismes of Amadis by Philippe Quinault, originally set by Jean-Baptiste Lully in 1684, which in turn, was based on the knight-errantry romance Amadis de Gaula (1508). Bach's opera was first performed at the Académie Royale de Musique, Paris, on 14 December 1779. It followed the contemporary French fashion for resetting libretti by Quinault. The work was not a success with the Parisian public, mainly because it pleased neither the supporters of Gluck nor those of Piccinni, the two leading rival opera composers in France at the time. It was the last opera J. C. Bach composed.
Il Palazzo incantato or Il Palagio d’Atlante, overo La Guerriera Amante, or also Lealtà con valore is an opera in a prologue and three acts by the Italian composer Luigi Rossi. The libretto, by Giulio Rospigliosi, the future Pope Clement IX, is based on Ariosto's Orlando furioso. It was first performed in Rome in a lavish production at the Teatro delle Quattro Fontane on 22 February 1642. Rossi was criticised for giving too much music to his friend, the castrato Marc'Antonio Pasqualini, who played Bradamante, at the expense of the other roles. Some of the highly complicated stage machinery failed to work during the performance. Revived by Opera Dijon in a January 2021 online production.
Friedrich Ludwig Æmilius Kunzen was a German composer and conductor who lived and worked for much of his life in Denmark.
Oberon, or The Elf King, or simply Oberon, originally known as Huon and Amanda, is a romantic Singspiel in five acts by Friederike Sophie Seyler, inspired by the poem Oberon by Christoph Martin Wieland, which itself was based on the epic romance Huon of Bordeaux, a French medieval tale. It has been named for two of its central characters, the knight Huon and the fairy king Oberon, respectively. Musicologist Thomas Bauman describes the work as "an important impulse for the creation of a generation of popular spectacles trading in magic and the exotic. Die Zauberflöte [The Magic Flute] in particular shares many features with Oberon, musical as well as textual."
William Felix Knight, was an American tenor, actor, and vocal teacher, best known for his role as Tom-Tom in the 1934 Laurel and Hardy holiday musical film Babes in Toyland.
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