Duet concertina

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Charles Wheatstone's Duet concertina 1855-60 Concertina MET DP225644.jpg
Charles Wheatstone's Duet concertina 1855–60
Hayden Duet concertina Hayden Duet Concertina 46 Key Bastari made in Italy.jpg
Hayden Duet concertina

The Duet concertina is a family of concertinas, distinguished by being unisonoric (producing the same note on the push and pull of the bellows, unlike the Anglo concertina) and by having their lower notes on the left and higher on the right (unlike the English concertina).

Contents

Instruments built according to various duet systems are the last development step in the history of the instrument and less common than other concertinas. Duet concertina systems aim to simplify playing a melody with an accompaniment. To this end the various duet systems feature single note button layouts that provide the lower (bass) notes in the left hand and the higher (treble) notes in the right, usually with some overlap (like a two-manual organ).

History

Sir Charles Wheatstone was the first to patent a Duet concertina, in 1844; this followed his 1829 patent of the English concertina. [1]

Art music

One of the first recorded concertina players was Alexander Prince, who as early as 1906 was recorded playing his Maccann-system Duet concertina on the Zonophone label. [2] Fellow vaudevilleian Percy Honri also specialized in the Maccann system. [3]

South Africa

Despite the predominance of the Anglo concertina, the instrument found a small level of adoption in the Boeremusiek of the Afrikaner people of South Africa, who refer to the Crane and Maccann duet systems as the 5-ry ("five row") and 6-ry ("six row"), respectively. [4] [5]

Types

The most common key layouts within the Duet system are:

hayden system duet concertina Duet concertina deyuetsutokonsateina.jpg
hayden system duet concertina

There are a number of other types, far less common: a 1983 article notes patents including "Sharp's 1890, Hank's 1896, Huish's 1901 , and a number of Patents by Dr. Pitt-Taylor between 1916 and 1924." [14] Duet concertina designer Brian Hayden has also noted the Linton, Chidley, and Piano systems, the last including variants such as the Rust system and Jedcertina. [15] From 1951, Wheatstone made a small number of instruments in the Chidley system, which superficially resembles the Maccann system, but has a more regular note pattern. [16]

Play

Duet concertinas are held by placing the hands through a leather strap, with thumbs outside the strap and palms resting on wooden bars. The largest duets play bass notes down to C below the stave, and a competent performer can play solo piano music with little compromise.[ citation needed ]

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<span class="mw-page-title-main">Carl Friedrich Uhlig</span> German luthier

Carl Friedrich Uhlig (1789–1874) was a German luthier, known for inventing the German family of concertinas, from which are descended variants such as the Anglo concertina, bandoneón, Carlsfelder concertina, and Chemnitzer concertina.

The Carlsfelder concertina is a member of the German concertina family developed by Carl F. Zimmerman, based on the earlier Chemnitzer concertina of Carl Friedrich Uhlig. Zimmerman, a native of Carsfeld, Saxony, unveiled his instrument at the 1849 Industrial Exhibition in Paris, the 1851 London Industrial Exposition, and the 1853 Exhibition of the Industry of All Nations in New York. Zimmerman expanded on Uhlig's early 1- and 2-row square concertinas, developing a 3-row chromatic bisonoric instrument, eventually selling his business to instrument maker Ernst Louis Arnold and emigrating to the United States, where he later became famous for his string instrument invention, the autoharp.

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John Hill Maccann, or Professor Maccann was a concertina player and designer from Plymouth, England. In 1884, Maccann patented a new design of Duet concertina, which became the first successful and most widely accepted layout of that instrument. Maccann's layout was a refinement of the earlier "Duette" system developed by Charles Wheatstone, inventor of the concertina. Initially called the "New Chromatic Duet English Concertina", it was to later be called simply the "Maccann system".

References

  1. Giacomo Meyerbeer (1 January 2002). The Diaries of Giacomo Meyerbeer: The years of celebrity, 1850-1856. Fairleigh Dickinson Univ Press. pp. 138–. ISBN   978-0-8386-3844-6.
  2. Frank Hoffmann (12 November 2004). Encyclopedia of Recorded Sound. Routledge. pp. 1695–. ISBN   978-1-135-94950-1.
  3. John Shepherd (8 July 2003). Continuum Encyclopedia of Popular Music of the World: VolumeII: Performance and Production. A&C Black. pp. 298–. ISBN   978-0-8264-6322-7.
  4. "Musical Instruments: Concertina". Boermusiek.org. Retrieved 17 November 2014.
  5. Dan Michael Worrall (1 January 2009). The Anglo-German Concertina: A Social History. Dan Michael Worrall. pp.  30–. ISBN   978-0-9825996-1-7.
  6. English Dance and Song. English Folk Dance and Song Society. 1983. p. xlix.
  7. "Instruction Manuals for the English, Anglo, and Duet Concertina: Part III. Duet Concertina".
  8. Susan Cohen (17 September 2013). The Salvation Army. Osprey Publishing. pp. 49–. ISBN   978-0-7478-1422-1.
  9. Canada Folk Bulletin. Vancouver Folk Song Society. 1978. p. 47.
  10. EDS. English Folk Dance and Song Society. 1967. p. 104.
  11. English Dance and Song. English Folk Dance and Song Society. 1983. p. 74.
  12. "Concertina FAQ: Hayden Duet Concertina".
  13. Maria Dunkel (1987). Bandonion und Konzertina. E. Katzbichler. p. 92. ISBN   9783873970700.
  14. English Dance & Song. English Folk Dance and Song Society. 1983. p. 1983.
  15. Williams, Wes (15 February 2003). "A Chat with Brian Hayden". Concertina.com. Retrieved 20 June 2015.
  16. "Late Wheatstone Chidley System Duet Concertina" . Retrieved 23 December 2021.