The Prado Museum, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal. The picture recreates a despoiling scene in a Roman circus where dead gladiators are stripped of weapons and garments. Together with other works of the Spanish Academy, the Spoliarium was on exhibit in Rome in April 1884.
Fernando Amorsolo y Cueto was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," he was the first-ever to be recognized as a National Artist of the Philippines. He was recognized as such for his "pioneering use of impressionistic technique" as well as his skill in the use of lighting and backlighting in his paintings, "significant not only in the development of Philippine art but also in the formation of Filipino notions of self and identity."
Félix Resurrección Hidalgo y Padilla was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano López Jaena, although he neither involved himself directly in that movement, nor later associated himself with the First Philippine Republic under Emilio Aguinaldo.
Mariano Benlliure y Gil was a Spanish sculptor and medallist, who executed many public monuments and religious sculptures in Spain, working in a heroic realist style.
José Claudio Antolinez was a Spanish painter of the Baroque period.
Tomás de Yepes or Hiepes was a Spanish painter in the Kingdom of Valencia. An artist of the Baroque movement, he worked as a painter of still life and bodegón—still life paintings depicting pantry items. He made paintings both for clients and public events. Although his activity started in the second decade of the 17th century, most of the works attributed to him come after 1642. He continued to paint until the year of his death.
The Colossus, is known in Spanish as El Coloso and also El Gigante, El Pánico and La Tormenta. It is a painting traditionally attributed to Francisco de Goya that shows a giant in the centre of the canvas walking towards the left hand side of the picture. Mountains obscure his legs up to his thighs and clouds surround his body; the giant appears to be adopting an aggressive posture as he is holding one of his fists up at shoulder height. A dark valley containing a crowd of people and herds of cattle fleeing in all directions occupies the lower third of the painting.
Eduardo Rosales Gallinas was a Spanish painter. He was an adherent of the Italian-based art movement known as "Purismo" and specialized in historical scenes.
Fernando Zóbel de Ayala y Montojo Torrontegui, also known as Fernando M. Zóbel, was a Spanish Filipino painter, businessman, art collector and museum founder.
España y Filipinas is a series of oil on wood paintings by Filipino painter, Ilustrado, and revolutionary activist, Juan Luna. It is an allegorical depiction of two women together, one a representation of Spain and the other of the Philippines. The painting, also known as España llevando a la gloria a Filipinas or España Guiando a Filipinas, is regarded as one of the “enduring pieces of legacy” that the Filipinos inherited from Luna.
Las Damas Romanas, also known as The Roman Maidens, The Roman Women, or The Roman Ladies, is an oil on canvas painted in the style of Neo-Classicism by Juan Luna, one of the most famous Filipino painters of the Spanish period in the Philippines. It was painted by Luna when he was a student of the school of painting in the Real Academia de Bellas Artes de San Fernando in Madrid, Spain in 1877. Alejo Valera, a Spanish painting teacher, took Luna as an apprentice and brought him to Rome where Luna created Las Damas Romanas in 1882. Skilled in the style of the Academy he was the first Filipino painter to win international recognition in Europe and the US.
The Blood Compact is an 1886 historical painting by the Filipino painter Juan Luna. It was a gift to the Manila city council.
The Parisian Life, also known as Interior d'un Cafi, is an oil on canvas impressionist painting made by Filipino painter and revolutionary activist Juan Luna in 1892. The painting presently owned by the Government Service Insurance System is currently exhibited at the National Museum of Fine Arts after the state pension fund transferred management of its collection to the National Museum in March 2012.
Hymen, oh Hyménée!, also known as Boda Romana, is a painting by Filipino painter Juan Luna. Luna, working on canvas, started in 1886 and later completed in 1887 during the artist's honeymoon in Venice after his wedding to Paz Pardo de Tavera. The painting was submitted by Luna to the Exposition Universelle in 1889 in Paris, France, where it garnered a bronze medal. The picture recreates a scene of a Roman wedding ritual specifically the bride's entrance into the groom's home.
The National Museum of Fine Arts, formerly known as the National Art Gallery, is an art museum in Manila, Philippines. It is located on Padre Burgos Avenue across from the National Museum of Anthropology in the eastern side of Rizal Park. The museum, owned and operated by the National Museum of the Philippines, was founded in 1998 and houses a collection of paintings and sculptures by classical Filipino artists such as Juan Luna, Félix Resurrección Hidalgo and Guillermo Tolentino.
Women in Philippine art is the many forms of art in the Philippines that utilizes women in the Philippines and even women from other parts of the world as the main subject depending on the purpose of the Filipino artist. The portrayal of women in the visual arts depend on the context on how Philippine society perceives women and their roles in human communities, such as their own.
The Immaculate Conception of Los Venerables or The Immaculate Conception of Soult is an oil painting by the Spanish artist Bartolomé Esteban Murillo. It was painted c. 1678 and measures 274 cm × 190 cm. Looted by Marshal Jean-de-Dieu Soult in 1813 and taken to France, it was bought by the Louvre in 1852. It has been held by the Museo del Prado, Madrid, since 1941.
The La Pintura is a painting by the Filipino artist Félix Resurrección Hidalgo done in the style of Impressionism. The painting depicts a woman holding an paintbrush while turning back to the viewer, as she gazes towards an unfinished canvas. Hidalgo's La Pintura was subsequently sold for a world record of the artist of PHP78.256 million at a Salcedo Auctions' Important Philippine Art sale in the Philippines on September 21, 2019.
