In the works of Dorothy L. Sayers, the fictional title of Duke of Denver is held by Gerald Wimsey, older brother of the books' protagonist, Lord Peter Wimsey. In novels written after Sayers' death by Jill Paton Walsh (with the cooperation of the Sayers estate), Lord Peter also eventually holds the title. Sayers and several friends constructed an elaborate backstory for the duchy.
In Sayers's stories, Lord Peter was the second of the three children of Mortimer Wimsey, 15th Duke of Denver.
The duchy, Wimsey's mother the dowager duchess, and his brother Gerald Christian Wimsey, the then Duke of Denver, were introduced in Sayers's first Wimsey novel, Whose Body? . [1] [2]
The 1935 second edition of Sayers's second novel, Clouds of Witness , included a fictitious entry from Debrett's Peerage that described the Wimsey coat of arms. [3] In it, Gerald is charged with murder. [3] Gerald refuses to supply an alibi for himself, is tried by his peers, before the full House of Lords, and eventually acquitted through his brother's efforts. [2] Gerald is characterized, in the words of Mary McGlynn (professor of English at the City University of New York), by his idiolect, his "crude word choices, chatty asides, illogical sequencing, and missing letters." [2] Although in the words of his brother he is "a shocking ass", the character of Gerald is portrayed with a degree of sympathy, with his fictional uncle describing him as having "more sense of responsibility than I expected" and his reaction to Peter's marriage to Harriet being a favourable one. [2]
Gerald's wife Helen, Duchess of Denver, is pilloried throughout the novels, and in the opinion of Eric Sandberg (professor of English at the City University of Hong Kong) is the least pleasant character in them short of the actual murderers themselves, and even some of the latter are portrayed more sympathetically than Helen Wimsey is. [4] [5] Her letter in the opening of Busman's Honeymoon presents her as completely misunderstanding the relationship between Peter and Harriet, and she repeatedly patronizes and insults Harriet according to entries from her mother-in-law's diary. [5] Her angry reaction to Peter and Harriet evading her interference in their wedding is echoed in another character's description of her as "a tartar, very cross, and as stiff as a poker"; and a later backhanded compliment in the novel states that "To do her justice, I can't see she could have found anything nastier to say if she'd thought it out with both hands for a fortnight." [2] [5]
In The Attenbury Emeralds , written by Jill Paton Walsh in 2010 with the cooperation of Sayers' estate, Gerald dies in 1951 from a heart attack during a fire at Duke's Denver. Because his son, Viscount St. George (a fighter pilot), did not survive the Second World War, Lord Peter inherits the title.
The fictional estate of the duchy is Duke's Denver, with the ancestral home being Bredon Hall, situated east of the real village of Denver, Norfolk. [6] In the first novel it is where Wimsey is taken by his mother for rest and recuperation, and Wimsey's description of it as a place where "things moved in an orderly way; no one died sudden and violent deaths except aged setters" gives it the dual in-universe/out-of-universe character of an escape from World War I and the relative modernity of city life as well as an escape from the genre of detective fiction. [6] Wimsey with his wife Harriet returns there likewise for peace and quiet at the end of Busman's Honeymoon. [6]
Colin Watson described Sayers as a "sycophantic bluestocking" in his Snobbery with Violence, but based upon the aforementioned portrayals of foolishness, snobbery, and outdatedness Eric Sandberg espoused the opposite view that "it would not be accurate to describe Sayers's depiction of the aristocracy as adulatory or sycophantic." [7] [8]
Sayers published several articles and pamphlets on the Wimseys, including a series of The Wimsey Papers, the purported wartime letters of the family, which appeared in The Spectator between 1939-11-17 and 1940-01-19. [9] Sayers used the Papers as a vehicle for various commentaries, putting them in the mouths of her characters, of her own; ranging from what to do during a blackout to putting the numbers on the sides of buses in order to reduce accidents. [9]
C. W. Scott-Giles, Fitzalan Pursuivant of Arms Extraordinary, wrote to Sayers in 1935, treating the novels mock-seriously; to which Sayers replied, playing along. [10] In what Scott-Giles was later to describe as "our beautiful game," he and Sayers, later to be joined by Helen Simpson and Muriel St. Clare Byrne, constructed an elaborate backstory for the Duchy of Denver that they took as far back as the Middle Ages. [10] In a 1937 essay, Sayers described this as "the Wimsey Industry." [11]
As a group they produced a series of privately distributed pamphlets on the subject, and gave lectures, some of the ideas that they constructed even making it into Sayers's novel Busman's Honeymoon. [10] One such pamphlet, for example, was on the 10th Duke of Denver, written in mock 18th century style by Sayers and Simpson and illustrated with the Wimsey coat of arms on the title page and a portrait of the fictional duke on its frontispiece by Scott-Giles and his wife. [11]
Scott-Giles would later publish an edited version of his correspondence with Sayers in book form as The Wimsey Family. [10] After her death, he published an article on Wimsey heraldry in Coat of Arms magazine, [12] which subject inspired several letters to the editor of the magazine over several subsequent volumes.
