Chromatic button accordion

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Chromatic button accordion
ButtonAccordeon.jpg
Classification Free-reed aerophone
Playing range

Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than an accordion with a piano keyboard: five octaves plus a minor third (written range = E2-G7, actual range = E1-D9, some have a 32 ft Register on the Treble to go even lower down to E0. [1]

Contents

Left-hand manual

Musicians
List of accordionists
More articles or information
Accordion, Chromatic button accordion, Bayan, Diatonic button accordion, Piano accordion, Stradella bass system, Free-bass system, Accordion reed ranks and switches

A chromatic button accordion is a type of button accordion where the melody-side keyboard consists of rows of buttons arranged chromatically. The bass-side keyboard is usually the Stradella system or one of the various free-bass systems. Included among chromatic button accordions are the Russian bayan and Schrammel accordion. There can be 3 to 5 rows of vertical treble buttons. In a 5 row chromatic, two additional rows repeat the first 2 rows to facilitate options in fingering.

3 row chromatic Chromtatic button accordion 3-row 48-bass Hohner Nova II 48.jpg
3 row chromatic
Chromatic button system (type C) C-Griff.svg
Chromatic button system (type C)
Chromatic button system (type B) B-Griff.svg
Chromatic button system (type B)
Six-row system used throughout the former Yugoslavia Dugmetara.svg
Six-row system used throughout the former Yugoslavia

Comparing the layout to the piano accordion, [2] the advantages of a chromatic button accordion are the greater range and better fingering options. [notes 1] On the other hand, some fingering positions require twisting of the wrist and the aspect of alternative fingering patterns may stunt one in sessions of difficult sight reading. [2]

Throughout the former Yugoslavia a 6-row chromatic button layout is used based on the B system. It is referred to as dugmetara .

History

Early accordions were bisonoric instruments resembling modern diatonic button accordions. The first unisonoric accordions were built in Russia in the first half of the 1840s, [3] with chromaticism not appearing until the 1850s. [4] There are several conflicting claims of the invention of the first chromatic button accordion. The first chromatic button accordion may have been constructed as early as 1850 by Franz Walther, in 1870 by Nikolai I. Belobodorev, or as late as 1891 by Georg Mirwald. [5] Many early chromatic button accordions were similar in design to the schrammel accordion. As the Stradella bass system would not be invented until later, these accordions often employed systems that would be considered unusual on a modern chromatic accordion, such as bisonoric bass buttons. [3] [6] Early chromatic button accordions were less popular than their diatonic counterpoints and unstandardized. The modern chromatic button accordion, featuring the Stradella bass system, was patented in 1897 by Paolo Soprani, with the assistance of Mattia Beraldi and Raimondo Piatanesi. Its production and sale by Paolo Soprani helped globally spread and standardize the chromatic button accordion. [5]

See also

Notes

  1. The uniform layout allows for uniform fingering and making of chords; meanwhile, the chromatic button layout also allows for alternative fingerings. As the buttons are closer, it is also easier to reach notes that are far apart, such as two octaves apart.

Related Research Articles

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<span class="mw-page-title-main">Concertina</span> Free-reed musical instrument

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<span class="mw-page-title-main">Free reed aerophone</span> Class of wind instrument for music

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<span class="mw-page-title-main">Bayan (accordion)</span> Musical instrument

The bayan is a type of chromatic button accordion developed in the Russian Empire in the early 20th century and named after the 11th-century bard Boyan.

<span class="mw-page-title-main">Chemnitzer concertina</span> Musical instrument

A Chemnitzer concertina is a musical instrument of the hand-held bellows-driven free-reed category, sometimes called squeezeboxes. The Chemnitzer concertina is most closely related to the bandoneón, more distantly to the other concertinas, and accordions.

<span class="mw-page-title-main">Garmon</span> Musical instrument

The garmon, commonly called garmoshka, is a kind of Russian button accordion, a free-reed wind instrument. A garmon has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary chords in the key of the instrument as well as its relative harmonic minor key. Many instruments have additional right-hand buttons with useful accidental notes, additional left-hand chords for playing in related keys, and a row of free-bass buttons, to facilitate playing of bass melodies. The term "Garmon" means overcomer, winner or "noble" believed epistemologically to derive from the term for "blue" which nobility wore. It is believed perhaps Russian aristocratic, tzars and or royal leadership had garmons played in their courts.

<span class="mw-page-title-main">Button accordion</span> Musical instrument

A button accordion is a type of accordion on which the melody-side keyboard consists of a series of buttons. This differs from the piano accordion, which has piano-style keys. Erich von Hornbostel and Curt Sachs categorize it as a free reed aerophone in their classification of instruments, published in 1914. The sound from the instrument is produced by the vibration of air in reeds. Button accordions of various types are particularly common in European countries and countries where European people settled. The button accordion is often confused with the concertina; the button accordion's buttons are on the front of the instrument, where as the concertina's are on the sides and pushed in parallel with the bellows.

