The Drysdale Overture of 1937 is among the earliest works for orchestra by New Zealand composer Douglas Lilburn. [1]
The piece was written while Lilburn was a student at the Royal College of Music, and was based on something of a challenge from his professor, Ralph Vaughan Williams. Reportedly, Vaughan Williams had begun his teaching by asking Lilburn to write fugues and part-songs; one day, though, he asked, "Isn't it time you composed something?" Lilburn responded by producing the overture.
Lilburn later reported that his score greatly upset Sir George Dyson, to whom he brought it for piano reduction. Dyson found it to be a mess; he did, however, give it a read-through with the College orchestra. [2]
The overture is dedicated to Robert Lilburn, the composer's father. [1] It is meant to celebrate the family farm and estate upon which Lilburn was born. In writing it, the composer once wrote that he was "left with that lovely Mark Twain image of Jim and Huckleberry drifting on their barge down that great river, looking up at the stars and wondering 'whether they was made, or only just happened'"
The Drysdale Overture has been recorded twice by the New Zealand Symphony Orchestra: first under Sir William Southgate and second under Kenneth Young. [2] Drysdale Overture was first published in 2014 by Promethean Editions; this edition was edited by Robert Hoskins and Roderick Biss. [2]
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Douglas Gordon Lilburn was a New Zealand composer.
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Aotearoa is a concert overture written for orchestra by New Zealand composer Douglas Lilburn in 1940. The overture is the first of three early works by Lilburn which centre on the theme of national identity; the other two are Landfall in Unknown Seas (1942), for narrator and orchestra, and the tone poem A Song of Islands (1946).
Landfall in Unknown Seas is a work for narrator and string orchestra written by New Zealand composer Douglas Lilburn and poet Allen Curnow in 1942. It was the second in Lilburn's early trilogy of works dealing with the theme of New Zealand identity, following the overture Aotearoa and preceding A Song of Islands.
A Song of Islands is a tone poem written for orchestra by New Zealand composer Douglas Lilburn in 1946. The work is the last in a trilogy of pieces exploring the theme of New Zealand identity; it was preceded by the overture Aotearoa (1940) and Landfall in Unknown Seas (1942) for narrator and string orchestra.
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This is a summary of 1926 in music in the United Kingdom.
George Dyson's Psalm CVII Symphony and Overture, is a choral symphony written in 1910 as part of the composer's studies at Oxford for his Doctorate in Music. Not rediscovered until 2014, it is one of the few compositions surviving from the composer's early years.
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