A Bearded Man

Last updated
A Bearded Man (c. 1617-1618) by Rubens Cabeza de un hombre barbado (Peter Paul Rubens).JPG
A Bearded Man (c. 1617–1618) by Rubens

A Bearded Man is a study by Peter Paul Rubens, now held in the Museo Soumaya in Mexico City.

Contents

History

It was attributed to Rubens by Max Friedländer, Valentiner Held and Jaffé, who date it to between 1617 and 1618 from indications that it was produced in his Wapper studio-house in Antwerp.

At that time Rubens' only assistant was Anthony van Dyck. [1]

Construction site

This work, which is a study, was attributed to Rubens by Max Friedländer, Valentiner Held and Jaffé. These authors indicate that it was painted between 1617 and 1618, which indicates that it was carried out in the house-studio in Wapper Street, Antwerp. In this time and place, Anton Van Dyck used to attend this studio to assimilate the secrets and technique of Rubens. [2]

Related Research Articles

<span class="mw-page-title-main">Anthony van Dyck</span> 17th-century Flemish Baroque artist

Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.

<span class="mw-page-title-main">Caravaggisti</span> Artists who were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio

The Caravaggisti were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as The Taking of Christ, which was attributed to the Dutch painter Gerrit van Honthorst until 1990.

<span class="mw-page-title-main">Cornelis de Vos</span> Flemish painter

Cornelis de Vos was a Flemish painter, draughtsman and art dealer. He was one of the leading portrait painters in Antwerp and is best known for his sensitive portraits, in particular of children and families. He was also successful in other genres including history, religious and genre painting. He was a regular collaborator with Rubens.

<span class="mw-page-title-main">Rubenshuis</span> Home of Peter Paul Rubens (1577–1640) in Antwerp

The Rubenshuis is the former home and workshop of Peter Paul Rubens (1577–1640) in Antwerp. Purchased in 1610, Rubens had the Flemish townhouse renovated and extended on the basis of designs by Rubens himself. After the renovations, the house and its courtyard garden had the outlook of an Italian palazzo, which reflected the artistic ideals of Rubens. The ensemble is now a museum dedicated mainly to the work of Rubens and his contemporaries.

<span class="mw-page-title-main">Peter Paul Rubens</span> Flemish artist and diplomat (1577–1640)

Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.

<span class="mw-page-title-main">Mattheus Ignatius van Bree</span> Belgian painter

Mattheus Ignatius van Bree was a Belgian painter. He was one of the founders of the historical school of painting in Belgium and played an important role as a teacher in the development of 19th-century Belgian art.

<span class="mw-page-title-main">Museo Soumaya</span> Art museum in Nuevo Polanco, Mexico City

The Museo Soumaya is a private museum in Mexico City and a non-profit cultural institution with two museum buildings in Mexico City — Plaza Carso and Plaza Loreto. It has over 66,000 works from 30 centuries of art including sculptures from Pre-Hispanic Mesoamerica, 19th- and 20th-century Mexican art and an extensive repertoire of works by European old masters and masters of modern western art such as Auguste Rodin, Salvador Dalí, Bartolomé Esteban Murillo and Tintoretto. It is called one of the most complete collections of its kind.

<span class="mw-page-title-main">Paulus Pontius</span> Flemish engraver

Paulus Pontius was a Flemish engraver and painter. He was one of the leading engravers connected with the workshop of Peter Paul Rubens. After Rubens' death, Pontus worked with other leading Antwerp painters such as Anthony van Dyck and Jacob Jordaens.

<span class="mw-page-title-main">Victor Wolfvoet (II)</span> Flemish painter and art dealer

Victor Wolfvoet (II) or Victor Wolfvoet the Younger (1612 – 1652), was a Flemish art dealer and painter of history and allegorical paintings. His artistic output was heavily influenced by Peter Paul Rubens.

