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Drinkers Masses, to include Gamblers Masses (Latin: Missa Potatorum, Officium Lusorum), was a genre of medieval Latin poetry which parodied the Roman Catholic Latin Mass in order to make fun of drinking and gambling monks and clerics. These masses were written between about 1100 and 1700 by clerici vagantes (wandering clerics), with the first example being the gamblers mass (officium lusorum), found in the Carmina Burana . The genre is somewhat related to other medieval ecclesiastic parody, such as the Feast of Fools and the Feast of the Ass.
These parody masses generally follow line for line the words of the Latin Mass, as well as quotations from the Latin Vulgate. They are carefully reworded to create a parody of the Mass, with themes such as Bacchus, the god of wine, and Decius, the god of dice (Decius was also the name of a Roman emperor), replacing the "Dominus" and "Deus" (Lord and God) of the Mass. There is much imagery of dice being used in gambling, and of drinking cups, wine, and taverns, ending with losing all of one's possessions, including clothes, through drinking and gambling.
Mass is the main Eucharistic liturgical service in many forms of Western Christianity. The term Mass is commonly used in the Catholic Church, Western Rite Orthodoxy, Old Catholicism, and Independent Catholicism. The term is also used in some Lutheran churches, as well as in some Anglican churches, and on rare occasion by other Protestant churches.
Carmina Burana is a manuscript of 254 poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical. They were written principally in Medieval Latin, a few in Middle High German and old Arpitan. Some are macaronic, a mixture of Latin and German or French vernacular.
The Tridentine Mass, also known as the Traditional Latin Mass, the Traditional Rite, or the Extraordinary Form, is the liturgy in the Roman Missal of the Catholic Church codified in 1570 and published thereafter with amendments up to 1962. Celebrated almost exclusively in Ecclesiastical Latin, it was the most widely used Eucharistic liturgy in the world from its issuance in 1570 until the introduction of the Mass of Paul VI.
A Requiem or Requiem Mass, also known as Mass for the dead or Mass of the dead, is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral.
The Mass is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy, known as the Mass.
The goliards were a group of generally young clergy in Europe who wrote satirical Latin poetry in the 12th and 13th centuries of the Middle Ages. They were chiefly clerics who served at or had studied at the universities of France, Germany, Spain, Italy, and England, who protested against the growing contradictions within the church through song, poetry and performance. Disaffected and not called to the religious life, they often presented such protests within a structured setting associated with carnival, such as the Feast of Fools, or church liturgy.
A Black Mass is a ceremony celebrated by various Satanic groups. It has allegedly existed for centuries in different forms, and the modern form is intentionally a sacrilegious and blasphemous parody of a Catholic Mass.
A parody mass is a musical setting of the mass, typically from the 16th century, that uses multiple voices of a pre-existing piece of music, such as a fragment of a motet or a secular chanson, as part of its melodic material. It is distinguished from the two other most prominent types of mass composition during the Renaissance, the cantus firmus and the paraphrase mass.
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.
In Christian liturgy, the credo is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass.
Low Mass is a Tridentine Mass defined officially in the Code of Rubrics included in the 1962 edition of the Roman Missal as a Mass in which the priest does not chant the parts that the rubrics assign to him. A sung Mass celebrated with the assistance of sacred ministers is a High or Solemn Mass; without them it is a Missa Cantata.
The ordinary, in Catholic liturgies, refers to the part of the Mass or of the canonical hours that is reasonably constant without regard to the date on which the service is performed. It is contrasted to the proper, which is that part of these liturgies that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event, or to the common which contains those parts that are common to an entire category of saints such as apostles or martyrs.
A sequence is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year.
Solemn Mass is the full ceremonial form of a Mass, predominantly associated with the Tridentine Mass where it is celebrated by a priest with a deacon and a subdeacon, requiring most of the parts of the Mass to be sung, and the use of incense. It is also called High Mass or Solemn High Mass.
Pre-Tridentine Mass refers to the evolving and regional forms of the Catholic Mass in the West from antiquity to 1570. The basic structure solidified early and has been preserved, as well as important prayers such as the Roman Canon.
Ite, missa est are the concluding Latin words addressed to the people in the Mass of the Roman Rite in the Catholic Church, as well as in the Divine Service of the Lutheran Church.
Benedicamus Domino is a closing salutation that was formerly used in the Latin Mass instead of the Ite, missa est in Masses which lack the Gloria. The response, said afterwards, is Deo gratias. It is also sung as a versicle at the end of all Offices.
The Mass is the central liturgical service of the Eucharist in the Catholic Church, in which bread and wine are consecrated and become the body and blood of Christ. As defined by the Church at the Council of Trent, in the Mass "the same Christ who offered himself once in a bloody manner on the altar of the cross, is present and offered in an unbloody manner". The Church describes the Mass as the "source and summit of the Christian life", and teaches that the Mass is a sacrifice, in which the sacramental bread and wine, through consecration by an ordained priest, become the sacrificial body, blood, soul, and divinity of Christ as the sacrifice on Calvary made truly present once again on the altar. The Catholic Church permits only baptised members in the state of grace to receive Christ in the Eucharist.
In the liturgy of the Catholic Church, a votive Mass is a Mass offered for a votum, a special intention. Such a Mass does not correspond to the Divine Office for the day on which it is celebrated. Every day in the year has appointed to it a series of canonical hours and a Mass corresponding, containing, for instance, the same collect and the same Gospel. On most days, the Mass will correspond to the Office, but on occasion, other Masses may be celebrated. Votive Masses appear in the Roman and Gallican Rites. The Suffrage Mass is a type of votive Mass that is celebrated in favour to some dead people.
Most of Johann Sebastian Bach's extant church music in Latin—settings of the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early Kyrie "Christe, du Lamm Gottes".