Duvelleroy

Last updated
Duvelleroy
Founded1827
FounderJean-Pierre Duvelleroy
Headquarters17 Rue Amélie, ,
Products Fans
Website eventail-duvelleroy.fr

Duvelleroy is a fan maker and leather goods manufacturer founded in Paris, France, in 1827 by Jean-Pierre Duvelleroy. It is one of the rare French fan makers still in existence today. [1]

Contents

History

Founded in Paris, 1827

For centuries, Paris had been the capital of haute couture, high-class jewelry, and fan-making, but in 1827 the city had no more than fifteen fan-makers. [1] Yet it was at that precise moment that Jean-Pierre Duvelleroy chose to establish his own fan house in Paris. At 25 years old, he was convinced that this small accessory, which had gone out of fashion after the French Revolution, might become fashionable once again. The demand for fans in South America, which was at the time the primary export market for French fan makers, helped him to start his business.

A ball at the Tuileries, or how fans came back into fashion

Two years later, a special event was to bring him luck: a ball given by the Duchess of Berry at the Tuileries Palace in March 1829. For the quadrille the women sported fans. A single dance did it all: once again, fans were back. [1]

Duvelleroy Boutique. 19th century Duvelleroy03.jpg
Duvelleroy Boutique. 19th century

A prestigious address, 15 rue de la Paix

The house opened a boutique at 15, rue de la Paix, while its ateliers were established at 17, passage des Panoramas in Paris. [2]

Design and production: a pioneer’s work

To produce fan sticks and guards from precious wood, horn, mother of pearl, ivory or tortoise shell, Jean-Pierre Duvelleroy recruited the best stick makers (or 'tabletiers'), who were traditionally based in the Oise region of France. For the leaves of his fans, he collaborated with the most sought-after engravers and painters, sometimes working with artists such as Ingres or Delacroix for exceptional pieces. [3]

Duvelleroy and the Great Exhibitions: time for recognition

During twenty years, the founder of the House of Duvelleroy contributed to many fan related innovations and patents, never sparing his efforts to obtain recognition for the profession. In 1851, willing to defend his vision of the craft, he wrote a letter to Nathalis Rondot, who recorded the fan section at the 1851 Great Exhibition in London. That same year, Duvelleroy was awarded the prize medal at The Crystal Palace. From then on, the house would receive many gold medals for its craftsmanship. The Duvelleroys father and son would each be President of the Syndicate of Fan makers. On this account, both received the Légion d’Honneur, the Greatest Order of Merit for in France.

Duvelleroy by Gendrot, 1905. Duvelleroy05.jpg
Duvelleroy by Gendrot, 1905.

Duvelleroy, fan maker to the queens

After the production of a fan representing the Royal Family of England, based on a painting by Winterhalter, Duvelleroy was appointed supplier to Queen Victoria, and opened a boutique in London. Soon enough, Duvelleroy fans were sold in all major courts of Europe. In 1853, Duvelleroy realized a fan for the wedding of Eugénie de Montijo to Emperor Napoleon III. Later, the house would be nominated exclusive supplier of the City of Paris. As such, the House of Duvelleroy realized the fans given to the wives of foreign sovereigns and dignitaries coming to Paris for official visits, such as the Empress of Russia, the Queen of Sweden, the Queen of Denmark and the Queen of Bulgaria. [4]

The language of the fan by Duvelleroy

Jean-Pierre Duvelleroy gave the London House to his elder son Jules, born out of wedlock, while he handed over the management of the Paris House to his legitimate son, Georges Duvelleroy. For some time, Jules Duvelleroy developed the house in England, where he published the language of the fan, a whole code supposedly used by women for centuries. According to Duvelleroy leaflets:

Duvelleroy fan case, 1905. Duvelleroy02.jpg
Duvelleroy fan case, 1905.
Duvelleroy fan, 1920. Eventail en ecaille et plumes d'aigle.jpg
Duvelleroy fan, 1920.
Duvelleroy fan, 2010. Duvelleroy06.jpg
Duvelleroy fan, 2010.

1981-2009: the saving of a heritage

By duty of memory, Michel Maignan conserved the Duvelleroy Fund which his grandfather passed on to him in 1981. This Fund is made of fans, drawings, tools, materials and furnishings kept since the foundation of the House of Duvelleroy in 1827. "I give it to you so that you can make something out of it", he said. In 1986, an exhibit dedicated to the Fan as a mirror of the Belle Époque [5] was given in Paris: many Duvelleroy fans were exhibited on this occasion. Since then, many publications and exhibits have been developed, referring to Duvelleroy. In 1995, an exhibit in England was entirely dedicated to the House: Duvelleroy, King of Fans, Fanmaker to Kings.

See also

Bibliography

Related Research Articles

<span class="mw-page-title-main">Charles Lucien Léandre</span> French painter

Charles Lucien Léandre (1862–1934) was a French caricaturist and painter. He was born at Champsecret (Orne), and studied painting under Émile Bin and Alexandre Cabanel.

<i>Hôtel particulier</i> French grand town house

An hôtel particulier is a grand townhouse, comparable to the British townhouse or mansion. Whereas an ordinary maison (house) was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an hôtel particulier was often free-standing and, by the 18th century, would always be located entre cour et jardin – between the cour d'honneur and the garden behind. There are hôtels particuliers in many large cities in France.

<span class="mw-page-title-main">Georges Stein</span> French painter

Georges Stein, born Séverin Louis Stein, was a French Impressionist artist. Stein was a painter and draughtsman, and is known primarily for light-infused views of Paris and London. He also painted scenes from Melun, Vichy, Bern, Geneva, and Monte Carlo.

