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Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewess by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Gorakh Aya is a 1938 Hindi mythology film from Ranjit Movietone. It was the debut directorial venture for Chaturbhuj Doshi, who had made a name for himself as a journalist and publicist. The screenplay was by Gunvantrai Acharya, with dialogues by Pyare Lal Santoshi. The cinematographer was Krishna gopal and music was composed by Gyan Dutt.
Munawar Sultana was an Indian cinema actress, who acted in Hindi films. She is cited as one of the "popular" actresses of the late 1940s to early 1950s period, along with Noor Jehan, Swarnalata and Ragini. Her specialty was playing a selfless woman, enduring the rough treatment meted by her husband and family, but who eventually "brought her erring husband back home".
Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.
References
- ↑ Ashish Rajadhyaksha; Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Taylor & Francis. p. 2. ISBN 978-1-135-94325-7 . Retrieved 27 March 2015.
- ↑ "Chandragupta (1934)". gomolo.com. Gomolo. Archived from the original on 2 April 2015. Retrieved 27 March 2015.
- ↑ "Chandragupta (1934)". citwf.com. Alan Goble. Retrieved 27 March 2015.
- ↑ Gulazāra; Saibal Chatterjee (2003). Encyclopaedia of Hindi Cinema. Popular Prakashan. p. 593. ISBN 978-81-7991-066-5.
- ↑ "Chandragupta (1934)". chiloka.com. Chiloka. Retrieved 27 March 2015.
- ↑ Bhagwan Das Garga (1996). So many cinemas: the motion picture in India. Eminence Designs. ISBN 978-81-900602-1-9.
- ↑ "Chandragupta (1934)". muvyz.com. Muvyz, Ltd. Retrieved 27 March 2015.
