First edition | |
Author | Dorothy L. Sayers |
---|---|
Language | English |
Series | Lord Peter Wimsey |
Genre | Mystery novel |
Publisher | Gollancz [1] |
Publication date | 1935 [1] |
Publication place | United Kingdom |
Media type | |
Pages | 483 [1] |
ISBN | 978-0062196538 |
Preceded by | The Nine Tailors |
Followed by | Busman's Honeymoon |
Gaudy Night (1935) is a mystery novel by Dorothy L. Sayers, the tenth featuring Lord Peter Wimsey, and the third including Harriet Vane.
The dons of Harriet Vane's alma mater , the all-female Shrewsbury College, Oxford (based on Sayers' own Somerville College), have invited her back to attend the annual Gaudy celebrations. However, the mood turns sour when someone begins a series of malicious acts including poison-pen messages, obscene graffiti, and wanton vandalism. Despite the dons' reluctance to share the secret with an outsider, Harriet convinces them to let her bring in Lord Peter Wimsey to assist the investigation – but his involvement is not without complications, both personal and professional.
Harriet Vane returns with trepidation to her alma mater , Shrewsbury College, Oxford to attend the Gaudy dinner. Expecting hostility because of her notoriety (she had stood trial for murder in an earlier novel, Strong Poison ), she is surprised to be welcomed warmly by most of the dons, and rediscovers her old love of academic life. Harriet's short stay is, however, marred by her discovery of a sheet of paper with an offensive drawing, and a poison pen message referring to her as a "dirty murderess".
Some time later the Dean of Shrewsbury writes to ask for her help. There has been an outbreak of vandalism and anonymous letters, and fearing for the college's reputation if this becomes public knowledge, the Dean wants someone to investigate confidentially. Harriet, herself a victim of poison-pen letters since her trial, reluctantly agrees, and returns to spend some months in residence, ostensibly to do research on Sheridan Le Fanu and to assist a don with her book. The timing of the first poison pen message during the gaudy, and the use of a Latin quotation from the Aeneid during one disturbance, focuses suspicion on the Senior Common Room dons, causing escalating tensions.
As Harriet wrestles with the case, trying to narrow down the list of suspects who might be responsible for poison-pen messages, obscene graffiti, wanton vandalism including the destruction of a set of scholarly proofs, and the crafting of vile effigies, she is forced to examine her ambivalent feelings about Wimsey, love and marriage, and her attraction to academia as an intellectual and emotional refuge. Wimsey eventually arrives in Oxford to help, and she gains a new perspective from those who know him, including his nephew, an undergraduate at the university.
The attacks build to a crisis. There is an attempt to drive a vulnerable student to suicide and a physical assault on Harriet that almost kills her. The perpetrator is finally unmasked as Annie Wilson, one of the college scouts, revealed to be the widow of a disgraced University of York academic. Her husband's academic fraud had been exposed by an examiner, destroying his career and driving him to suicide; his suicide note used the Latin quote eventually used by Wilson. The examiner later moved to Shrewsbury College, and the widow's campaign has been her revenge against the examiner in particular and more generally against intellectual women who move outside what she sees as their proper domestic sphere.
At the end of the book, Wimsey admits his own faults in his attempts at courtship, and Harriet comes to terms with her own feelings, finally accepting Wimsey's proposal of marriage.
A "gaudy", at the University of Oxford, is a college feast, typically a reunion for its alumni. The term "gaudy night" appears in Shakespeare's Antony and Cleopatra : "Let's have one other gaudy night: call to me / All my sad captains; fill our bowls once more / Let's mock the midnight bell". [3]
Writing in 1936, George Orwell disagreed with the opinion of an Observer critic who felt that Gaudy Night had put Miss Sayers "definitely among the great writers". Orwell concluded, to the contrary, that "her slickness in writing has blinded many readers to the fact that her stories, considered as detective stories, are very bad ones. They lack the minimum of probability that even a detective story ought to have, and the crime is always committed in a way that is incredibly tortuous and quite uninteresting". [4]
In a letter to his son Christopher from May 1944, J. R. R. Tolkien wrote: "I could not stand Gaudy Night. I followed P. Wimsey from his attractive beginnings so far, by which time I conceived a loathing for him (and his creatrix) not surpassed by any other character in literature known to me, unless by his Harriet. The honeymoon one (Busman's H[oneymoon].?) was worse. I was sick." [5]
Jacques Barzun stated that "Gaudy Night is a remarkable achievement. Harriet Vane and Saint-George, the undergraduate nephew of Lord Peter, help give variety, and the college setting justifies good intellectual debate. The motive is magnificently orated on by the culprit in a scene that is a striking set-piece. And though the Shrewsbury dons are sometimes hard to distinguish one from another, the College architecture is very good". [6]
Although no murder occurs in Gaudy Night, it includes a great deal of suspense and psychological thrills. The narrative is interwoven with a love story and an examination of women's struggles to enlarge their roles and achieve some independence within the social climate of 1930s England, and the novel has been described as "the first feminist mystery novel". [7]
The novel deals with a number of philosophical themes, including the right relation between love and independence, and between principles and personal loyalties. Susan Haack has an essay on Gaudy Night as a philosophical novel. [8]
The issue of women's right to academic education is central to the book's plot. Sayers had herself been one of the first women to obtain an Oxford University degree, having been awarded first-class honours in the mediaeval literature examinations of 1915. [9] She attended Somerville College, the basis for the fictional Shrewsbury College of the plot. [10]
The book was adapted as a three-part series for BBC television in 1987, starring Edward Petherbridge as Wimsey and Harriet Walter as Harriet. [11]
In 2005 a dramatisation of the novel was released on CD by the BBC Radio Collection, with Joanna David as Harriet and Ian Carmichael as Wimsey. In 2010 the dramatisation was broadcast on BBC Radio 7. [12]
Lord Peter Death Bredon Wimsey is the fictional protagonist in a series of detective novels and short stories by Dorothy L. Sayers. A dilettante who solves mysteries for his own amusement, Wimsey is an archetype for the British gentleman detective. He is often assisted by his valet and former batman, Mervyn Bunter; by his good friend and later brother-in-law, police detective Charles Parker; and, in a few books, by Harriet Vane, who becomes his wife.
