Ebenezer Forrest (fl. 1774), was an English attorney.
Forrest resided at George Street, York Buildings, London, and was intimate with William Hogarth and John Rich, proprietor of the Lincoln's Inn Theatre. He was the father of Theodosius Forrest.
Forrest's opera Momus turn'd Fabulist, or Vulcan's Wedding, was performed at the Lincoln's Inn Theatre on 3 December 1729 and some subsequent nights. He also wrote An Account of what seemed most remarkable in the five days' peregrination of the five following persons, viz. Messrs. Tothall, Scott, Hogarth, Thornhill, and F. Begun on Saturday, 27 May 1732, and finished on the 31st of the same month, London, 1782 (illustrated with plates by Hogarth). It was reprinted with William Gostling's Hudibrastic version, London, 1872.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
David Garrick was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in several amateur theatricals, and with his appearance in the title role of Shakespeare's Richard III, audiences and managers began to take notice.
The Honourable Society of Lincoln's Inn is one of the four Inns of Court in London to which barristers of England and Wales belong and where they are called to the Bar.
Thomas Betterton, the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London.
Lincoln's Inn Fields is the largest public square in London. It was laid out in the 1630s under the initiative of the speculative builder and contractor William Newton, "the first in a long series of entrepreneurs who took a hand in developing London", as Sir Nikolaus Pevsner observes. The original plan for "laying out and planting" these fields, drawn by the hand of Inigo Jones, was said still to be seen in Lord Pembroke's collection at Wilton House in the 19th century, but its location is now unknown. The grounds, which had remained private property, were acquired by London County Council in 1895 and opened to the public by its chairman, Sir John Hutton, the same year. The square is today managed by the London Borough of Camden and forms part of the southern boundary of that borough with the City of Westminster.
Lavinia Powlett, Duchess of Bolton, known by her stagename as Lavinia Fenton, was an English actress who was the mistress and later the wife of the 3rd Duke of Bolton.
Robert Wilks was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition.
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was rebuilt in 1714, and used again as a theatre for a third period, 1714–1732. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres.
The Four Stages of Cruelty is a series of four printed engravings published by English artist William Hogarth in 1751. Each print depicts a different stage in the life of the fictional Tom Nero.
Clare Market is a historic area in central London located within the parish of St Clement Danes to the west of Lincoln's Inn Fields, between the Strand and Drury Lane, with Vere Street adjoining its western side. It was named after the food market which had been established in Clement's Inn Fields, by John Holles, 2nd Earl of Clare. Much of the area and its landmarks were immortalised by Charles Dickens in The Old Curiosity Shop, The Pickwick Papers, Barnaby Rudge and Sketches by Boz.
Charles H. Steggall was an English hymnodist and composer.
Sir John Willes was an English lawyer and politician who sat in the House of Commons from 1724 to 1737. He was the longest-serving Chief Justice of the Court of Common Pleas since the 15th century, serving 24 years.
Events from the year 1697 in England.
George Lambert was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake.
Samuel Scott was a British landscape painter known for his riverside scenes and seascapes.
William Gostling was an English clergyman and antiquary, known as a historian of Canterbury.
The Bad Taste of the Town is an early print by the British artist William Hogarth, first published in February 1723. The small print – 5 by 6 inches – mocks the contemporary fashion for foreign culture, including Palladian architecture, pantomimes based on the Italian commedia dell'arte, masquerades, and Italian opera. The work combines two printmaking techniques – etching and engraving – with etched lines made in the plate using acid and engraved lines marked using a burin.
William Taverner was an English lawyer, known as a dramatist.
Tavern Scene or The Orgy is a work by the English artist William Hogarth from 1735, the third picture from the series A Rake's Progress.
Henry Giffard was a British stage actor and theatre manager.
This article incorporates text from a publication now in the public domain : "Forrest, Ebenezer". Dictionary of National Biography . London: Smith, Elder & Co. 1885–1900.