A Song of Islands | |
---|---|
by Douglas Lilburn | |
Form | Tone poem |
Composed | Christchurch, 1946 |
Scoring | Orchestra |
A Song of Islands is a tone poem (described by the composer as a song) [1] written for orchestra by New Zealand composer Douglas Lilburn in 1946. The work is the last in a trilogy of pieces exploring the theme of New Zealand identity; it was preceded by the overture Aotearoa (1940) and Landfall in Unknown Seas (1942) for narrator and string orchestra. [2]
Lilburn described the piece as featuring "a chorale-like theme" that develops into an "arch-like form". [1]
The piece has been recorded by the New Zealand Symphony Orchestra under Sir William Southgate. [3] [4] A Naxos recording by James Judd with the NZSO was issued in August 2006; it also includes Lilburn's Aotearoa Overture, Forest, A Birthday Offering, Drysdale Overture, Festival Overture and Processional Fanfare. [5]
The music of New Zealand has been influenced by a number of traditions, including Māori music, the music introduced by European settlers during the nineteenth century, and a variety of styles imported during the twentieth century, including blues, jazz, country, rock and roll, reggae, and hip hop, with many of these genres given a unique New Zealand interpretation.
The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, is a concert overture in E♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia's successful defense against the French invasion of the country by Napoleon in 1812.
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Aotearoa is a concert overture written for orchestra by New Zealand composer Douglas Lilburn in 1940. The overture is the first of three early works by Lilburn which centre on the theme of national identity; the other two are Landfall in Unknown Seas (1942), for narrator and orchestra, and the tone poem A Song of Islands (1946).
Landfall in Unknown Seas is a work for narrator and string orchestra written by New Zealand composer Douglas Lilburn and poet Allen Curnow in 1942. It was the second in Lilburn's early trilogy of works dealing with the theme of New Zealand identity, following the overture Aotearoa and preceding A Song of Islands.
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