E for Edward | ||||
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Studio album by | ||||
Released | October 1989 | |||
Genre | Post punk, Indie | |||
Label | Creation Records | |||
Producer | Edward Ball | |||
The Times chronology | ||||
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E for Edward is the eighth album by West London Post punk and Indie band The Times released in 1989. [1]
Side A
Side B
A Hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964 and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
Catherine Wheel were an English alternative rock band from Great Yarmouth and Lowestoft. The band was active from 1990 to 2000, releasing five full-length albums in their career, embarking on many lengthy tours and experiencing fluctuating levels of commercial success. Their early music was associated with the shoegazing scene, but gradually evolved to a more aggressive style influenced by hard rock and metal. Initially receiving attention and success after releasing their debut album Ferment in 1992, the band achieved peak success with the release of "Crank" and their album Chrome in 1993. The band also achieved minor success with other albums, including Happy Days, which featured a popular song "Judy Staring at the Sun" as a collaboration with Tanya Donelly. Catherine Wheel also scored heavy rotation on MTV and performed there several times. Despite never having any albums or songs that achieved major success in their homeland, Catherine Wheel continue to be popular among alternative rock and shoegaze fans and critics.
The Haçienda was a nightclub and music venue in Manchester, England, which became famous during the Madchester years of the 1980s and early 1990s. It was run by the record label Factory Records.
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Haight-Ashbury is a district of San Francisco, California, named for the intersection of Haight and Ashbury streets. It is also called the Haight and the Upper Haight. The neighborhood is known as one of the main centers of the counterculture of the 1960s.
Movement in Still Life is the third studio album by American electronica artist BT. It was released in the United Kingdom on October 8, 1999, and a different version released in the United States in 2000. A transition towards hip hop, it includes the singles "Godspeed", "Dreaming", and in the US, "Never Gonna Come Back Down". The original cover art is a photogram, Invocation, by Adam Fuss.
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Hideaki Ishi, better known by his stage name DJ Krush, is a Japanese record producer and DJ. He is known for his atmospheric instrumental production which incorporates sound elements from nature, and extensive use of jazz and soul samples.
Krush Groove is a 1985 American musical comedy-drama film distributed by Warner Bros. Pictures that was written by Ralph Farquhar and directed by Michael Schultz. This film is loosely based on the early days of Def Jam Recordings and up-and-coming record producer Russell Simmons, portrayed by Blair Underwood in his feature film debut. Simmons was the film's co-producer and story consultant; he also had a cameo in the film as a club owner named Crocket.
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Lunacy is the seventh studio album by Japanese rock band Luna Sea, released on July 12, 2000. It reached number three on the Oricon Albums Chart, charted for six weeks, and was the band's last studio album before disbanding in late 2000.
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The Times at the Astradome Lunaville is a live album by West London post-punk and indie band The Times released in 1992.
Shoom was a weekly all-nighter dance music event in London, England, between September 1987 and early 1990. It is widely credited with initiating the acid house movement in the UK. Shoom was founded by Danny Rampling, then an unknown DJ and record producer, and managed by his wife Jenni. The club began at a 300-capacity basement gym on Southwark Street in South London. By May 1988, its growing popularity necessitated a move to the larger Raw venue on Tottenham Court Road, Central London, and a switch from Saturday to Thursday nights. Later relocations were to The Park Nightclub, Kensington and Busby's venue on Charing Cross Road.