The Church of St. Ignatius of Loyola at Campus Martius is a Roman Catholic titular church, of deaconry rank, dedicated to Ignatius of Loyola, the founder of the Society of Jesus, located in Rome, Italy. Built in Baroque style between 1626 and 1650, the church functioned originally as the chapel of the adjacent Roman College, which moved in 1584 to a new larger building and was renamed the Pontifical Gregorian University.
Madonna Della Strada or Santa Maria Della Strada is a painting of Mary, mother of Jesus at the Church of the Gesù in Rome, mother church of the Society of Jesus (Jesuits) religious order of the Catholic Church; it is a variation on the basilissa (imperial) type of icon.
Federico Barocci (c. 1535 – 1612) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
The Church of the Gesù is the mother church of the Society of Jesus (Jesuits), a Catholic religious order. Officially named Chiesa del Santissimo Nome di Gesù all'Argentina, its façade is "the first truly baroque façade", introducing the baroque style into architecture. The church served as a model for innumerable Jesuit churches all over the world, especially in the Americas. Its paintings in the nave, crossing, and side chapels became models for Jesuit churches throughout Italy and Europe, as well as those of other orders. The Church of the Gesù is located in the Piazza del Gesù in Rome.
Sant'Andrea della Valle is a minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the general seat for the religious order of the Theatines. It is located at Piazza Vidoni, at the intersection of Corso Vittorio Emanuele and Corso Rinascimento.
The Parish Basilica of Santa Maria del Popolo is a titular church and a minor basilica in Rome run by the Augustinian order. It stands on the north side of Piazza del Popolo, one of the most famous squares in the city. The church is hemmed in between the Pincian Hill and Porta del Popolo, one of the gates in the Aurelian Wall as well as the starting point of Via Flaminia, the most important route from the north. Its location made the basilica the first church for the majority of travellers entering the city. The church contains works by several famous artists, such as Raphael, Gian Lorenzo Bernini, Caravaggio, Alessandro Algardi, Pinturicchio, Andrea Bregno, Guillaume de Marcillat and Donato Bramante.
Caravaggio created one of his most admired altarpieces, The Entombment of Christ, in 1603–1604 for the second chapel on the right in Santa Maria in Vallicella, a church built for the Oratory of Saint Philip Neri. A copy of the painting is now in the chapel, and the original is in the Vatican Pinacoteca. The painting has been copied by artists as diverse as Rubens, Fragonard, Géricault and Cézanne.
Santi Nereo ed Achilleo is a fourth-century basilica church in Rome, Italy, located in via delle Terme di Caracalla in the rione Celio facing the main entrance to the Baths of Caracalla. It has been the titular church of Cardinal Celestino Aós Braco since 28 November 2020.
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious organisations such as the Society of Jesus (Jesuits), the Theatines and the Barnabites.
Cristoforo Roncalli was an Italian mannerist painter. He was one of the three painters known as Pomarancio or Il Pomarancio.
Camillo Rusconi was an Italian sculptor of the late Baroque in Rome. His style displays both features of Baroque and Neoclassicism. He has been described as a Carlo Maratta in marble.
The Madonna dell'Orto is a church in Venice, Italy, in the sestiere of Cannaregio. This was the home parish of Tintoretto and holds a number of his works as well as his tomb.
The Gonzaga Family in Adoration of the Holy Trinity is a painting by the Flemish artist Peter Paul Rubens, housed in the Ducal Palace in Mantua, Italy. The work was commissioned by Duke Vincenzo I Gonzaga for the Jesuit church in Mantua, while Rubens was his court painter.
The Abbey of Santa Giustina is a 10th-century Benedictine abbey complex located in front of the Prato della Valle in central Padua, region of Veneto, Italy. Adjacent to the former monastery is the basilica church of Santa Giustina, initially built in the 6th century, but whose present form derives from a 17th-century reconstruction.
San Vitale is a Baroque style, Roman Catholic church located in central Parma, region of Emilia Romagna, Italy.
Santa Maria in Provenzano, or the Insigne Collegiata di Santa Maria in Provenzano, is a late-Renaissance-Baroque style, Roman Catholic, collegiate church in Piazza Provenzano Salvani, in the Terza Camollia, just southwest of the basilica of San Francesco, in the city of Siena, region of Tuscany, Italy. This Marian shrine was built around a 14th-century terracotta icon of the Madonna, which was credited with miracles. The Palio of Siena takes place on the day of veneration of this Marian devotion.
The Basilica of Santa Maria Assunta is a 14th-century basilica in Alcamo, province of Trapani, Sicily, southern Italy. It is named after the Assumption.
Andrea Carrera or Carreca was an Italian Baroque painter mainly active in Sicily. He was born in Trapani and died in Palermo.
Visione d'insieme delle tre tavole nell'abside della Chiesa Nuova.
Left side, Pope Gregory the Great with the Saints Mauro e Papia.
Right side, Saint Domitilla with the Saints Nereo e Achilleo.
Sketch of the central altar panel (Academy of Fine Arts Vienna).
The first version on canvas, replaced by the current slate painting (Museum of Grenoble).
