Holi (1940 film)

Last updated

Holi
Holi film (1940).jpg
Film poster
Directed by A. R. Kardar
Written byM. Sadiq
Produced by Chandulal Shah
Starring
CinematographyKrishna Gopal
Music by Khemchand Prakash
Production
company
Release date
1940
Running time
137 minutes
CountryIndia
LanguageHindi

Holi (Festival Of Colour) is a 1940 Hindi/Urdu social drama film directed by A. R. Kardar. [1] Holi was produced by Ranjit Movietone and had music composed by Khemchand Prakash with lyrics by D. N. Madhok. [2] It had Khursheed and Motilal starring in the lead with Sitara Devi, Ishwarlal, Keshavrao Date, Dixit, Ghory and Manohar Kapoor. [3]

Contents

With two love stories as a format, the film pits the rich against the poor, in the shape of two pairs of lovers; a poor-girl-rich-boy, and a rich-boy-poor-girl. The film showed Motilal as a villain who reforms through the love of Kokila, played by Khursheed. [4]

Plot

The film starts with a Holi scene, with the people being drenched in colour. Sunder (Ishwarlal) is a poor man who lives with his mother and sister Kokila (Khursheed). Champa (Sitara Devi), an artist, is the daughter of a wealthy Seth (business man). Champa and Sunder meet and fall in love. Chand (Motilal), also from a rich family lusts after Kokila. Sunder is framed by the evil Chand and his father (Keshavrao Date) on a robbery charge and he is caught by the police and put in jail. While he's behind bars his sister is kidnapped by Chand, who wants to marry her. When Sunder is released from jail he is told about his sister being kidnapped. However, love for Kokila has changed Chand from the villainous character and reformed him. He is due to marry Kokila. Suraj, unaware of the change and the impending marriage, rushes in and stabs Chand. Chand is rushed to the hospital. While he's battling for his life, the court procedures begin against Sunder. Finally, Chand turns up in court aided by Champa, to prove he's alive. The film ends on a happy note, with the two pairs of lovers uniting.

Cast

Reception

Ishwarlal in Holi Ishwarlal in Holi (1940).jpg
Ishwarlal in Holi

Baburao Patel, editor of Filmindia , in his review of Holi, called the film a "little harmless entertainment, bereft of common sense", while commending the actor Ishwarlal for doing a good job. Keshavrao Date was criticised for accepting a meaningless role. [2] Patel stated that Motilal's talents were "wasted" in the film. [5]

Soundtrack

The music director was Khemchand Prakash, with lyrics by D. N. Madhok. The notable songs were "Phagun Ki Rut Aayi Re" sung by Sitara Devi and Amritlal , and "Oonchi Nigahon Ke Teer" sung by Miss Kalyani. [6]

Songlist

#TitleSinger
1"Oonchi Nigahon Ke Teer"Kalyani
2"Phaagan Ki Rut Aai Re" Sitara Devi, Amiratlal
3"Bach Ke Raho"Sitara Devi, Miss Kalyani, Amritlal Nagar
4"Dhanwalon Ki Duniya Hai Yeh"Sitara Devi, Kantilal
5"Jeevan Mein Saras Savera Aaya"
6"Kyun Sajan, Kyun Sajni Dil Mera Baitha Jaaye"
7"Laakh Chhupaye Koi Man Mein" Motilal, Amiratlal
8"Meri Sun Le Toh"Vasanti
9"Naina Sharabi Rung Tore Kalejwa Pe Kar Gayo Waar"Sitara Devi
10"Pagle Man Kise Sunata Hai"Kantilal
11"Pihu Bahaar Gaaye Ja"Sitara Devi
12"Preet Kiye Pachhtaye Sajan"Sitara Devi, Kantilal
13"Sajna Hum Tum Bhaye Udas"Miss Kalyani

Related Research Articles

<i>Achhut</i> 1940 Hindi Language film

Achhut is a 1940 social Indian Bollywood film based on untouchability. It was the third highest grossing Indian film of 1940. The film was produced by Chandulal Shah for his Ranjit Studios. He also wrote the story and screenplay, and directed it. Achhut's premiere was attended by Sardar Vallabhbhai Patel on 23 December 1939, who stated: "If the picture helps India to remove this curse, it can be said to have helped India to win Swaraj as untouchability is one of the chief obstacles in the road to freedom".

