Duane Pasco | |
---|---|
Born | May 14, 1932 |
Died | July 31, 2024 (age 92) |
Nationality | American |
Website | www |
Duane Pasco (May 14, 1932 - July 31, 2024) was an American artist. He was known for his indigenous-style work and as a teacher of Northwest Coast art, in particular as a key contributor to reviving the 'Ksan style. [1] [2] [3]
Pasco was raised in Alaska and Seattle, [4] and was of English and Irish descent. [5] He was professionally active since his first gallery showing in 1966, working in both carving and two-dimensional formats. [5] In 1967, he took a leave of absence from his then-employment for a steel-construction company, in order to move beyond what he describes as making "curios" [4] and pursue art education full-time. He again made a major change in approach in 1976. At both these times, he was heavily influenced in his artistic development by the writings and works of artist and historian Bill Holm. [4] He has taught classes at many universities and schools in Washington, British Columbia, and Alaska, notably the Gitanmaax School of Northwest Coast Indian Art ('Ksan), [2] where he influenced artists such as Walter Harris. He was a friend and associate of Nuu-Chah-Nulth artist Joe David. [5] Pasco was a noted[ who? ] canoe carver, mentoring novice canoe carvers and actively assisting them in the steaming process.
His carved totems are publicly viewable in Seattle at Occidental Park and Seattle Center, [6] [7] and in Sitka, Alaska at Sitka National Historical Park. [8]
He was a speaker and expounder of Chinook Jargon. In the early 1990s he published the bi-monthly Tenas Wawa newsletter in Poulsbo, Washington. [9]
Duane Pasco died July 31, 2024 at his home in Poulsbo, Washington. [10] [11]
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
Poulsbo is a city on Liberty Bay in Kitsap County, Washington, United States. It is the smallest of the four cities in Kitsap County. The population was 11,970 at the 2020 census and an estimated 10,927 in 2018.
Chinook Jargon is a language originating as a pidgin trade language in the Pacific Northwest. It spread during the 19th century from the lower Columbia River, first to other areas in modern Oregon and Washington, then to British Columbia and parts of Alaska, Northern California, Idaho and Montana. It sometimes took on the characteristics of a creole language. The contact language Chinook Jargon should not be confused with the Indigenous language Chinook.
Pacific Northwest English is a variety of North American English spoken in the U.S. states of Washington and Oregon, sometimes also including Idaho. Due to the internal diversity within Pacific Northwest English, current studies remain inconclusive about whether it is best regarded as a dialect of its own, separate from Western American English or even California English and/or influenced by Canadian English with which it shares its major phonological features. The dialect region contains a highly diverse and mobile population, which is reflected in the historical and continuing development of the variety.
Gitxsan are an Indigenous people in Canada whose home territory comprises most of the area known as the Skeena Country in English. Gitksan territory encompasses approximately 35,000 km2 (14,000 sq mi) of land, from the basin of the upper Skeena River from about Legate Creek to the Skeena's headwaters and its surrounding tributaries. Part of the Tsimshianic language group, their culture is considered to be part of the civilization of the Indigenous peoples of the Pacific Northwest Coast, although their territory lies in the Interior rather than on the Coast. They were at one time also known as the Interior Tsimshian, a term which also included the Nisga'a, the Gitxsan's neighbours to the north. Their neighbours to the west are the Tsimshian while to the east the Wetʼsuwetʼen, an Athapaskan people, with whom they have a long and deep relationship and shared political and cultural community.
Robert Charles Davidson, is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
Viola E. Garfield was an American anthropologist best known for her work on the social organization and plastic arts of the Tsimshian nation in British Columbia and Alaska.
Dempsey Bob, is a Northwest Coast woodcarver and sculptor from British Columbia, Canada, who is of Tahltan and Tlingit First Nations descent. He was born in the Tahltan village of Telegraph Creek on the Stikine River in northwestern B.C., and is of the Wolf clan.
Freda Diesing was a Haida woman of the Sadsugohilanes Clan, one of very few female carvers of Northwest Coast totem poles and a member of the Council of the Haida Nation of British Columbia, Canada. Her Haida name is Skil Kew Wat, meaning "magical little woman."
Charles Edenshaw was a Haida artist from Haida Gwaii, British Columbia. He is known for his woodcarving, argillite carving, jewellery, and painting. His style was known for its originality and innovative narrative forms, created while adhering to the principles of formline art characteristic of Haida art. In 1902, the ethnographer and collector Charles F. Newcombe called Edenshaw “the best carver in wood and stone now living.”
Walter Harris, also known as Simogyet Geel, was a Canadian artist and hereditary chief from the Gitxsan (Gitksan) First Nation in northwestern British Columbia.
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
David A. Boxley is an American artist from the Tsimshian tribe in Alaska, most known for his prolific creation of Totem Poles and other Tsimshian artworks.
Joe David is a Nuu-chah-nulth artist, a member of the Tla-o-qui-aht Band of the Nuu-chah-nulth people, also formally "adopted" into the Haida people, whose work is identified with the contemporary Northwest Coast art movement; among his close associates are teacher and art historian Bill Holm, Duane Pasco, and his cousin Ron Hamilton. He is also a singer of traditional Nuu-chah-nulth songs, and has a strong interest in shamanic traditions, both those from his own culture and from others.
Fort Tongass was a United States Army base on Tongass Island, in the southernmost Alaska Panhandle, located adjacent to the village of the group of Tlingit people on the east side of the island. Fort Tongass was the first US Army base established in Alaska following its purchase from the Russian Empire in 1867 and was garrisoned by the 2nd U.S. Artillery under the command of Captain Charles H. Peirce. Historian Hubert Howe Bancroft notes: "the site was well chosen, containing a plentiful supply of timber and pasture, while fish and game abound in the neighbourhood.
Robert James "Jim" Schoppert was an Tlingit Alaska Native artist and educator. His work includes woodcarving, painting, poetry, and essays. He has been described as an innovator, whose works pushed the boundaries of what was expected from Northwest Coast art.
Michael Bonsignore is an American businessman. He is the former chairman and chief executive officer of Honeywell. In 2004, he was elected to the National Geographic Society board of trustees. He is the owner of a Stonington Gallery in Seattle, which showcases contemporary masterworks by artists in the Pacific Northwest and Alaska working in indigenous traditions.
Hyak was a wooden-hulled steamship that operated on Puget Sound from 1909 to 1941. This vessel should not be confused with the sternwheeler Hyak which ran on the extreme upper reach of the Columbia River at about the same time. The name means "swift" or "fast" in the Chinook Jargon.
The Pioneer Square totem pole, also referred to as the Seattle totem pole and historically as the Chief-of-All-Women pole, is a Tlingit totem pole located in Pioneer Square in downtown Seattle, Washington.
Jeffrey Veregge was a Native American artist. His work, which blended traditional Coast Salish aesthetics and pop culture references into what he called "Salish Geek" style, was featured in exhibitions at the George Gustav Heye Center, the IAIA Museum of Contemporary Native Arts, and the Center on Contemporary Art. Veregge was also known for his work in the comic book industry including variant covers for Marvel Comics.