<i>Crucifixion with the Virgin Mary, St John and St Mary Magdalene</i> Painting by Anthony van Dyck

Crucifixion with the Virgin Mary, St John and St Mary Magdalene is a painting by Anthony van Dyck. He produced it in 1617-19 as the high altarpiece for the Jesuit church in Bergues, near Dunkirk, during his time as an assistant painter to Peter Paul Rubens - for a long time the painting was even attributed to Rubens. It was paid to Rubens in 1621 and seems to have been sold around 1746. It was bought by Louis XV of France in Antwerp in 1749 to be the high altarpiece of Saint-Louis de Versailles at the Palace of Versailles. It is now in the Louvre, in Paris.

<i>The Crowning with Thorns</i> (van Dyck) Painting by Anthony van Dyck

The Crowning with Thorns is a 1618–1620 painting by Anthony van Dyck. He produced it aged 20 during his first Antwerp period, when he was the main studio assistant and pupil of Peter Paul Rubens. It shows Rubens' influence in its relatively sombre palette, chiaroscuro and highly realistic portrayal of musculature. He seems to have completed it early during his stay in Italy, since it also shows the influence of Titian and other Venetian painters in Jesus' face.

<i>Saint Martin Dividing his Cloak</i> (van Dyck) Painting by Anthony van Dyck

St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.

<span class="mw-page-title-main">Coco chocolatero</span>

The coco chocolatero was a cup used to serve small quantities of beverages between the 17th century and the 19th century in countries like Mexico, Guatemala and Venezuela. It was made of coconut shell, hence its name.

Eugenio Landesio (1810–1879) was an Italian painter and a pupil of the Hungarian landscape painter Károly Markó the Elder. Landesio’s career in Mexico was marked by his years at the Academy of San Carlos, where he exercised an influence on later exponents of Mexican landscape painting such as José María Velasco.

Still Life is a mural executed by Rufino Tamayo in 1954. It is on permanent display at the Museo Soumaya.Fundación Carlos Slim in Plaza Carso, Mexico City, Mexico.

<i>The Maiden Kissed by the Ghost</i> Sculpture by Auguste Rodin

The Maiden Kissed by the Ghost is an 1880 sculpture by the French artist Auguste Rodin. It was first exhibited at his fourteenth exhibition, hosted by the National Society Salon. One of the marble versions of the work is now in the Museo Soumaya in Mexico City.

<i>The Prayer</i> (sculpture) Sculpture of Auguste Rodin

The Prayer is a 1909 sculpture by Auguste Rodin. As in his The Walking Man, he explores a fragment of a figure.

<i>The Tears of Saint Peter</i> (El Greco, Mexico City) Painting by El Greco

The Tears of Saint Peter or Penitent Saint Peter is a c.1587-1596 painting by El Greco. It is similar to other works on the same subject by the artist, such as those in the Bowes Museum, the El Greco Museum, the national museum in Stockholm and others.

<i>The Apostle Matthew</i> Painting by Anthony van Dyck

The Apostle Matthew is a c. 1618-1620 painting by the Flemish artist Anthony van Dyck depicting Matthew the Apostle. One of its inspirations was probably the series of paintings of the Apostles he had seen in his master Rubens' studio around 1610, produced for the Duke of Lerma. The smooth brushwork is consistent with the painter's other works from first period in Antwerp.

<i>Saint Peter in Penitence</i> (Ribera)

Saint Peter in Penitence or The Penitent Saint Peter is a 1630s painting of Peter the Apostle by Jusepe de Ribera, now in the Museo Soumaya in Mexico City.

References

  1. Sansores San Román, Carlos (2005). Seis siglos de arte. Cien grandes maestros. México: Museo Soumaya. Fundación Carso A.C. p. 60.
  2. Chavez Cano, Lizette Vaneza; García, Carlos Mario (2014-01-28). "Exposición temporal en el Museo de Arte Moderno, en Bogotá, Colombia: Grandes Maestros de Arte Popular Iberoamericano". Res Mobilis. 3 (3): 170. doi: 10.17811/rm.3.2014.170-171 . ISSN   2255-2057.