Sarfarosh | |
---|---|
Directed by | A. R. Kardar |
Produced by | Playart Phototone |
Starring | Gul Hamid Gulzar Rafiqe Ghaznavi Ghulam Qadir |
Cinematography | K. V. Machve |
Production company | Playart Phototone/United Player's Corporation |
Release date |
|
Country | British India |
Language | Silent film |
Sarfarosh also called Brave Hearts was a 1930 Indian silent film directed by A. R. Kardar. [1] Made as action adventure film based on the RKO dramas, it was produced by Kardar's production company, "Playart Phototone". [2] According to Hameeduddin Mahmood, the films had double titles up until the mid-1930s; the Hindi/Urdu name for the home market (India), and the English name for the overseas market. [3] Kardar gave up acting after having starred in Husn Ka Daku (1929) and cast Gul Hamid in the main role. He also gave Rafiqe Ghaznavi a break as an actor in the film. Ghaznavi went on to become a famous music director. [4]
The cinematographer was K. V. Machve, and the actors were Gul Hamid, Ghulam Qadir, Miss Gulzar, Rafiqe Ghaznavi and Mumtaz. [5]
The film, like Husn Ka Daku (1929) was released at Deepak Cinema, in the Bhati Gate area of Lahore. [4] The film was made in thirty weeks and made "1,170 rupees, 2 annas and 6 paisa", making it the "Most successful" film until that time. [6]
Khursheed Bano, often credited as Khursheed or Khurshid, was a singer and actress, and a pioneer of the Indian cinema. Her career ran through the 1930s and 1940s, before she migrated to Pakistan in 1948. Making her debut with Laila Majnu (1931), she acted in over thirty films in India. She is best known for her film Tansen (1943) with actor-singer K. L. Saigal, which featured many of her memorable songs.
The cinema of Pakistan, consisting of motion pictures which has had a large effect on the Pakistani society since its independence. Pakistani cinema is made up of various film industries, including Lollywood, which makes motion pictures in Urdu and Punjabi language is one of the biggest film industries in the country. Major centers of film production, in various Pakistani languages, across the country include Lahore, Karachi, Peshawar, Faisalabad, Hyderabad, Rawalpindi, Quetta, Gwadar and Gilgit.
Gul Hamid (1905-1936) was an Indian actor. He started his acting career in silent films and later played leading roles in talkies. He had many honors to his credit. He acted in Heer Ranjha, the first film produced in Punjabi and in Seeta, a talkie that won an honorary diploma in the 1934 Venice Film Festival and that was also the first Indian film shown at an International film festival. Hamid also wrote the script, acted in, and directed the film Khyber Pass (1936). Hamid died of Hodgkin's Disease in 1936.
Abdur Rashid Kardar (1904–1989) was an Indian film actor, director and producer. He is credited with establishing the film industry in the Bhati Gate locality of Lahore, British India.
The Muslim social is a film genre in Bollywood that portrays Islamic culture in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. Muslim socials are divided into two categories: "classic Muslim socials" that explore nawabi culture and focus on upper class or elite Muslim families, and "new wave Muslim socials" that portray middle class Muslim families who experience economic problems, discrimination and communal violence. Muslim socials often include ghazals, qawwalis, Urdu poetry and expressions, and musical forms commonly associated with Islamic culture. However, lately the label has also been criticized for cultural ghettoization of minority cinema. Director M.S. Sathyu who made Garam Hava (1973), called it "a skewed way to look at cinema. When there is no Hindu social or Christian social, how can there be a Muslim social".
Mehtab (1913–1997) was an Indian actress of Hindi/Urdu films who worked from 1928 to 1969. She was born in Sachin, Gujarat, to a Muslim family and named Najma. Her father, Nawab Sidi Ibrahim Mohammad Yakut Khan III, was the Nawab of Sachin, near Surat in the state of Gujarat. Starting her career in the late 1920s with small roles in films like Second Wife (1928), Indira B. A. (1929) and Jayant (1929), she went on to do character roles before acting in the lead opposite Ashraf Khan in Veer Kunal (1932). After almost a decade of doing mainly action-oriented roles, she came into prominence with the Kidar Sharma-directed Chitralekha (1941).
