Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.
Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
The Judgement of Paris refers to any of the several paintings of the Judgement of Paris produced by Peter Paul Rubens, though he did not match the 22 depictions of the subject attributed to Lucas Cranach the Elder. The large versions of 1636 in London and 1639 in Madrid are among the best known. These both show Rubens' version of idealised feminine beauty, with the goddesses Aphrodite, Athena and Hera on one side and Paris accompanied by Hermes on the other. The 1636 version has a depiction of Cupid at the far left and Alecto above the goddesses, whilst the 1639 version adds a Cupid between Hera and Aphrodite (centre).
The Bacchanal of the Andrians or The Andrians is an oil painting by Titian. It is signed "TICIANUS F.[aciebat]" and is dated to 1523–1526.
The Garden of Love is a painting by Rubens, produced in around 1633 and now in the Prado Museum in Madrid. The work was first listed in 1666, when it was hung in the Royal Palace of Madrid, in the Spanish king's bedroom. In early inventories, the painting was called The Garden Party.
The Birth of the Milky Way, also sometimes known as The Origin of the Milky Way, is an oil-on-canvas painting by the Flemish artist Peter Paul Rubens, produced between 1636 and 1638 and featuring the Greco-Roman myth of the origin of the Milky Way. The painting depicts Hera (Juno), spilling her breast milk, the infant Heracles (Hercules) and Zeus (Jupiter) in the background, identifiable by his eagle and lightning bolts. Hera's face is modelled on Rubens' wife, Hélène Fourment. The carriage is pulled by peacocks, a bird which the ancient Greeks and Romans considered sacred to both themselves and to Hera/Juno, as a result of their ability to signal changes in weather through cries and hence their perceived connection to the gods. Due to the dark background of the night sky the figures gain a greater sense of volume.
Diana and Callisto is a painting produced by Peter Paul Rubens between 1637 and 1638. It was one of a number of paintings commissioned from the artist by Philip IV of Spain for his new hunting lodge, the Torre de la Parada. It measures 202 by 303 centimetres and is now in the Museo del Prado, in Madrid. It depicts Diana and Callisto.
The Rape of Ganymede is a painting by the Flemish Baroque painter Peter Paul Rubens produced between 1636 and 1638 painting for the Spanish king Philip IV of Spain's hunting lodge. The painting is based on a story recounted in classical poet Ovid´s Metamorphoses. It depicts the moment when the Roman supreme god Jupiter disguised as an eagle catches the young shepherd Ganymede and lifts him into the air. It is in the collection of the Museo del Prado in Madrid. The dramatic scene gave Rubens ample opportunity to show his skill in depicting a lively scene and the nude.
The Triumph of the Church or The Triumph of the Church over Fury, Discord and Hatred is a c.1625 oil-on-panel painting by Peter Paul Rubens, now in the Museo del Prado in Madrid. Its dimensions are 63.5 cm x 105 cm.
Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid.
The Adoration of the Magi is a very large oil painting by the Flemish Baroque painter Peter Paul Rubens. He first painted it in 1609 and later gave it a major reworking between 1628 and 1629 during his second trip to Spain. It is now in the Museo del Prado in Madrid.
The Crowning with Thorns is a 1618–1620 painting by Anthony van Dyck. He produced it aged 20 during his first Antwerp period, when he was the main studio assistant and pupil of Peter Paul Rubens. It shows Rubens' influence in its relatively sombre palette, chiaroscuro and highly realistic portrayal of musculature. He seems to have completed it early during his stay in Italy, since it also shows the influence of Titian and other Venetian painters in Jesus' face.
Deucalion and Pyrrha is a 1636–1637 oil sketch by Peter Paul Rubens, now in the Museo del Prado. It is a sketch for a lost painting by Jan Cossiers - that painting was commissioned for the Torre de la Parada.
Diana and a Nymph Surprised by a Satyr is a 1622-1627 oil on canvas painting resulting from a collaboration between Anton van Dyck and Frans Snyders.
Landscape with Sea and Mountain is an oil on canvas painting by Flemish painter Joos de Momper. It was painted in the early 1620s, and is currently housed at the Museum of Prado in Madrid.
Landscape with Skater is an oil on canvas painting by Flemish artist Joos de Momper. The painting is today considered a collaboration between the latter and Jan Brueghel the Elder. It was painted between 1615 and 1625. The painting is kept in the Museum of Prado in Madrid.
Alpine Landscape is an oil on canvas painting by Flemish painter Tobias Verhaecht. The painting was completed between 1600 and 1615, and is now in the Museum of Prado in Madrid.
Visitation is a 1610s oil painting by the Flemish Baroque artist Peter Paul Rubens. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 198.
The Martyrdom of Saint Andrew is a 1675-1682 oil on canvas painting by Murillo, now in the Museo del Prado.
