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Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
Ecce homo are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. The original New Testament Greek: "ἰδοὺ ὁ ἄνθρωπος", romanized: "idoù ho ánthropos", is rendered by most English Bible translations, e.g. the Douay-Rheims Bible and the King James Version, as "behold the man". The scene has been widely depicted in Christian art.
"Ecce homo", is a phrase traditionally attributed to Pontius Pilate at the trial of Jesus.
The Legazpi-Sikatuna Blood Compact or Sandugo was a blood compact, performed in the island of Bohol in the Philippines, between the Spanish explorer Miguel López de Legazpi and Datu Sikatuna, chieftain of Bohol, on March 16, 1565, to seal their friendship following tribal tradition. This is considered the first treaty of friendship between the Spaniards and Filipinos. "Sandugo" is a Visayan word which means "one blood".
The Political Constitution of 1899, informally known as the Malolos Constitution, was the constitution of the First Philippine Republic. It was written by Felipe Calderón y Roca and Felipe Buencamino as an alternative to a pair of proposals to the Malolos Congress by Apolinario Mabini and Pedro Paterno. After a lengthy debate in the latter part of 1898, it was promulgated on January 21, 1899.
España y Filipinas is a series of oil on wood paintings by Filipino painter, Ilustrado, and revolutionary activist, Juan Luna. It is an allegorical depiction of two women together, one a representation of Spain and the other of the Philippines. The painting, also known as España llevando a la gloria a Filipinas or España Guiando a Filipinas, is regarded as one of the “enduring pieces of legacy” that the Filipinos inherited from Luna.
Las Damas Romanas, also known as The Roman Maidens, The Roman Women, or The Roman Ladies, is an oil on canvas painted by Juan Luna in the style of the Neo-Classicism, one of the most famous Filipino painters of the Spanish period in the Philippines. It was painted by Luna when he was a student of the school of painting in the Real Academia de Bellas Artes de San Fernando in Madrid, Spain in 1877. Alejo Valera, a Spanish painting teacher, took Luna as an apprentice and brought him to Rome where Luna created Las Damas Romanas in 1882. Skilled in the style of the Academy he was the first Filipino painter to win international recognition in Europe and the US.
The Death of Cleopatra, also known simply as Cleopatra, is an 1881 oil painting on canvas by the Filipino painter Juan Luna, currently on display at the Museo del Prado in Madrid, Spain. Depicting the death of Cleopatra, the last active ruler of Ancient Egypt, the painting was painted during Luna's stay in Rome, and later won a silver medal during the 1881 National Exposition of Fine Arts in Madrid, which was also his first art exposition.
The Blood Compact is an 1886 historical painting by the Filipino painter Juan Luna. It was a gift to the Manila city council.
The Parisian Life, also known as Interior d'un Cafi, is an oil on canvas impressionist painting made by Filipino painter and revolutionary activist Juan Luna in 1892. The painting presently owned by the Government Service Insurance System is currently exhibited at the National Museum of Fine Arts after the state pension fund transferred management of its collection to the National Museum in March 2012.
Las Virgenes Cristianas Expuestas al Populacho or The Christian Virgins Exposed to the Populace is a famous 1884 history painting by Filipino painter, reformist, and propagandist Félix Resurrección Hidalgo. The painting is alternately known as The Christian Virgins Exposed to the Rabble, Jovenes Cristianas Expuestas al Populacho, Christian Virgins Presented to the Populace, The Christian Virgins Being Exposed to the Populace, and Christian Virgins Exposed to the Mob.
The Odalisque is a famous 1885 painting by award-winning Filipino painter and revolutionary activist Juan Luna. It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure". Although less polished compared to Luna's other works of art, the Odalisque is typical of the well-planned characteristic of the artist's portraits, meaning it was painted in a personal studio while expertly studying the desired effects, and with finesse. The Odalisque is one of the paintings that made Luna as an officially accepted artist at the Salon of Paris because it shows Luna's skill at draftsmanship, his "talent to draw and to draw well". The Odalisque was formerly a part of the painting collection of Philippine national hero José Rizal. It is currently a component of the Don Luis Araneta Collection in the Philippines.
The Battle of Lepanto is a painting by Filipino painter and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture.
Daphne and Chloe is a painting by award-winning Filipino painter and revolutionary activist Juan Luna. Created in the academic style by the artist after being exposed to the works of art of Renaissance master painters in Rome, Daphne and Chloe won Luna a silver palette from the Liceo Artistico de Manila.
Adios del Sol or Adios al Sol is an 1893 historical painting by award-winning Filipino painter and hero Félix Resurrección Hidalgo. The painting won Hidalgo a silver medal during the 1893 Chicago Universal Exposition in the United States.
The National Museum of Fine Arts, formerly known as the National Art Gallery, is an art museum in Manila, Philippines. It is located on Padre Burgos Avenue across from the National Museum of Anthropology in the eastern side of Rizal Park and exactly fronting the Kilometer One Milestone due North of Philippine Highway. The museum, owned and operated by the National Museum of the Philippines, was founded in 1998 and houses a collection of paintings and sculptures by classical Filipino artists such as Juan Luna, Félix Resurrección Hidalgo and Guillermo Tolentino.
Ancestral houses of the Philippines or Heritage Houses are homes owned and preserved by the same family for several generations as part of the Filipino family culture. It corresponds to long tradition by Filipino people of giving reverence for ancestors and elders. Houses could be a simple house to a mansion. The most common ones are the "Bahay na Bato". Some houses of prominent families had become points of interest or museums in their community because of its cultural, architectural or historical significance. These houses that are deemed of significant importance to the Filipino culture are declared Heritage House by the National Historical Commission of the Philippines (NHCP), previously known as the National Historical Institute (NHI) of the Philippines. Preservation is of utmost importance as some ancestral houses have come into danger due to business people who buy old houses in the provinces, dismantle them then sell the parts as ancestral building materials for homeowners wishing to have the ancestral ambiance on their houses. These ancestral houses provide the current generation a look back of the country's colonial past through these old houses.
The Roderico Reyes Ancestral House, more commonly known as the Bonifacio Trial House, is a historic house and museum in Maragondon, Cavite, Philippines. It was built in 1889 and served as a military court, wherein it has been a witness to the trial of Andres Bonifacio in 1897.
The Casa Real de Iloilo, also known as the Old Iloilo Provincial Capitol, was the seat of the provincial government of Iloilo in the Philippines since the Spanish colonial period until 2006. It also served as the residence of the alcalde-mayor, presidente municipal, or governor, who held the highest authority as the Spanish official in Iloilo during the period.
References
- ↑ Ecce Homo by Juan Luna Archived 2010-03-24 at the Wayback Machine , worldtourist.us
- ↑ Ecce Homo by Juan Luna Archived July 21, 2011, at the Wayback Machine , National Historical Institute of the Philippines, nhi.gov.ph
- ↑ Ecce Homo by Juan Luna Archived June 9, 2010, at the Wayback Machine , National Historical Institute of the Philippines, nhi.gov.ph
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