Related Research Articles
New Theatres is an Indian film studio. It was formed in Calcutta by producer B. N. Sircar. It was formed on 10 February 1931. Motto of this company was– Jivatang Jyotiretu Chhayam. Sircar preferred to function roughly analogous to what in USA was known as an executive producer. He built a processing laboratory... and got around him a devoted band of people.... Having decided on or approved a story or a subject for a film and the team to make it [Sircar] ensured that adequate funds were provided... but refrained from interfering with its execution. He made New Theatres a symbol of Bengali cinema's artistic good taste and technical excellence.
Rai Chand Boral was an Indian composer, considered by music connoisseurs to be the Bhishma Pitamah, the father of film music in India.
Jahanara Kajjan, or "Miss Kajjan", was an Indian singer and actress active during the 1920s and 1930s, often referred to as the "Nightingale of Bengal". The reigning queen of early talkie movies glamorous movie sensation the trained classical singer, the fashion icon and the trendsetter, Jahanara Kajjan she was known as "Lark of Hindi Cinema" and the "Beautiful Nightingale of Bengal Screen". She along with Master Nissar made most sought after and popular singing pair of the stage and film.
Pramathesh Chandra Barua was an Indian actor, director, and screenwriter of Indian films in the pre-independence era, born in Gauripur, Dhubri, Assam.
Jamuna Barua was a leading Indian actress.
Telugu cinema, also known as Tollywood, is the segment of Indian cinema dedicated to the production of motion pictures in the Telugu language, widely spoken in the states of Andhra Pradesh and Telangana. Based in Film Nagar, Hyderabad, Telugu cinema has become the largest film industry in India by box-office revenue as of 2021. Telugu films sold 23.3 crore tickets in 2022, the highest among all Indian film industries. As of 2023, Andhra Pradesh has the highest number of movie screens in India.
Gul Hamid (1905-1936) was an Indian actor. He started his acting career in silent films and later played leading roles in talkies. He had many honors to his credit. He acted in Heer Ranjha, the first film produced in Punjabi and in Seeta, a talkie that won an honorary diploma in the 1934 Venice Film Festival and that was also the first Indian film shown at an International film festival. Hamid also wrote the script, acted in, and directed the film Khyber Pass (1936). Hamid died of Hodgkin's Disease in 1936.
Yaragudipati Varada Rao was an Indian director, producer, actor, screenwriter, and editor known for his works primarily in Telugu, Kannada, and Tamil films. Rao plunged into theatre and did a few stage plays before moving to Kolhapur and Bombay to act in silent films. Rao started his career as a lead actor in many silent films such as Gajendra Moksham (1923), Garuda Garvabhangam (1929), and Rose of Rajasthan (1931). Regarded as one of the greatest filmmaking pioneers of the Cinema of South India, he made motion-pictures across Telugu, Kannada, Tamil, Konkani, and Hindi languages, apart from silent films.
Debaki Bose (1898–1971), also known as Debaki Kumar Bose, was an Indian director, writer, and actor who is recognized for his contribution in Hindi as well as Bengali cinema. He was born on 25 November 1898 in Akalposh,, Burdwan, Bengal Presidency, British India. He died on 17 November 1971 in Calcutta, West Bengal, India. He is known for his innovative use of sound and music in Indian Cinema. He worked first under the banner of British Dominion Films of Dhiren Ganguly and later with Pramathesh Barua's Barua Pictures and finally he joined New Theatres banner in 1932. He started his own production company, Debaki Productions, in 1945.
Nitin Bose was an Indian film director, cinematographer and screenwriter of the nation's film industry. He was born in Calcutta and died in the same city. In the 1930s and early 40s, he worked with New Theatres, who made bilingual movies: in both Bengali and Hindi. Later, he moved to Bombay and directed under the banners of Bombay Talkies and Filmistan.
Abhi Bhattacharya was an Indian actor of Hindi and Bengali cinema, who is most remembered for his roles in films of the 1950s and the 1960s, such as Yatrik (1952), Jagriti (1954), Anuradha (1960), Subarnarekha (1965) and Amanush 1975. In his four decade long acting career he performed in more than 150 films in Hindi and 21 in Bengali. Abhi Bhattacharya worked with eminent film directors of India such as Ritwik Ghatak, Guru Dutt, Bimal Roy and Satyen Bose.
Vemuri Gaggayya (1895–1955) was an Indian actor and singer known for his works in Telugu cinema, and Telugu theatre.
Sati Savitri is a 1933 Indian Telugu language mythological film directed by C. Pullayya. Based on a popular stage play by Mylavaram Bala Bharathi Samajam, the film was a cinematic adaptation of the Mahabharata's Aranya Parva, focusing on the legendary story of Savitri and Satyavan. It starred stage actors Vemuri Gaggayya as Yama and Dasari Ramathilakam as Savitri.
Chittajallu Pullayya was an Indian film director and screenwriter. He is one of the earliest film personalities in Telugu cinema being associated with the industry right from the silent era.
Birendranath Sircar was an Indian film producer and the founder of New Theatres Calcutta. He made Bengali-language films that were noted for introducing many film directors who later became famous. He was awarded the Dada Saheb Phalke Award in 1970 and the third highest civilian award in India, the Padma Bhushan, in 1972.
Seeta was a 1933 Indian talkie Bengali film, directed by Debaki Bose and produced by the East India Film Company. It won an honorary diploma in the 2nd Venice International Film Festival in 1934, becoming the first Indian talkie to be shown at an international film festival. The film starred Gul Hamid, Prithviraj Kapoor as Rama, Durga Khote as Sita and Trilok Kapoor as Luv.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Dhiraj Bhattacharya was an actor of Bengali and Hindi cinema who began in silent films. He was also a theater personality and writer.
Lava Kusa is a 1934 Telugu-language Hindu mythological film directed by C. Pullayya and produced by Motilal Chamaria under the East India Film Company. The film is based on the play Lava Kusa, written by K. Subrahmanya Sastry, and marks an important milestone in early Telugu cinema. It was one of the first films to feature recorded songs, following the trend set by Sati Savitri (1933). All the songs in Lava Kusa were well received, contributing to its success.
Sati Savitri is a 1933 Indian Telugu-language film directed by H. M. Reddy and produced under the Bharath Movie Tone banner. Released on 4 February 1933, the film stars V. V. Subba Rao, Kanthamani Kanya, K. L. Kantham, and L. V. Prasad.
References
- 1 2 3 4 5 Sharmistha Gooptu (2010). Bengali Cinema: An Other Nation. Taylor & Francis. p. 69. ISBN 978-0-415-57006-0.
- ↑ Erik Barnouw; S. Krishnaswamy (1980). Indian film. Oxford University Press. p. 113. ISBN 0-19-502682-9.
- ↑ Asha Kasbekar (2006). Pop culture India!: media, arts, and lifestyle. ABC-CLIO. p. 216. ISBN 1-85109-636-1.
- 1 2 Bhagwan Das Garg (1996). So many cinemas: the motion picture in India. Eminence Designs. p. 86. ISBN 81-900602-1-X.
- ↑ T. M. Ramachandran (1985). 70 years of Indian cinema, 1913-1983. CINEMA India-International. p. 79. ISBN 0-86132-090-5.
- ↑ Narasimham, M. L. (7 November 2010). "SATI SAVITHRI (1933)". The Hindu . Retrieved 8 July 2011.