Strong Poison is a 1930 mystery novel by Dorothy L. Sayers, her fifth featuring Lord Peter Wimsey and the first in which Harriet Vane appears.
Have His Carcase is a 1932 locked-room mystery by Dorothy L. Sayers, her seventh novel featuring Lord Peter Wimsey and the second in which Harriet Vane appears. It is also included in the 1987 BBC TV series. The book marks a stage in the long drawn out courting of Harriet Vane by Wimsey. Though working closely with him on solving the book's mystery, she still refuses to marry him.
Busman's Honeymoon is a 1937 novel by Dorothy L. Sayers, her eleventh and last featuring Lord Peter Wimsey, and her fourth and last to feature Harriet Vane.
Thrones, Dominations is a Lord Peter Wimsey–Harriet Vane murder mystery novel that Dorothy L. Sayers began writing but abandoned, and which remained at her death as fragments and notes. It was completed by Jill Paton Walsh and published in 1998. The title is a quotation from John Milton's Paradise Lost and refers to two categories of angel in the Christian angelic hierarchy.
Harriet Deborah Vane, later Lady Peter Wimsey, is a fictional character in the works of British writer Dorothy L. Sayers (1893–1957) and the sequels by Jill Paton Walsh.
A Presumption of Death is a 2002 Lord Peter Wimsey–Harriet Vane mystery novel by Jill Paton Walsh, based loosely on The Wimsey Papers by Dorothy L. Sayers. The novel is Walsh's first original Lord Peter Wimsey novel, following Thrones, Dominations, which Sayers left as an unfinished manuscript, and was completed by Walsh. A Presumption of Death is written by Walsh, except for excerpts from The Wimsey Papers.
Mervyn Bunter is a fictional character in Dorothy L. Sayers's novels and short stories. He serves as Lord Peter Wimsey's valet, having been Wimsey's batman during the First World War. Bunter was partially based on the fictional valet Jeeves, created by P. G. Wodehouse.
The Documents in the Case is a 1930 novel by Dorothy L. Sayers and Robert Eustace. It is the only one of Sayers's twelve major crime novels not to feature Lord Peter Wimsey, her most famous detective character. However, the forensic analyst Sir James Lubbock, who appears or is mentioned in several of the Wimsey novels, also appears in The Documents in the Case.
Sergeant/Inspector/Chief Inspector Charles Parker is a fictional police detective who appears in several Lord Peter Wimsey stories by Dorothy L. Sayers, and later becomes Lord Peter's brother-in-law.
Busman's Honeymoon is a 1940 British detective film directed by Arthur B. Woods. An adaptation of the 1937 Lord Peter Wimsey novel Busman's Honeymoon by Dorothy L. Sayers, Busman's Honeymoon stars Robert Montgomery, Constance Cummings, Leslie Banks, Googie Withers, Robert Newton and Seymour Hicks as Mervyn Bunter.
The gentleman detective is a type of fictional character. He has long been a staple of crime fiction, particularly in detective novels and short stories set in the United Kingdom in the Golden Age. While not necessarily aristocracy, the heroes of these adventures are often members of the British gentry or gentlemen by conduct. They are sometimes contrasted with professional police force detectives from the working classes.
Dorothy Leigh Sayers was an English crime novelist, playwright, translator and critic.
The Attenbury Emeralds is the third Lord Peter Wimsey-Harriet Vane detective novel written by Jill Paton Walsh. Featuring characters created by Dorothy L. Sayers, it was written with the co-operation and approval of Sayers' estate. It was published by Hodder & Stoughton in September 2010.
The Late Scholar is the fourth and final Lord Peter Wimsey-Harriet Vane detective novel written by Jill Paton Walsh. Featuring characters created by Dorothy L. Sayers, it was written with the co-operation and approval of Sayers' estate. It was published by Hodder & Stoughton on 5 December 2013 in the UK, and on 14 January 2014 in North America.
A Dorothy L. Sayers Mystery is a series of television adaptations of three Lord Peter Wimsey novels—Strong Poison, Have his Carcase and Gaudy Night—by Dorothy L. Sayers.
Miss Katharine Alexandra Climpson is a minor character in the Lord Peter Wimsey stories by Dorothy L. Sayers. She appears in two novels: Unnatural Death (1927) and Strong Poison (1930), and is mentioned in Gaudy Night (1935) and Busman's Honeymoon (1937).
Lord Peter Wimsey is a series of full cast BBC Radio drama adaptations of Dorothy L. Sayers's Lord Peter Wimsey detective novels broadcast on BBC Radio 4 between 1973 and 1983, with a further adaptation of Gaudy Night mounted for BBC Audiobooks in 2005 to complete the full sequence of Sayers' novels, all starring Ian Carmichael in the title role.
Lord Peter Wimsey is a series of television serial adaptations of five Lord Peter Wimsey novels by Dorothy L. Sayers, starring Ian Carmichael as Wimsey. They were broadcast on BBC1 between 1972 and 1975, beginning with Clouds of Witness in April 1972 and ending with Five Red Herrings in August 1975.