Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century.
Phaeton, Phaethon, Foeton, or Foethon may refer to:
Jacob (Jacques) Jordaens was a Flemish painter, draughtsman and a designer of tapestries and prints. He was a prolific artist who created biblical, mythological, and allegorical compositions, genre scenes, landscapes, illustrations of Flemish sayings and portraits. After the death of Rubens and Anthony van Dyck, he became the leading Flemish Baroque painter of his time. Unlike those illustrious contemporaries he never travelled abroad to study the Antique and Italian painting and, except for a few short trips to locations elsewhere in the Low Countries, he resided in Antwerp his entire life. He also remained largely indifferent to Rubens and van Dyck's intellectual and courtly aspirations. This attitude was expressed in his art through a lack of idealistic treatment which contrasted with that of these contemporaries.
Las Meninas is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Baroque. It has become one of the most widely analyzed works in Western painting for the way its complex and enigmatic composition raises questions about reality and illusion, and for the uncertain relationship it creates between the viewer and the figures depicted.
The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V. The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.
The Elevation of the Cross is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. Both pieces were painted by the Flemish artist Peter Paul Rubens in Antwerp, Belgium, the original in 1610 and the latter in 1638. The original is a winged altarpiece, with the outside of the hinged wings also painted. These can be folded over the central panel, giving an 'open view' and a 'closed view'.
The Massacre of the Innocents is the subject of two paintings by Peter Paul Rubens depicting the episode of the biblical Massacre of the Innocents of Bethlehem, as related in the Gospel of Matthew (2:13–18). The first, measuring 142 x 182 cm, was painted after his return to his native Antwerp in 1608, following eight years spent in Italy.
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris.
Sir Peter Paul Rubens was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Consequences of War, also known as Horror of war, was executed between 1638 and 1639 by Peter Paul Rubens in oil paint on canvas. It was painted for Ferdinando II de' Medici. Although commissioned by an Italian, art historians characterize both the work and the artist as Flemish Baroque. It serves as a commentary on a European continent ravaged by the Thirty Years' War, and the artist employed numerous symbols, both contemporary and ancient, to deplore the state of the continent.
Prometheus Bound is an oil painting by Peter Paul Rubens, a Flemish Baroque artist from Antwerp. Influenced by the Greek play, Prometheus: The Friend of Man, Peter Paul Rubens completed this painting in his studio with collaboration from Frans Snyders, who rendered the eagle. It remained in his possession from 1612 to 1618, when it was traded in a group of paintings completed by Rubens, to Englishman Sir Dudley Carleton in exchange for his collection of classical statues. This work is currently in the collection of the Philadelphia Museum of Art.
Mercury and Argus is an oil painting on canvas executed ca. 1620 by the Flemish painter Jacob Jordaens. It is in the collection of the Museum of Fine Arts of Lyon. It is the first of many versions that Jordaens painted of Ovid's rendering of the mythological story of the murder by Mercury of the giant Argus. Some of the other versions depict other scenes of the story.
Jupiter and Antiope is an oil painting by the French artist Antoine Watteau. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. Intended to be placed over a doorway, today it hangs in the Musée du Louvre in Paris.
The Rape of Ganymede is a painting by the Flemish Baroque painter Peter Paul Rubens produced between 1636 and 1638 painting for the Spanish king Philip IV of Spain's hunting lodge. The painting is based on a story recounted in classical poet Ovid's Metamorphoses. It depicts the moment when the Roman supreme god Jupiter disguised as an eagle catches the young shepherd Ganymede and lifts him into the air. It is in the collection of the Museo del Prado in Madrid. The dramatic scene gave Rubens ample opportunity to show his skill in depicting a lively scene and the nude.
Hercules's Dog Discovers Purple Dye or The Discovery of Purple by Hercules's Dog is an oil painting by Flemish artist Peter Paul Rubens painted circa 1636, towards the end of his career. It depicts the mythical discovery of Tyrian purple by Hercules and his dog, and was one of dozens of oil on panel sketches made by Rubens for the decoration of the Torre de la Parada in Spain. A completed painting based on Rubens's sketch was made by Theodoor van Thulden in 1636–1638, and is now held by the Prado Museum.
The Wrestlers is an oil painting on millboard by English artist William Etty, painted around 1840 and currently in the York Art Gallery, in York, England. It depicts a wrestling match between a black man and a white man, both glistening with sweat and under an intense light emphasising their curves and musculature. While little documentation of the painting exists prior to 1947, it is likely that it was painted over a period of three evenings at the life class of the Royal Academy.
The Four Continents, also known as The Four Rivers of Paradiseor The Four Corners of the World, is a painting by Flemish artist Peter Paul Rubens, made between 1612 and 1615. Rubens painted this piece during a time of truce in the Eighty Years' War known as the Twelve Years' Truce. The painting depicts the female personifications of the four continents with the male personifications of their respective major rivers. The painting also depicts three putti in the foreground along with a crocodile, tigress, and her three cubs. An important figure in this piece is the woman in the middle who personifies Africa. She was one of the two black women Rubens painted at the time.
St Martin Dividing his Cloak is a painting by the Flemish painter Anthony van Dyck dated around 1618, which is an altarpiece in the Sint-Martinuskerk in Zaventem, Belgium. The painting portrays the story of Saint Martin sharing his cloak with a beggar. This early work of van Dyck was painted when he was strongly influenced by Rubens's style.
In 1635, Peter Paul Rubens created Venus and Adonis, now in the Metropolitan Museum of Art, New York. He followed the mythological story in the Metamorphoses by Ovid, inspired from his love of classical literature and earlier depictions of this scene. This oil on canvas painting shows Venus accompanied by Cupid, embracing and pulling Adonis before he goes off to hunt. The artist uses specific colors, detail and strong contrast between light and dark to depict a dramatic and emotional scene. At the time Rubens created the painting, the mythological story of Venus and Adonis was popular in Renaissance and Baroque court art. Rubens was clearly inspired by the many existing depictions of this scene, in particular the famous Titian composition of the same name, of which there are numerous versions. This depicts the same moment of Adonis leaving Venus to hunt, despite her pleas to stay. He is killed later in the day.
Adam and Eve, also known as The Temptation of Adam, Original Sin, and The Fall of Man, may refer to either of two similar works by the Venetian painter Tintoretto: an oil painting in the collection of the Gallerie dell'Accademia in Venice, made around 1550–1553; and a panel in the ceiling of the Upper Hall of the Scuola Grande di San Rocco, made around 1577–1578.
