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Joseph Green, born Yoysef Grinberg, a.k.a. Josef Grünberg, Joseph Greenberg and Joseph Greene, a Polish-born Jew who emigrated to the United States in 1924, was an actor in Yiddish theater and one of the few directors of Yiddish-language films. He made four Yiddish films that he shot on location in Poland, beginning in 1935: Yidl mitn fidl, Der Purimspiler, Mamele, and A brivele der mamen. He also wrote the screenplays for the films, except for Mamele.
Bertha Kalich was a Ukrainian-Jewish-American actress. Though she was well-established as an entertainer in Eastern Europe, she is best remembered as one of the several "larger-than-life" figures that dominated New York stages during the "Golden Age" of American Yiddish Theatre during the late nineteenth and early twentieth century. Historians estimate that, during her career, Kalich performed more than 125 different roles in seven different languages.
Molly Picon was an American actress of stage, screen, radio and television, as well as a lyricist and dramatic storyteller.
Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan.
Abraham "Abe" Ellstein was an American composer, bandleader and recording artist in the Yiddish theatre and Yiddish popular music milieu. Along with Sholom Secunda, Joseph Rumshinsky, and Alexander Olshanetsky, Ellstein was one of the "big four" composers of his era in New York City's Yiddish Theater District scene. His musical Yidl Mitn Fidl became one of the greatest hits of Yiddish-language cinema.
Stuart Zagnit is an American voice, film and television actor. He has worked in Broadway, off-Broadway, regional and national tours, television, films, commercials, and voice-overs. Zagnit has worked as a voice actor for 4Kids Entertainment, DuArt Film and Video, and TAJ Productions.
Sidney M. Goldin, born Samuel Goldstein was an American silent film director as well as a prominent writer, actor and producer for Yiddish theater and Yiddish cinema during the early 20th century. During his career, he worked frequently with Molly Picon, Maurice Schwartz and Ludwig Satz in Europe and Palestine.
Molly is a diminutive of the feminine name Mary that, like other English diminutives in use since the Middle Ages, substituted l for r. English surnames such as Moll, Mollett, and Mollison are derived from Molly. Molly has also been used as a diminutive of Margaret and Martha since the 1700s and as an independent name since at least 1720. The name was more popular in the United States than elsewhere in the Anglosphere in the 1800s due to usage by Irish-American families and by Jewish American families who used Molly as an English version of Hebrew names such as Miriam and Malka. Its popularity with Americans was also influenced by stories about Molly Pitcher, a heroine of the American Revolutionary War.
The musical short can be traced back to the earliest days of sound films.
Come Blow Your Horn is a 1963 American comedy film directed by Bud Yorkin from a screenplay by Norman Lear, based on the 1961 play of the same name by Neil Simon. The film stars Frank Sinatra, Lee J. Cobb, Molly Picon, Barbara Rush, and Jill St. John.
Irving Jacobson was a Yiddish theater star, American stage and film actor. Born in Cincinnati, Ohio to actors Joseph and Bessie Jacobson, his brother was Hymie Jacobson and his sister Henrietta Jacobson, who married Julius Adler. Irving played juvenile roles in Pinkhas Thomashefsky's troupe and later appeared in films by Sidney Goldin. He performed two years with Goldenburg at Philadelphia's Garden Theater and toured Paris and Rumania with May Shoenfeld in 1929. He and his brother Hy Jacobson co-wrote the novelty number A Bisl Fefer, A Bisl Zalts , recorded by Pesach Burstein. As the comic character Schnitz'l Putz'l he recorded the songs Az men muz, muz men and Zets in Gis Kalet Vaser with Abraham Ellstein's Orchestra. He starred in William Siegel's comedy Don't Worry with Leo Fuchs and Miriam Kressyn.
Picon Pie was an Off-Broadway musical written by Rose Leiman Goldemberg and produced by Edmund Gaynes. It opened in New York City at the DR2 Theatre on July 15, 2004 and starred Barbara Minkus as Molly Picon. The production moved to the Lamb's Theatre on February 17, 2005. It closed on June 2, 2005.
Joseph Rumshinsky (1881–1956) was a Jewish composer born near Vilna, Lithuania. Along with Sholom Secunda, Alexander Olshanetsky and Abraham Ellstein, he is considered one of the "big four" composers and conductors of American Yiddish theater.
Ivan Abramson was a director of American silent films in the 1910s and 1920s.
Joseph Edelstein was an actor in Yiddish Theatre in America.
The Yiddish Theatre District, also called the Jewish Rialto and the Yiddish Realto, was the center of New York City's Yiddish theatre scene in the early 20th century. It was located primarily on Second Avenue, though it extended to Avenue B, between Houston Street and East 14th Street in the East Village in Manhattan. The District hosted performances in Yiddish of Jewish, Shakespearean, classic, and original plays, comedies, operettas, and dramas, as well as vaudeville, burlesque, and musical shows.
Mamele is a Yiddish Language Polish musical film made in 1938.
Look After Your Daughters is a 1922 Austrian silent comedy film directed by Sidney M. Goldin and starring Franz Höbling, Anny Ondra and Carl Lamac.
Yiddish cinema refers to the Yiddish language film industry which produced some 130 full-length motion pictures and 30 shorts during its heyday from 1911 and 1940. Yiddish film almost disappeared after World War II, due to the Holocaust and the linguistic acculturation of Jewish immigrants, though new pictures are still made sporadically.
Isidore Lillian was an actor, songwriter, playwright, and composer who was a leading figure in the New York Yiddish Theatre for the first half of the twentieth century. He wrote hundreds of songs for the theatre which were performed by such actors as Boris Thomashefsky, David Kessler, and Jacob Adler, as well as by Lillian himself.
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- ↑ Goldberg p.144
