Aswad are a British reggae group, noted for adding strong R&B and soul influences to the reggae sound. They have been performing since the mid-1970s, having released a total of 21 albums. Their UK hit singles include the number one "Don't Turn Around" (1988) and "Shine" (1994). "Aswad" is Arabic for "black".
Blind Idiot God is an American instrumental rock trio formed in 1982 in St. Louis, Missouri, United States, by guitarist Andy Hawkins, bassist Gabriel Katz and drummer Ted Epstein. The phrase "blind idiot god" comes from horror writer H. P. Lovecraft's description of the god Azathoth. Their often improvisational musical style combines influences from punk rock, noise music, 20th-century classical music, heavy metal, dub, free jazz, and funk. They are currently based in New York City and have often collaborated with musicians Bill Laswell and John Zorn.
Martin Glover, better known by his stage name Youth, is a British record producer and musician, best known as a founding member and bassist of Killing Joke. He is also a member of the Fireman, along with Paul McCartney.
Tomoaki Ishizuka, known exclusively by his stage name Pata, is a Japanese musician. He is the rhythm guitarist for the visual kei rock band X Japan. He joined the band in 1987, stayed with them until their dissolution in 1997 and rejoined when the band started a comeback in 2007.
Mad Professor is a Guyanese-born British dub music producer and engineer known for his original productions and remix work. He is considered one of the leading producers of dub music's second generation and was instrumental in transitioning dub into the digital age. He has collaborated with reggae artists such as Lee "Scratch" Perry, Sly and Robbie, Pato Banton, Jah Shaka and Horace Andy, as well as artists outside the realm of traditional reggae and dub, such as Sade, Massive Attack, The Orb, Gaudi, the Brazilian DJ Marcelinho da lua, Grace Jones, and Perry Farrell.
The Roots Radics Band was formed in 1978 by bass player Errol "Flabba" Holt, guitarist Eric "Bingy Bunny" Lamont and drummer Lincoln "Style" Scott. They were joined by many musicians, including guitarist Noel "Sowell" Bailey, Dwight Pinkney and Steve Golding, keyboard player Wycliffe "Steelie" Johnson, Pianist Gladstone "Gladdy" Anderson and saxophonist Headley Bennett. As a combined force the Roots Radics became a well-respected studio and stage band, which dominated the sound in the first half of the 1980s. In addition to their own catalogue, they have worked with artists such as Bunny Wailer, Gregory Isaacs, Michael Prophet, Eek-A-Mouse, and Israel Vibration.
Electric Samurai is a 2004 album by Tomoyasu Hotei. In addition to a few original tracks, the album includes much of Hotei's work for the soundtracks of the films Samurai Fiction and New Battles Without Honor and Humanity. The three versions of "Battle Without Honor or Humanity" included were originally used on the soundtrack of the latter, although the original version was prominently featured in Quentin Tarantino's Kill Bill.
Alaine Laughton, known by her first name, is a Jamaican American reggae singer and songwriter. She was born in New Jersey. In early 2019, Alaine got baptized and released her new single in the summer holiday titled "Boast inna God”
UB44 is the third studio album of original material by UB40, released on the DEP International label in 1982. It was advertised as their 'fourth album' although Present Arms in Dub had been a remix album. The album reached No. 4 in the UK album chart and the early release of the packaging had a hologram cover. UB44 was the Department of Employment form letter sent to British unemployment benefit claimants when they missed their 'signing on' appointment.