<span class="mw-page-title-main">Musée d'Art Moderne de Paris</span> Art museum in Paris, France

Musée d'Art Moderne de Paris or MAM Paris, is a major municipal museum dedicated to modern and contemporary art of the 20th and 21st centuries, including monumental murals by Raoul Dufy, Gaston Suisse, and Henri Matisse. It is located at 11, Avenue du Président Wilson in the 16th arrondissement of Paris.

Moynat is a Parisian trunkmaker, founded in Paris in 1849 by Octavie and François Coulembier. They collaborated with a specialist in travel goods, named Pauline Moynat, to open the company's first store at Avenue de l'Opera. The house is notable for its innovations in making trunks lighter and waterproof, and for its participation in the various World's Fairs.

<span class="mw-page-title-main">Édouard Joseph Dantan</span> French painter

Édouard Joseph Dantan was a French painter in the classical tradition. He was widely recognized in his day, although he was subsequently eclipsed by painters with more modern styles.

Hans-Georg Pflaum was a German-born French historian.

<i>Femme à lÉventail</i> Painting by Jean Metzinger

Femme à l'Éventail is an oil painting created in 1912 by the French artist and theorist Jean Metzinger (1883–1956). The painting was exhibited at the Salon d'Automne, 1912, Paris, and De Moderne Kunstkring, 1912, Amsterdam. It was also exhibited at the Musée Rath, Geneva, Exposition de cubistes français et d'un groupe d'artistes indépendants, 3–15 June 1913. A 1912 photograph of Femme à l'Éventail hanging on a wall inside the Salon Bourgeois was published in The Sun, 10 November 1912. The same photograph was reproduced in The Literary Digest, 30 November 1912.

Henri Joseph Thomas (1878-1972) was a Belgian genre, portrait and still life painter, sculptor and etcher from the Belgian School, Brussels, Belgium.

Jean-Baptiste Lebas was a French Socialist politician, deputy to the National Assembly of France during the Third Republic, who served twice as minister under Léon Blum’s governments. He was mayor of Roubaix and member of the Resistance during World War II.

Claude Garache is a French artist. He has worked in painting, sculpture, illustration and engraving. His principal subject is the female nude. Much of his work uses a single colour on a monochrome background, very often blood-red on white.

Paris in the <i>Belle Époque</i> Historical period

Paris in the Belle Époque was a period in the history of the city between the years 1871 to 1914, from the beginning of the Third French Republic until the First World War. It saw the construction of the Eiffel Tower, the Paris Métro, the completion of the Paris Opera, and the beginning of the Basilica of Sacré-Cœur on Montmartre. Three lavish "universal expositions" in 1878, 1889, and 1900 brought millions of visitors to Paris to sample the latest innovations in commerce, art, and technology. Paris was the scene of the first public projection of a motion picture, and the birthplace of the Ballets Russes, Impressionism, and Modern Art.

Paris architecture of the <i>Belle Époque</i> Aspect of Paris history

The architecture of Paris created during the Belle Époque, between 1871 and the beginning of the First World War in 1914, was notable for its variety of different styles, from neo-Byzantine and neo-Gothic to classicism, Art Nouveau and Art Deco. It was also known for its lavish decoration and its imaginative use of both new and traditional materials, including iron, plate glass, colored tile and reinforced concrete. Notable buildings and structures of the period include the Eiffel Tower, the Grand Palais, the Théâtre des Champs-Élysées, the Gare de Lyon, the Bon Marché department store, and the entries of the stations of the Paris Metro designed by Hector Guimard.

<span class="mw-page-title-main">Luigi Loir</span> French painter, illustrator and lithographer (1845–1916)

Luigi Loir was a French painter, illustrator and lithographer.

Marc Venard was a French historian.

The Séeberger dynasty, known as the Frères Séeberger; three brothers Jules (1872–1932), Henri (1876-1956) and Louis' (1874-1946) sons Jean (1910-1979) and Albert (1914-1999), pioneered fashion photography in France, beginning in the twentieth century.

<span class="mw-page-title-main">Hôtel du Plessis-Guénégaud</span>

The Hôtel du Plessis-Guénégaud was a French aristocratic townhouse, built 1630–1632 for the financier Louis Le Barbier to the designs of architect Clément Métezeau. It was located at what is now 13 Quai Malaquais in the 6th arrondissement of Paris. The hôtel was demolished in 1843.

Jean-Baptiste Goyet or J.-B. Goyet was a self-taught French artist. Beginning in 1827 his work was regularly selected for exhibition in the annual Paris Salon. His genre paintings—variously sentimental, satirical, or historical—reached a wide audience through reproductions using the then-new medium of lithography. His son, Eugène Goyet (1798-1857), also became a painter, with a career that surpassed that of his father.

<span class="mw-page-title-main">Louis Tauzin</span> French painter (1842-1915)

Louis Tauzin was a French landscape painter, poster artist, and chromolithographer.

References

  1. 1 2 3 Lucie Saboudjian, Ph. John Keyser, Ils collectionnent…Les Eventails, Trouvailles, N°43, Novembre / Décembre 1983 (M2791-43, ISSN   0396-6356)
  2. Musée de la Mode et du Costume, L’Eventail, Miroir de la Belle Epoque, p.144, Ville de Paris, 15 May 1985 ISBN   2-901424-07-4
  3. Jules Kindt, Rapport de la Commission Belge de l’Exposition Universelle de Paris en 1867, tome II, pages 327–328, Bruxelles, Imprimerie Et Lithographie de E. Guyot, 1868
  4. The Fan Museum, Duvelleroy – King of Fans, Fanmaker to Kings, catalogue de l’exposition du 3 October 95 au 21 January 96 au Fan Museum Greenwich, Londres, 1995
  5. Musée de la Mode et du Costume, L’Eventail, Miroir de la Belle Époque, Ville de Paris, 15 May 1985 ISBN   2-901424-07-4