<span class="mw-page-title-main">Piano accordion</span> Musical instrument

A piano accordion is an accordion equipped with a right-hand keyboard similar to a piano or organ. Its acoustic mechanism is more that of an organ than a piano, as they are both aerophones, but the term "piano accordion"—coined by Guido Deiro in 1910—has remained the popular name. It may be equipped with any of the available systems for the left-hand manual.

<span class="mw-page-title-main">Flutina</span> Free-reed musical instrument

The Flutina is an early precursor to the diatonic button accordion, having one or two rows of treble buttons, which are configured to have the tonic of the scale, on the "draw" of the bellows. There is usually no bass keyboard: the left hand operates an air valve. A rocker switch, called a "bascule d'harmonie" is in the front of the keyboard. When this switch is thumb activated, it would open up a pallet (a pad that covers a tone hole, at the other end of the key button, for a simple Tonic/Dominant drone: Tonic on the draw and Dominant on the press, e.g. Tonic notes C/g, and Dominant G/d, without any major or minor thirds.

<span class="mw-page-title-main">Diatonic button accordion</span> Musical instrument of the free-reed aerophone family

A melodeon or diatonic button accordion is a member of the free-reed aerophone family of musical instruments. It is a type of button accordion on which the melody-side keyboard contains one or more rows of buttons, with each row producing the notes of a single diatonic scale. The buttons on the bass-side keyboard are most commonly arranged in pairs, with one button of a pair sounding the fundamental of a chord and the other the corresponding major triad.

<span class="mw-page-title-main">Schrammel accordion</span> Musical instrument

A Schrammel accordion is an accordion with a melody keyboard in the chromatic B-Griff system and a twelve-button diatonic bass keyboard. It is named for a traditional combination of two violins, accordion or clarinet, and contraguitar known as a Schrammelquartet – a group that played Schrammelmusik in the Vienna chamber music tradition.

<span class="mw-page-title-main">Schwyzerörgeli</span>

The Schwyzerörgeli is a type of diatonic button accordion used in Swiss folk music. The name derives from the town/canton of Schwyz where it was developed. Örgeli is the diminutive form of the word Orgel (organ). Outside of Switzerland the instrument is not well known and is hard to find.

<span class="mw-page-title-main">Stradella bass system</span>

The Stradella Bass System is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key in three adjacent columns.

<span class="mw-page-title-main">Free-bass system</span>

A free-bass system is a system of left-hand bass buttons on an accordion, arranged to give the performer greater ability to play melodies with the left-hand and form one's own chords. The left-hand buttonboard consists of single-note buttons with a range of three octaves or more, in contrast to the standard Stradella bass system, which offers a shorter range of single bass notes, plus preset major, minor, dominant seventh, and diminished chord buttons. The term "free-bass system" refers to various left-hand manual systems that provide this functionality: The Stradella system does not have buttons for different octaves of the bass notes, which limits the types of melodies and basslines that can be performed with the left hand.

The accordion is in a wide variety of musical genres, mainly in traditional and popular music. In some regions, such as Europe and North America, it has become mainly restricted to traditional, folk and ethnic music. In other regions such as Mexico, the instrument is very popular in genres like Norteño, and in Brazil, it is a fixture in popular music styles as Sertanejo and Forró.

<span class="mw-page-title-main">Steirische Harmonika</span> Musical instrument popular in alpine folk music

The Steirische Harmonika is a type of bisonoric diatonic button accordion important to the alpine folk music of Croatia, Slovenia, the Czech Republic, Austria, the German state of Bavaria, and the Italian South Tyrol. The Steirische Harmonika is distinguished from other diatonic button accordions by its typically richer bass notes, and by the presence of one key per scale row that has the same tone on both compression and expansion of the bellows, called a Gleichton. The bass notes earn the distinction Helikonbässe because they use bigger reeds with duralumin reed frames and a special chamber construction that amplifies its bass tones to give it a loud sound reminiscent of a Helicon tuba.

<span class="mw-page-title-main">Khromka</span> Musical instrument

Khromka is a type of Russian garmon. It is the most widespread variant in Russia and in the former USSR. Nearly all Russian garmons made since the mid of the 20th century are khromkas.

<span class="mw-page-title-main">Anglo concertina</span> Musical instrument

The Anglo or Anglo-German concertina is a member of the concertina family of free-reed instruments.

References

  1. Ricardo Llanos and Inaki Alberdi, "Accordion for Composers" (Spanish publication: 2002), 2-5).
  2. 1 2 Dan Lindgren, Piano Accordion vs. Chromatic Button Accordion Online PDF
  3. 1 2 Doktorski, Henry (1998). "The Classical Accordion, part 2". The Classical Free Reed, Inc. The Classical Free-Reed, Inc. Archived from the original on 2016-03-14. Retrieved 2020-05-28.
  4. "Invention and Development of the Accordion". Accordions Worldwide. Archived from the original on 2019-06-07. Retrieved 2020-05-28.
  5. 1 2 Hermosa, Gorka (2013). The Accordion in the 19th Century. Kattigara. ISBN   978-84-940481-7-3.
  6. This can also be seen in photographs and illustrations of such accordions; Their bass keyboard does not have the characteristic angled rows of the Stradella bass system