Related Research Articles
Abdur Rashid Kardar was an Indian film actor, director and producer. He is credited with establishing the film industry in the Bhati Gate locality of Lahore, British India.
Aap Ki Marzi is 1939 Hindi romantic comedy film directed by Sarvottam Badami. The film was produced under the Sudama Productions banner. The music composer was Gyan Dutt with lyrics credited to Pyare Lal Santoshi and S. P. Kalla. It starred Motilal, Sabita Devi, Khursheed, K. N. Singh, Mazhar Khan, Vasanti and Sunalini Devi. This was director Badami's second comedy film; he had earlier directed the comedy Teen Sau Din Ke Baad (1938) which turned out be a box office success. Aap Ki Marzi was based on the MGM produced, Edward Buzzell directed film Paradise for Three (1938), itself adapted from Erich Kästner's novel Three Men in the Snow.
Grihalakshmi is a 1934 Hindi social family melodrama film directed by Sarvottam Badami with story by Dr. Jayant Shyam and cinematography by Faredoon Irani. The film was produced by Sagar Movietone and had music by S. P. Rane. The cast included Sabita Devi, Jal Merchant, Yakub, Kamala Devi, K. C. Dey, Swaroop Rani and Asooji.
Shejari is also known as Padosi in Hindi version as. Padosi is a 1941 Indian social drama film directed by V. Shantaram. It was produced by Prabhat Film Company and the bilingual film in Marathi and Hindi was the last film Shantaram made for Prabhat before venturing to form his Rajkamal Kalamandir. The film is cited as one of the three social classics Shantaram made at Prabhat. The other two were Duniya Na Mane (1937) and Aadmi (1939). The story and dialogue were by Vishram Bedekar in the Marathi version, while the dialogues in the Hindi version were by Pandit Sudarshan, who also wrote the lyrics. The music director was Master Krishnarao. The famous character artist Radhakrishan made his acting debut in the film as a villain. The film starred Mazhar Khan, Gajanan Jagirdar, Anees Khatoon, Radha Kishan, Lajwanti, Sumitra, Gopal and Balak Ram.
Baghi Sipahi is a 1936 Hindi/Urdu film directed by A. R. Kardar. It was an adaptation of Cardinal Richelieu (1935) directed by Rowland V. Lee, a Twentieth Century Pictures production, which was a big success at the box-office. Baghi Sipahi, a costume action drama, was produced by the East India Film Company.
Aurat Ka Pyar is a 1933 Indian film directed by A. R. Kardar. The film was produced by the East India Film Company, in Calcutta. Kardar had moved from Lahore to Calcutta where he directed several films for the company from 1933–36, including Aurat Ka Pyar. The music composer was Mushtaq Ahmed and lyrics were by Agha Hashar Kashmiri, who also scripted the film. It starred Gul Hamid, Mukhtar Begum, Mazhar Khan, Anwari Bai, Bacha, Abdul Sattar and Athar.
Baghban (transl. Gardener) is a 1938 Indian family drama film directed by A. R. Kardar.
Pooja (Worship) is a 1940 Indian Hindi/Urdu-language psychological drama film directed by A. R. Kardar. The music director was Anil Biswas, with lyrics by Khan Shatir Ghaznavi. Produced by National Studios, the story, screenplay and dialogue writer was M. Sadiq and the cinematographer was P. G. Kukde. The film starred Sardar Akhtar, Zahur Raja, Sitara Devi, Jyoti, Sankatha Prasad, Sunalini Devi, Bhudo Advani and Baby Meena.
Thokar also called The Kick is a 1939 Indian Hindi-Urdu film directed by A. R. Kardar. Produced by Chandulal Shah for his production banner Ranjit Movietone, it has music by Gyan Dutt. The story writer was M. Sadiq, with cinematography by Gordhanbhi Patel. The cast included Kumar, Ishwarlal, Madhuri, Yakub, Noor Mohammed Charlie, Ram Marathe, Waheedan Bai and Dixit. The story involves a blind villager winning a lottery but he eventually realises that money can not bring happiness.
Sultana is a 1934 Hindi/Urdu film directed by A. R. Kardar. The film was produced under the East India Film Company banner. The music director was Mushtaq Ahmed, who also played a small role in the film. The lyrics were written by Munshi Aziz. The cast included Gul Hamid, Zarina, Mazhar Khan, Nazir, Indubala, Nawab and Athar.
Milap (transl. the union is a 1937 Indian social drama film directed by A. R. Kardar. Produced under the Moti Mahal Pictures banner, it had music composed by K. C. Dey. Milap was a big success for the actress Rampyari.