<i>Pagal</i> (film) 1940 Indian film

Pagal is a 1940 Indian Hindi-language film. It was the fourth highest grossing Indian film of 1940. The psycho-social melodrama was directed by A. R. Kardar for Ranjit Movietone. Kardar also wrote the dialogues and story for the film. Khemchand Prakash composed the music with lyrics written by D. N. Madhok. The film's protagonist was Prithviraj Kapoor playing a doctor with psychological problems, working in a "lunatic asylum". The rest of the cast included Madhuri, Sitara Devi, Noor Mohammed Charlie, Khatoon, Trilok Kapoor and Sunalini Devi.

<i>Badi Maa</i> 1945 Indian film

Badi Maa , also called Bari-Ma, is a 1945 Indian Hindi-language war drama film. It was produced and directed by Master Vinayak. Made under the banner of Prafulla Pictures, Kolhapur, it had story written by V. S. Khendekar. Zia Sarhadi wrote the screenplay and lyrics for six songs. The other lyricists were Anjum Pilibhiti and Raja Badhe. The music director was K. Datta.

Musafir is a 1940 social Hindi language film directed by Chaturbhuj Doshi. Produced by Ranjit Studios, the music was by Gyan Dutt and it starred Noor Mohammed Charlie, Khursheed, Ishwarlal and Yakub.

Bambai Ki Sair also known as Holiday in Bombay is a Bollywood social comedy film. It was released in 1941 and directed by Sarvottam Badami for Sudama Productions. The music direction was by Khemchand Prakash with lyrics by D. N. Madhok, Munshi Dil, B.R. Sharma and Pandit Indra. The film starred Shobhna Samarth, Sabita Devi, E. Billimoria, Jal Merchant, Arun, Vatsala Kumtekar Kantilal and Ghory.

<i>Maheman</i> 1942 Indian film

Maheman is a Bollywood film. It was released in 1942. The film was produced by Ranjit Studios and directed by Chaturbhuj Doshi. The film starred Madhuri, Ishwarlal, Mubarak, Bhagwandas and Shamim Bano. The music was directed by Khemchand Prakash, with lyrics by D. N. Madhok.

<i>Bansari</i> (1943 film) 1943 Indian film

Bansari is a Bollywood social film. It was released in 1943. Music composition was by Gyan Dutt with lyrics written by D. N. Madhok. The film was produced by Chandulal Shah for Ranjit Studios. Directed by Jayant Desai, it starred Ishwarlal, Noor Mohammed Charlie, Dixit, Shamim Bano, Kesari and Urmila.

<i>Watan</i> (film) 1938 Indian film

Watan (transl. Homeland) is a 1938 Hindustani costume drama film directed by Mehboob Khan. Produced by Sagar Films, the film had story by Mehboob Khan and Wajahat Mirza. The cinematographer, as for most Sagar films, was Faredoon Irani. Following the successful music of Manmohan (1936), Sagar Movietone retained Anil Biswas as the in-house music director, scoring music for Watan along with other releases of the time from the studio. The cast of the film included Kumar, Bibbo, Maya Banerjee, Yakub Lala, Sitara Devi and Kayam Ali.

Kokila (transl. Nightingale) is a 1937 Hindi social family drama film directed by Sarvottam Badami. The music was composed by Anil Biswas with lyrics written by Siddiqui and Zia Sarhadi. The story was adapted from the well-known novel Kokila, written by Gujarati writer Ramanlal Vasantlal Desai. The film starred Motilal, Sabita Devi, Shobhna Samarth, Maya Bannerjee, Sitara Devi, Pesi Patel, Siddiqui and Kayam Ali.

Sajani is a 1940 Hindi social film directed by Sarvottam Badami for Sudama Productions. Scripted by Zia Sarhadi, the film had music by Gyan Dutt and starred Prithviraj Kapoor, Sabita Devi, Snehprabha Pradhan, Noor Jehan, Dixit, and Ghory. Badami left Sagar Movietone where he had made satirical comedies to join his "mentor" Ambalal Patel at Sudama Productions to make "socially relevant film(s)", where Sajani was one of the first. Snehprabha Pradhan acted in several films produced by Chimanbhai Desai in 1940, including Sajani.