Japanese reggae is reggae music originating from Japan. The first reggae band to perform in Japan was The Pioneers who toured in 1975. However it was not until 1979, when Jamaican singer Bob Marley visited Japan on holiday that reggae would gain momentum. Marley wanted to attend a concert by the Flower Travellin Band and when looking for information, he met famed Japanese percussionist "Pecker" who informed him that the group had already disbanded. The two became good friends, and Pecker suggested to Marley a collaboration between acclaimed Japanese and Jamaican artists. This suggestion resulted in the albums Pecker Power, and Instant Rasta being recorded in Jamaica at "Channel One" and "Tuff Gong Studio" in 1980. The albums featured Japanese artists Minako Yoshida (吉田美奈子), Ryuuichi Sakamoto (坂本龍一), Naoya Matsuoka (松岡直也), Shigeharu Mukai (向井滋春), and Akira Sakata (坂田明), alongside Jamaican artists Augustus Pablo, Sly & Robbie, The Wailers, Rico Rodriguez, Carlton Barrett and Marcia Griffiths. These two albums influenced both Japanese and Jamaican artists, and are regarded as spreading reggae to Japan.
Reggae is a music genre that originated in Jamaica in the late 1960s. Australia has several bands and sound systems that play reggae music in a style faithful to its expression in Jamaica. Australia has a relatively small Jamaican community, but reggae penetrated local consciousness via the popularity of reggae among the non-Jamaican population of England in the 1960s and 1970s. Many indigenous musicians have embraced reggae, both for its musical qualities and its ethos of resistance. Examples include Mantaka No Fixed Address Zennith and Coloured Stone
The Party AUDIO STACK is the 20th album by Japanese jazz fusion band Casiopea. In addition, the video was released simultaneously as The Party VISUAL STACK on June 25, 1990 with LaserDisc and VHS. Also, when we sent the application tickets attached to "AUDIO STACK" and "VISUAL STACK", we got The Party EXTRA STACK by lottery.
This album marked the joining of Yoshihiro Naruse (bass) and Masaaki Hiyama (drums) to the band. This is also Casiopea's 20th overall album.
The Expendables are an American reggae rock band from Santa Cruz, California.
Cartoon KAT-TUN II You is the second studio album by Japanese boy band KAT-TUN, released in Japan on April 18, 2007 by J-One Records. It is the group's first album that does not feature all six members, as Jin Akanishi had taken a sabbatical to study overseas six months prior to recording the songs. The album was released in three editions; a regular version with all 14 tracks, a first press edition with the same track listing as its regular counterpart with a 40-page photo booklet, and a limited edition which came with extra extended play versions of seven bonus tracks. The limited edition did not feature the song "You".
Subb was a Canadian ska punk band formed in November 1992 in Saint-Jean-sur-Richelieu, Quebec. Since their beginning in the early 1990s, the band released four full-length albums, one EP and one split CD on the labels Stomp Records and Underworld Records. Though they experienced several lineup changes over the years, founding members Mart Charron and Stef Gauthier remained in the group. The band's musical style initially blended elements of punk rock, ska, and hardcore into a genre popularly known as ska punk or "ska-core," which characterized their first two albums. In 2002 they shifted gears, moving away from this sound and producing an album with a heavy pop punk influence. After a brief hiatus in 2003, the band moved back towards their ska, punk and hardcore elements.
Audio Active were a Japanese reggae fusion band who released several albums between the early 1990s and the first decade of the 21st century.
Negative is the 13th studio album by a Japanese singer-songwriter Yōsui Inoue, released in December 1987.
Wild and Free is the fourth solo studio album of Jamaican singer Ziggy Marley. The album was released on June 14, 2011. Wild and Free was produced by Don Was at Ocean Way Studios in Hollywood, California.
Sweet Velvet was a Japanese pop band under Giza Studio label, formed in 1998 and disbanded in 2001.
Japanese rock, sometimes abbreviated to J-rock, is rock music from Japan. Influenced by American and British rock of the 1960s, the first rock bands in Japan performed what is called Group Sounds, with lyrics almost exclusively in English. Folk rock band Happy End in the early 1970s are credited as the first to sing rock music in the Japanese language. Punk rock bands Boøwy and The Blue Hearts and hard rock/heavy metal groups X Japan and B'z led Japanese rock in the late 1980s and early 1990s by achieving major mainstream success.