Khooni Katar also called Golden Dagger is a 1931 Indian cinema's action adventure silent film directed by A. R. Kardar. The film was also called Sunheri Khanjar and the fifth film to be produced by Kardar for his United Pictures Corporation. The film is famous for the debut of the actor-producer-director Nazir.
Farebi Daku also called Mysterious Bandit is a 1931 action silent film produced and directed by A. R. Kardar. Kardar set up his own production company "United Players Corporation" in 1928 and in quick succession produced and directed seven pictures, Husn Ka Daku (1929), Safdar Jung (1930), Sarfarosh (1930), Farebi Shahzada (1931), Khooni Katar (1931), Farebi Daku and The Wandering Dancer or Awara Raqasa. Awara Raqasa was the only film out of the seven produced by Kardar, which was directed by J. K. Nanda, who had received his direction and cinematography training in Germany.
Mandir is a 1937 Indian Hindi devotional film directed by A. R. Kardar. Produced for the Shankar Talkies Corporation, it had music by Professor Ramzan Khan. The lyricist was Manjhar Hashiri.
Jeevan Prabhat is a 1937 Hindi film social drama, produced by Bombay Talkies and directed by Franz Osten. The music director was Saraswati Devi with lyrics and dialogues by J. S. Casshyap. The screenplay was by Niranjan Pal. The film's "star value" was Devika Rani, with Kishore Sahu making his debut as an actor in the film. The cast included another debutant, Renuka Devi, with Mumtaz Ali, Maya Devi and M. Nazir.
![<i>Vachan</i> (1938 film) 1938 [[British India]] film](https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/Vachan_1938_films.jpg/320px-Vachan_1938_films.jpg)
Vachan is a 1938 costume drama Hindi film directed by Franz Osten. The regular Bombay Talkies writer, Niranjan Pal, walked out of the Bombay Talkies production team after an altercation with Himanshu Rai in 1936. Saradindu Bandyopadhyay, a famous writer known also for creating Byomkesh Bakshi, replaced Pal in the story department, writing for films like Nirmala and Vachan in 1938 and Durga in 1939. The screenplay was by Agha Jani Kashmiri, with dialogues and lyrics by J. S. Kashyap. The music was composed by Saraswati Devi aided by J. S. Kashyap. The film starred Devika Rani and Ashok Kumar, a popular pair from Bombay Talkies who worked in seven films together. Devika Rani remained the bigger star with Kumar's name being "over-shadowed" in the credit rolls, as well as the publicity of the film.
Bibbo was a music composer, singer and actress who worked in both Indian and Pakistani films. She acted in Indian cinema from 1931 to 1947 before moving to Pakistan, following Partition of India in 1947. She started her acting career with Ajanta Cinetone Ltd. in 1933, working with directors like M. D. Bhavnani and A. P. Kapoor. She was one of the top leading ladies of the 1930s along with actresses like Devika Rani, Durga Khote, Sulochana, Mehtab, Shanta Apte, Sabita Devi, Leela Desai and Naseem Banu. She was referred to as "one of the most important female stars of the 1930s and 1940s". Her fame had her featured in the lyrics of a popular song from the film Gharib Ke Lal (1939) sung by Mirza Musharraf and Kamla Karnataki, with music by Sagheer Asif and lyrics by Rafi Kashmiri. "Tujhe Bibbo Kahoon Ke Sulochana", where Sulochana referred to another popular actress of the time. This was the first time a song featuring famous actors was used in the lyrics of a film song.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Gorakh Aya is a 1938 Hindi mythology film from Ranjit Movietone. It was the debut directorial venture for Chaturbhuj Doshi, who had made a name for himself as a journalist and publicist. The screenplay was by Gunvantrai Acharya, with dialogues by Pyare Lal Santoshi. The cinematographer was Krishna gopal and music was composed by Gyan Dutt.
Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.
References
- ↑ Ashish Rajadhyaksha; Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Taylor & Francis. p. 2. ISBN 978-1-135-94325-7 . Retrieved 27 March 2015.
- ↑ "Chandragupta (1934)". gomolo.com. Gomolo. Archived from the original on 2 April 2015. Retrieved 27 March 2015.
- ↑ "Chandragupta (1934)". citwf.com. Alan Goble. Retrieved 27 March 2015.
- ↑ Gulazāra; Saibal Chatterjee (2003). Encyclopaedia of Hindi Cinema. Popular Prakashan. p. 593. ISBN 978-81-7991-066-5.
- ↑ "Chandragupta (1934)". chiloka.com. Chiloka. Retrieved 27 March 2015.
- ↑ Bhagwan Das Garga (1996). So many cinemas: the motion picture in India. Eminence Designs. ISBN 978-81-900602-1-9.
- ↑ "Chandragupta (1934)". muvyz.com. Muvyz, Ltd. Retrieved 27 March 2015.