Husn Ka Daku is a 1929 action adventure silent film directed by A. R. Kardar. The film, also called Mysterious Eagle was made by Kardar's Playart Phototone. Kardar acted in this, his first production from Playart Phototone. Playart Phototone was a progression from United Player's Corporation, which he had set up in 1928. Husn Ka Daku was Kardar's debut directorial venture. It set the foundations for the Lahore film industry in the Bhati Gate area of Lahore. The director of photography was D. D. Dabke.
Safdar Jung is a 1930 action costume silent film directed by A. R. Kardar. The film was the third to be produced by Kardar's United Players Pictures, following Husn Ka Daku (1929) and Sarfarosh (1930).
Baghi Sipahi is a 1936 Hindi/Urdu film directed by A. R. Kardar. It was an adaptation of Cardinal Richelieu (1935) directed by Rowland V. Lee, a Twentieth Century Pictures production, which was a big success at the box-office. Baghi Sipahi, a costume action drama, was produced by the East India Film Company.
Aurat Ka Pyar is a 1933 Indian film directed by A. R. Kardar. The film was produced by the East India Film Company, in Calcutta. Kardar had moved from Lahore to Calcutta where he directed several films for the company from 1933–36, including Aurat Ka Pyar. The music composer was Mushtaq Ahmed and lyrics were by Agha Hashar Kashmiri, who also scripted the film. It starred Gul Hamid, Mukhtar Begum, Mazhar Khan, Anwari Bai, Bacha, Abdul Sattar and Athar.
Chandragupta is a 1934 Hindi/Urdu historical film directed by A. R. Kardar. Produced by East India Film Company, the music direction was by K. C. Dey. Kardar had shifted to Calcutta where he joined the East India Film Company, and directed "hits" like Chandragupta. The film starred Nazir as Chandragupta. The cast included Gul Hamid, Sabita Devi, Mazhar Khan, Dhiraj Bhattacharya, Vasantrao Pehalwan.
Sultana is a 1934 Hindi/Urdu film directed by A. R. Kardar. The film was produced under the East India Film Company banner. The music director was Mushtaq Ahmed, who also played a small role in the film. The lyrics were written by Munshi Aziz. The cast included Gul Hamid, Zarina, Mazhar Khan, Nazir, Indubala, Nawab and Athar.
Farebi Shahzada also called The Shepherd, is a 1931 Indian cinema's action silent film directed by A. R. Kardar. The film was also known as Gudaria Sultan or The Shepherd King and was the fourth of seven films Kardar produced under Kardar's United Players Corporation, Lahore.
Khooni Katar also called Golden Dagger is a 1931 Indian cinema's action adventure silent film directed by A. R. Kardar. The film was also called Sunheri Khanjar and the fifth film to be produced by Kardar for his United Pictures Corporation. The film is famous for the debut of the actor-producer-director Nazir.
Farebi Daku also called Mysterious Bandit is a 1931 action silent film produced and directed by A. R. Kardar. Kardar set up his own production company "United Players Corporation" in 1928 and in quick succession produced and directed seven pictures, Husn Ka Daku (1929), Safdar Jung (1930), Sarfarosh (1930), Farebi Shahzada (1931), Khooni Katar (1931), Farebi Daku and The Wandering Dancer or Awara Raqasa. Awara Raqasa was the only film out of the seven produced by Kardar, which was directed by J. K. Nanda, who had received his direction and cinematography training in Germany.
Homi Master (?–1949) was an actor-director of early Indian cinema. His work extended from the silent era to the talkie era and up to his death. He produced his best films for Kohinoor Film Company and he has been referred to as "silent cinema's most successful film-maker".
Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.
Playart Phototone was a film studio established in 1929 by Abdur Rashid Kardar.