Other fan-generated fictional genealogies and Wimsey family histories were published in Sayers Review, a magazine that was published in Los Angeles from the late 1970s to the early 1980s. [7]
Gaudy Night (1935) is a mystery novel by Dorothy L. Sayers, the tenth featuring Lord Peter Wimsey, and the third including Harriet Vane.
Lord Peter Death Bredon Wimsey is the fictional protagonist in a series of detective novels and short stories by Dorothy L. Sayers. A dilettante who solves mysteries for his own amusement, Wimsey is an archetype for the British gentleman detective. He is often assisted by his valet and former batman, Mervyn Bunter; by his good friend and later brother-in-law, police detective Charles Parker; and, in a few books, by Harriet Vane, who becomes his wife.
The Wold Newton family is a literary concept derived from a form of crossover fiction developed by the American science fiction writer Philip José Farmer.
Busman's Honeymoon is a 1937 novel by Dorothy L. Sayers, her eleventh and last featuring Lord Peter Wimsey, and her fourth and last to feature Harriet Vane.
Thrones, Dominations is a Lord Peter Wimsey–Harriet Vane murder mystery novel that Dorothy L. Sayers began writing but abandoned, and which remained at her death as fragments and notes. It was completed by Jill Paton Walsh and published in 1998. The title is a quotation from John Milton's Paradise Lost and refers to two categories of angel in the Christian angelic hierarchy.
Harriet Deborah Vane, later Lady Peter Wimsey, is a fictional character in the works of British writer Dorothy L. Sayers (1893–1957) and the sequels by Jill Paton Walsh.
Maurice Roy Ridley was a writer and poet, and Fellow and Chaplain of Balliol College, Oxford.
Mervyn Bunter is a fictional character in Dorothy L. Sayers's novels and short stories. He serves as Lord Peter Wimsey's valet, and served as Wimsey's batman during the First World War. Bunter was partially based on the fictional butler Jeeves, created by P. G. Wodehouse.
Charles WilfridScott-Giles was an English writer on heraldry and an officer of arms, who served as Fitzalan Pursuivant Extraordinary.
Sergeant/Inspector/Chief Inspector Charles Parker is a fictional police detective who appears in several Lord Peter Wimsey stories by Dorothy L. Sayers, and later becomes Lord Peter's brother-in-law.
Busman's Honeymoon is a 1940 British detective film directed by Arthur B. Woods. An adaptation of the 1937 Lord Peter Wimsey novel Busman's Honeymoon by Dorothy L. Sayers, Busman's Honeymoon stars Robert Montgomery, Constance Cummings, Leslie Banks, Googie Withers, Robert Newton and Seymour Hicks as Mervyn Bunter.
Muriel St. Clare Byrne OBE (1895–1983) was a historical researcher, specialising in the Tudor period and the reign of Henry VIII of England.
Dorothy Leigh Sayers was an English crime novelist, playwright, translator and critic.
The Attenbury Emeralds is the third Lord Peter Wimsey-Harriet Vane detective novel written by Jill Paton Walsh. Featuring characters created by Dorothy L. Sayers, it was written with the co-operation and approval of Sayers' estate. It was published by Hodder & Stoughton in September 2010.
The Late Scholar is the fourth and final Lord Peter Wimsey-Harriet Vane detective novel written by Jill Paton Walsh. Featuring characters created by Dorothy L. Sayers, it was written with the co-operation and approval of Sayers' estate. It was published by Hodder & Stoughton on 5 December 2013 in the UK, and on 14 January 2014 in North America.
A Dorothy L. Sayers Mystery is a series of television adaptations of three Lord Peter Wimsey novels—Strong Poison, Have his Carcase and Gaudy Night—by Dorothy L. Sayers.
Miss Katharine Alexandra Climpson is a minor character in the Lord Peter Wimsey stories by Dorothy L. Sayers. She appears in two novels: Unnatural Death (1927) and Strong Poison (1930), and is mentioned in Gaudy Night (1935) and Busman's Honeymoon (1937).
Lord Peter Wimsey is a series of full cast BBC Radio drama adaptations of Dorothy L. Sayers's Lord Peter Wimsey detective novels broadcast on BBC Radio 4 between 1973 and 1983, with a further adaptation of Gaudy Night mounted for BBC Audiobooks in 2005 to complete the full sequence of Sayers' novels, all starring Ian Carmichael in the title role.
Lord Peter Wimsey is a series of television serial adaptations of five Lord Peter Wimsey novels by Dorothy L. Sayers, starring Ian Carmichael as Wimsey. They were broadcast on BBC1 between 1972 and 1975, beginning with Clouds of Witness in April 1972.
Peril at Cranbury Hall is a 1930 detective novel by John Rhode, the pen name of the British writer Cecil Street. It marked the eighth appearance of the armchair detective Lancelot Priestley, who featured in a long-running series of novels during the Golden Age of Detective Fiction. The use of the cipher inspired a similar one used in Dorothy L. Sayers's Have His Carcase