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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.
The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
José Juan Bigas Luna was a Spanish film director, designer and artist. His films are typically characterised by a strong emphasis on the erotic, often related to food, something for which he admitted a strong passion. His work often explores and parodies clichés of Spanish identity, but he had an international career and has made films in Spanish, Catalan, Italian, French and English.
Félix Resurrección Hidalgo y Padilla was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano López Jaena, although he neither involved himself directly in that movement, nor later associated himself with the First Philippine Republic under Emilio Aguinaldo.
Juan T. Vázquez Martín lived and worked in Havana, died in Miami. This artist is listed among the Cuban Painters masters. An exceptional prolific abstract painter with a refine style of paint, creativity and cultivated technique. Painter, founder and director of art schools and galleries, teacher of drawing and painting, he was an artist who travelled the world for solo exhibitions, or as a curator for Cuban painters art shows. His paintings are held in international and private collections in South and Central America and Caribbean islands, North America, Europe, Asia, Africa and Middle East.
Woman with a Hat is an oil-on-canvas painting by Henri Matisse. It depicts Matisse's wife, Amélie Matisse. It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".
Las Damas Romanas, also known as The Roman Maidens, The Roman Women, or The Roman Ladies, is an oil on canvas painted in the style of Neo-Classicism by Juan Luna, one of the most famous Filipino painters of the Spanish period in the Philippines. It was painted by Luna when he was a student of the school of painting in the Real Academia de Bellas Artes de San Fernando in Madrid, Spain in 1877. Alejo Valera, a Spanish painting teacher, took Luna as an apprentice and brought him to Rome where Luna created Las Damas Romanas in 1882. Skilled in the style of the Academy he was the first Filipino painter to win international recognition in Europe and the US.
The Blood Compact is an 1886 historical painting by the Filipino painter Juan Luna. It was a gift to the Manila city council.
La Bulaqueña, literally "the woman from Bulacan" or "the Bulacan woman", also sometimes referred to as Una Bulaqueña, is the Spanish title of an 1895 painting by Filipino painter and revolutionary activist Juan Novicio Luna. Bulacan is a province in the Philippines in Luzon island and its residents are called Bulaqueños, also spelled as Bulakenyos in the Filipino language. It is a "serene portrait", of a Filipino woman wearing a María Clara gown, a traditional Filipino dress that is composed of four pieces, namely the camisa, the saya, the pañuelo, and the tapis. The name of the dress is an eponym to María Clara, the mestiza heroine of Filipino hero José Rizal's novel Noli Me Tangere . The woman's clothing in the painting is the reason why the masterpiece is alternately referred to as María Clara. It is one of the few canvases done by Luna illustrating Filipino culture. The painting is displayed at the National Museum of Fine Arts.
Tampuhan, meaning "sulking", is an 1895 classic oil on canvas impressionist painting by Filipino painter and revolutionary activist Juan Luna. It depicts a Filipino man and a Filipino woman having a lovers' quarrel.
The Parisian Life, also known as Interior d'un Cafi, is an oil on canvas impressionist painting made by Filipino painter and revolutionary activist Juan Luna in 1892. The painting presently owned by the Government Service Insurance System is currently exhibited at the National Museum of Fine Arts after the state pension fund transferred management of its collection to the National Museum in March 2012.
La Madrileña , sometimes simply referred to as La Madrileña, is a painting by award-winning Filipino painter and revolutionary activist Juan Luna. It depicts a woman holding an umbrella known as the parasol. La Madrileña is one of the paintings that illustrate Luna's inclination of making women an artistic theme, showing the artist's talent as an enthusiastic painter and observer of the fairer sex. La Madrileña is one of the few existing finished paintings that are regarded by art experts as a "legacy" from Luna.
The Odalisque is a famous 1885 painting by award-winning Filipino painter and revolutionary activist Juan Luna. It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure". Although less polished than Luna's other works of art, the Odalisque is typical of the well-planned characteristics of the artist's portraits, meaning that the portraits were painted in a personal studio while expertly studying the desired effects, and with finesse. The Odalisque is one of the paintings that made Luna an officially accepted artist at the Salon of Paris because it shows Luna's skill at draftsmanship, his "talent to draw and to draw well". The Odalisque was formerly a part of the painting collection of Philippine national hero José Rizal. It is currently a component of the Don Luis Araneta Collection in the Philippines.
The Chula series or Chula studies is a succession of paintings created by Filipino painter and revolutionary activist Juan Luna about the so-called "chulas" or working-class women of Madrid, Spain. Luna is well known for illustrating "striking and commercially lucrative" depictions of "women of the streets" of Madrid. Exemplars of these are Luna's Una Chula I and Una Chula II paintings.
Novia is a Spanish word that means "girlfriend". It may also refer to:
Antonio Rodríguez Luna was a Spanish painter who developed most of his career while in exile in Mexico during the Spanish Civil War. He began his career young, while still studying in Madrid and before the war had already exhibited in various places in Europe. His opposition to Francisco Franco, forced him into exile, with intellectuals and artists in the country arranging his asylum. His career here included a Guggenheim Fellowship with major exhibitions in Washington DC and New York along with exhibitions at the Museo de Arte Moderno and the Palacio de Bellas Artes in Mexico. Despite his success, he never forgot his Spanish roots, with an exhibition in Madrid in 1971 and a return to his hometown of Montoro in 1981, after the death of Franco.
Juan Francisco González Escobar is known as one of the four Great Chilean Masters and as the archetypal romantic bohemian artist of the early 20th century. He was the most prolific of the Chilean masters, leaving an estimated 4,000 works, and was also notable for being one of Chile's first modern painters. He was seen as a symbol of the new creative generation that appeared in 20th century Chile, with a style highly influenced by impressionism and local elements.
Women in Philippine art is the many forms of art in the Philippines that utilizes women in the Philippines and even women from other parts of the world as the main subject depending on the purpose of the Filipino artist. The portrayal of women in the visual arts depend on the context on how Philippine society perceives women and their roles in human communities, such as their own.
References
- 1 2 3 Torres, Eric. "Mi Novia" by Juan Luna, The Art of Juan Luna, Infocus, National Commission for Culture and the Arts, ncca.gov.ph, May 3, 2004
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