Chingari (transl. Embers) is a 1940 social Hindi film directed by Sarvottam Badami. Made under the banner of Sudama Productions, the film had music by Gyan Dutt. Prithviraj Kapoor shifted from New Theatres Ltd. Calcutta to Bombay, where he worked under Badami in two films, Sajani and Chingari both made in 1940. The cast included Prithviraj Kapoor, Sabita Devi, E. Billimoria, Meera, Khatoon and Keshavrao Date.

<i>Apna Desh</i> (1949 film) 1949 Indian film

Apna Desh is a 1949 Hindi social drama film set against the backdrop of Partition and directed by V. Shantaram for his Rajkamal Kalamandir banner.

<i>Sawan Aya Re</i> 1949 Indian film

Sawan Aya Re is a 1949 Hindi romantic drama film, directed by Kishore Sahu. Produced by Sahu under his "Hindustan Chitra" banner, it had Khemchand Prakash as the music director. The cast included Kishore Sahu, Ramola Devi, David, Pratima Devi, Ramesh Gupta, Sofia and Mohana.

<i>Baghban</i> (1938 film) 1938 film

Baghban (Gardener) is a 1938 Hindi/Urdu family drama film directed by A. R. Kardar. The story was by Begum Ansari with script and screenplay by Kardar. Film's music was composed by Mushtaq Hussain with lyrics by Mirza Shauq. The cast included Nandrekar, Bimla Kumari, Nazir, Sitara Devi, K. N. Singh, Wasti and Ashraf Khan.

<i>Pooja</i> (1940 film) 1940 Indian film

Pooja (Worship) is a 1940 Indian Hindi/Urdu-language psychological drama film directed by A. R. Kardar. The music director was Anil Biswas, with lyrics by Khan Shatir Ghaznavi. Produced by National Studios, the story, screenplay and dialogue writer was M. Sadiq and the cinematographer was P. G. Kukde. The film starred Sardar Akhtar, Zahur Raja, Sitara Devi, Jyoti, Sankatha Prasad, Sunalini Devi, Bhudo Advani and Baby Meena.

<i>Thokar</i> 1939 film

Thokar also called The Kick is 1939 Hindi/Urdu film directed by A. R. Kardar. Produced by Chandulal Shah for his production banner Ranjit Movietone, it had music by Gyan Dutt. The story writer was M. Sadiq, with cinematography by Gordhanbhi Patel. The cast included Kumar, Ishwarlal, Madhuri, Yakub, Noor Mohammed Charlie, Ram Marathe, Waheedan Bai and Dixit.

<i>Milap</i> (1937 film) 1937 film

Milap (transl. the union is a 1937 Indian Hindi/Urdu-language social drama film directed by A. R. Kardar. Produced under the Moti Mahal Pictures banner, it had music composed by K. C. Dey. Milap was a big success for the actress Rampyari.

<span class="mw-page-title-main">Chaturbhuj Doshi</span>

Chaturbhuj Doshi (1894–1969) was a Hindi and Gujarati writer-director of Indian cinema. He was one of the top Gujarati screenplay writers, who helped script stories for the Punatar productions. He is stated to be one of the leading figures who launched the Gujarati film industry with work on notable films like Gunsundari (1948) and Nanand Bhojai (1948). Doshi, was “well known” for his family socials and had become “a celebrity in his own right”. He made a name for himself as a journalist initially and was referred to as the "famous journalist" and publicist by Baburao Patel, editor of Filmindia.

<span class="mw-page-title-main">Sabita Devi</span> Indian actress (1914–1965)

Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".

<span class="mw-page-title-main">Mazhar Khan (actor, born 1905)</span> Indian film actor, director and producer

Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.

References

  1. ↑ "Holi (1940)". gomolo.com. Gomolo.com. Retrieved 25 March 2015.
  2. 1 2 Patel, Baburao (April 1940). "Holi Meant Only For Entertainment". Filmindia. 6 (4): 53. Retrieved 25 March 2015.
  3. ↑ "Holi". citwf.com. Alan Goble. Retrieved 25 March 2015.
  4. ↑ Ashish Rajadhyaksha; Paul Willemen; Professor of Critical Studies Paul Willemen (10 July 2014). Encyclopedia of Indian Cinema. Routledge. pp. 285–. ISBN   978-1-135-94318-9 . Retrieved 25 March 2015.
  5. ↑ Patel, Baburao (April 1940). "Filmindia". Filmindia. 6 (4): 23. Retrieved 25 March 2015.
  6. ↑ "Holi". muvyz.com. Muvyz, Ltd. Retrieved 25 March 2015.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.